Among the most widely popular composer of light classical music ever, Johann Strauss, Jr., wrote over 150 waltzes and brought the form to perfection as an extended musical composition. By the 1860s the waltz had become the exhilarating symbol of an elegant way of life, its lively sophistication mirroring the sparkle and joie de vivre of imperial Vienna and charming the world into dancing in three-quarter time. Now musicians and music lovers can enjoy eight of Strauss's finest waltzes, reproduced from authoritative editions, in this sturdy, attractive collection. They include The Beautiful Blue Danube: Artist's Life: Tales of the Vienna Woods: Wine, Women and Song: Wiener Blut: Roses from the South: Voices of Spring: and Emperor Waltz. Replete with inspired melodic invention and harmonic felicities, most of the scores have been reprinted directly from excellent German and Russian editions. In this inexpensive treasury they offer a rich source of inspiration and delight for every waltz lover.

Fest Marsch Op.452 was composed by Johann Strauss II for full Orchestra.Johann Strauss II also known as the 'Waltz King' was an Austrian composer of light music particularly dance music and operettas. Johann Strauss II composed over 400 waltzes polkas quadrilles and other types of dance music as well as several operettas and a ballet with in his relatively long career.

Instrumentation: Fl. Picc. / 1 / 2 (B) / 1 • 3 (F) / 2 (B) / 1 / 0 • Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher

Entreact (Nr. 13a) RV 511A/B/C-13a.ABC-Instrumentation: 2 / 2 / 2 (B) / 2 • 4 (F) / 2 (F) / 3 / 0 • Pk. • Streicher

from Die Fledermaus-Here is a delightful set of three popular selections from the Johann Strauss operetta Die Fledermaus that will be a joyful and effervescent finale or encore for community college and professional concerts at Christmas NewYears or any gala occasion! Includes: Act II Entr'acte and Chorus (“What a joy to be here”) Adele's Laughing Song Act II Finale

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

after Johann Strauss-Igor Markevitch's The Blue Danube written after the famous concert waltz by Johann Strauss II. This work features themes from Strauss' famous work. Full Score.

Many of the old hymns have great sometimes stunning messages. Michael Hurley feels that sometimes the “antiquated” melody and/or harmony can get in the way of these important words. He has embarked upon an ongoingproject to create fresh new music for these grand expressions of faith. He has definitely accomplished that with this arrangement! Higher Ground is lively and upbeat with exciting harmonies and catchy syncopation.“Pressing on the upward way” is no problem with this uplifting choral. The melody soars as the mood of the text climbs higher adding a great high soprano descant on the final verse “I want to scale the utmostheight and catch a gleam of glory bright!” A wonderful orchestration or accompaniment CD is available taking this spirited octavo to new heights...to Higher Ground!

in Full Score-This terrific Dover edition includes 'The Beautiful Blue Danube' 'Artist's Life' 'Roses From The South' and 'The Emperor Waltz' and all four other great waltzes from the composer widely regarded as the greatest exponent in this genre. Full Score.

Instrumentation: Fl. Picc. / 2 / 2 (Es B) / 2 • 4 (F) / 2 (F) / 3 / 0 • Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher

Overture to the Operetta-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Instrumentation: Fl. Picc. / 2 / 2 (B) / 2 • 4 (F) / 2 (F) / 3 / 0 • Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher