SKU: BT.EMBZ14505A

English-German-Hungarian.

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.

Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.

SKU: BT.EMBZ6502

English-German.

The Two Concert Studies, which Liszt composed in 1863 for Grand Theoretical and Practical Piano School by Sigmund Lebert and Ludwig Stark, became rather popular already in his lifetime. Today they are among the most often played works by Liszt. Morceau de salon is also a publication for piano education and was written for the Méthode des méthodes de piano of François-Joseph Fétis and Ignaz Moscheles and published in 1840. The virtuoso concert study was revised by Liszt under the title Ab irato a decade later. This edition contains the score of and critical notes to the above works as published in the New Liszt Edition, as well as prefaces in English and German, which provideinformation about all the important issues concerning the genesis and performance rendering. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.

Separate editions from the New Liszt Complete Critical Edition with preface and critical notes.

The Two Concert Studies, which Liszt composed in 1863 for Grand Theoretical and Practical Piano School by Sigmund Lebert and Ludwig Stark, became rather popular already in his lifetime.Today they are among the most often played works by Liszt.Morceau de salon is also a publication for piano education and was written for the Méthode des méthodes de piano of François-Joseph Fétis and Ignaz Moscheles and published in 1840. The virtuoso concert study was revised by Liszt under thetitle Ab irato a decade later. This edition contains the score of and critical notes to the above works as published in the New Liszt Edition, as well as prefaces in English and German, which provide information about all the important issuesconcerning the genesis and performance rendering.

Einzelausgabe aus der Neuen Kritischen Liszt-Gesamtausgabe mit Vorwort und kritischem Bericht.

Die Zwei Konzertetüden (1. Waldesrauschen, 2. Gnomenreigen), die Liszt 1963 für die Grosse Theoretische-praktische Klavierschule von Sigmunt Lebert und Ludwig Stark schrieb, wurden schon zu seinen Lebzeiten bekannt. Heute gehören sie zuseinen am häufigsten gespielten Stücken.
Morceau de salon ist ebenfalls eine pädagogische Etüde, die Liszt für die Méthode des méthodes de piano (1840) von François-Joseph Fétis und Ignaz Moscheles schrieb. Die virtuose Etüde wurde von Liszt unter dem Titel Ab irato einJahrzehnt später als Konzertetüde veröffentlicht.
Die hier vorliegende Einzelausgabe enthält die Partitur und den kritischen Kommentar aus der New Liszt Edition, sowie Vorworte in Englisch und Deutsch, mit wertvollen Hinweisen zur Entstehung undSpielweise der Stücke.

SKU: AP.6-284425

ISBN 9780486284422. English.

Features 2 widely performed concertos in authoritative 2-piano playing editions.

SKU: BT.MEX288829A

English.

In Concert contains nine piano works, selected from the Diploma of the London College of Music (DipLCM) Piano Syllabus. These works give a snapshot of the huge range of repertoire available to pianiststoday,spanning nearly three hundred years of music from all over the world. We hope that this collection of works will provide inspiration for building original and creative concert programmes, be it in the exam room, at anaudition ora professional recital.

In Concert includes an introduction and performance notes from one of the world’s most innovative musicians, Joanna MacGregor — concert pianist, curator,collaborator, Headof Piano at the Royal Academy of Music and Professor of the University of London. Joanna’s distinctive insights into the technical and interpretative aspects of each work are drawn from her own extensiveperformingexperience. As a director of numerous innovative festivals and concert series, she is also uniquely qualified to write about how to build a programme, one of the most creative and important skills for a musician todevelop.

SKU: BT.LCMLL375

English.

In concert: book 2 contains twelve piano works selected from London College of Music’s ALCM and LLCM Piano syllabus. These works give a snapshot of the huge range of repertoire available to pianists today, spanning nearly three hundred years of music from all over the world. We hope that this collection of works will provide inspiration for building original and creative concert programmes, be it in the exam room, at an audition or a professional recital. Includes an introduction and performance notes from one of the world’s most innovative musicians, Joanna MacGregor — concert pianist, curator, collaborator, Head of Piano at the Royal Academy of Music and Professor of theUniversity of London. Joanna’s distinctive insights into the technical and interpretative aspects of each work are drawn from her own extensive performing experience. As a director of numerous innovative festivals and concert series, she is also uniquely qualified to write about how to build a programme, one of the most creative and important skills for a musician to develop.

SKU: AP.36-M142791

ISBN 9781628769739. UPC: 660355085468. English.

Written in 1916, these Six Concert Etudes (Hat Koncertetud), Op. 28 were written by Hungarian composer, conductor, and pianist Ernst von Dohnányi (1877-1960). He premiered the work himself in Szeged on December 12, 1916. The collection is published in two volumes, with both available from the publisher.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: HL.14048209

ISBN 9780486426662. 9.0x12.0x0.45 inches.

Original Dover compilation of the Piano Concertos, Op.15 and Op.23, originally published separately by Breitkopf and Hartel. Glittering keyboard displays, surging emotional appeal, and a grand heroice manner characterize these two popular late 19th century works by a man once considered by preeminent American composer, Virgil Thomson, as our nearest to a great master before Charles Ives.