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BAGPIPE
Soli, Mixted choir and accompaniment
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Harpsichord and Strings (32)
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DVD Opera and Ballets (32)
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2 Clarinettes, 2 Violons, Orgu… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
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Double bass, Orchestra (24)
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Vocal duet (24)
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Clarinette Solo (23)
Piano, Bass, Drums (trio) (23)
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Guitar, String Quartet (23)
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Instruments A Vent (23)
Baritone Saxophone (23)
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Edition Critique des oeuvres d… (23)
Clavier Electronique et Ligne … (23)
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2 Violons, Basse Et Basse Cont… (23)
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Soli (STB), Choeur Mixte (SSAT… (23)
String quintet (23)
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Viola, Guitar (duet) (22)
Libretto (22)
Double Choeur Mixte, Soprano e… (22)
Euphonium and Orchestra (22)
Orchestre (22)
Choeur SS (B) ou SA (B), 2 Vio… (22)
Trompette et Concert Band ou H… (22)
Saxophone Soprano (22)
Trumpet, Trombone (duet) (22)
Solo Avec Accompagnement De Co… (22)
Violon, Alto et Basse Continue… (21)
Voix et Orchestre à vent (21)
Trompette Et Orchestre (21)
Duos (21)
Solo B, Choeur SATB, 2 Flûtes… (21)
Violon, Ensembles de Cordes et… (21)
Saxophone Quintet: 5 Saxophone… (21)
Sextuor (21)
Euphonium Ensemble (21)
2 Violons, Alto et Basse Conti… (21)
2 French horns (duet) (21)
Hautbois et Basse Continue (21)
Saxhorn en Sib en Clé de Sol … (21)
Soprano, Ténor et Piano (21)
Saxhorn en Sib (21)
Violin, Clarinet, Piano (trio)… (21)
Clavecin Et Instruments A Cord… (21)
Saxhorn or Euphonium (21)
Cor en Mib et Piano ou Orgue (21)
Solistes (SATB), Choeur Mixte … (21)
Flûte à Bec et Piano (21)
Trumpet ensemble (21)
Clarinet Quartet: Clarinet, Vi… (20)
Solistes SATB, Choeur SATB, 2 … (20)
Flûte à Bec F1, Violon et Ba… (20)
Choeur d'Enfants à 1 à 3 Par… (20)
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Choeur à L'Unisson et Orgue (20)
Orchestre Et Orgue (20)
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Mandoline, Cordes et Basse Con… (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Marching Band et Orchestre à … (20)
Flûte Traversière, Clarinett… (20)
2 Violons, Alto, Basses et Cla… (20)
Flûte Traversière, Viole de … (20)
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Flute, Viola and harp (20)
Guitare Tablatures Electrique (20)
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Cornet et Brass Band (20)
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Soprano Et Orchestre De Chambr… (20)
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Viola da Gamba, Basso continuo… (20)
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Violon ou Flûte Traversière … (19)
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Solo instrument and Organ (19)
4 Tubas (19)
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Solistes SB, Choeur SATB, 2 Ha… (19)
Soprano Solo, Alto Solo, Téno… (19)
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Solo Baryton, Choeur SATB, 2 H… (19)
Flûte Traversière Violon et … (19)
A Cappella (19)
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Quatuor Variable (19)
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Mug (19)
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Bagpipe (19)
3 Clarinettes Sib et Clarinett… (19)
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Cor en Fa Solo (19)
Tenor Banjo (19)
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Flûte Traversière ou Hautboi… (18)
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
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The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Now My Soul Exalts The Lord Bwv 10 -Cantata For The Feast Of Visitation B. V. M.-
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Meine Seel erhebt den Herren - Kantate BWV 10 (Klavierauszug) Kantate zum Fest M...
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Meine Seel erhebt den Herren - Kantate BWV 10 (Klavierauszug) Kantate zum Fest Mariae HeimsuchungMit seiner Kantate ?Meine Seel erhebt den Herren' zum Fest Mariae Heimsuchung (2. Juli) legt Bach eine Magnificat-Vertonung der etwas anderen Art vor: die Textvorlage in deutscher Sprache kombiniert Bibeltext und freie Umdichtung, Grundlage ist hierbei der Lobgesang der Maria (Magnificat) aus dem Lukasevangelium. Der 9. Psalmton fungiert als Choralmelodie und bildet ein wiederkehrendes musikalisches Thema.Mit einer relativ kleinen Besetzung aus Trompete (kann notfalls entfallen), zwei Oboen, Streichern und Basso continuo, dazu vier Solisten und Chor gelingt Bach eine festlich anmutende Musik von etwa 20-25 Minuten Dauer.Die praktische Urtext-Edition basiert auf der ?Neuen Bach-Ausgabe'.- Auf Grundlage der ?Neuen Bach-Ausgabe'- Aufführungsdauer: 20-25 Minuten / Violon II
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James Whitbourn: Annelies (Chamber Version): Soprano: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Chester
Annelies was conceived by James Whitbourn as a concert-length choral work with ...
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Annelies was conceived by James Whitbourn as a concert-length choral work with the libretto based on the diary of Anne Franke a Jewish girl who lived at the time of the holocaust. This version is arranged forSoprano soloist SATB chorus Clarinet in B flat Violin Violoncello and Piano.
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Francesco Durante: Magnificat in B: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most importan...
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B-Dur-Francesco Durante's Magnificat in B flat major is one of his most important works and also one of the most siginifcant settings of the Magnficat text here in cantata form. This work displays a mastery of the polyhonic style and though the use of certain pre-classical 'modern' elements its various forms never sound archaic rather the work presents a synthesis leading to a unique style. For a performance during the Christmas season Christmas hymns can be inserted between each of the individual movements. Six arrangements of such hymns are also available as octavos (Carus 10.270/06): - Johann Crüger: Nun komm der Heiden Heiland - Cornelius Freundt: Wie schön singt unsder Engel Schar - Johann Sebastian Bach: Uns ist ein Kindlein heut geborn - Erhard Bodenschatz: Joseph lieder Joseph mein - Johann Crüger: Fröhlich soll mein Herze springen - Gregor Joseph Werner: Der Tag der ist so freudenreich The string parts for these movements are included in the parts Carus 10.270/11-14.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Voice &
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate - Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for sale Barenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of thechurch year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Wolfgang Amadeus Mozart: Missa longa In C Major K.262: Cello & Double Bass: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so ...
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The Mass K.262 (246a) is known as Missa longa. Leopold Mozart designated it so next to the incipit on the cover of the autograph collection of five masses in C major by his son. Mozart literature gives the year of origin as 1776 without mentioning the speculative nature of this claim.The monumentality of the Missa longa suggests that the work was written for a particularly solemn occasion. When scanning for outstanding ecclesiastical events in the 1770?s one cannot ignore the consecration of Ignaz Josef Count Spaur coadjutor and administrator of the diocese of Brixen as titular bishop of Chrysopel on 17 November 1776 in the Salzburg cathedral. Erich Schenk claimsthat Leopold Mozart?s mention of Wolfgang?s ?Spaur Mass? in a letter of 28 May 1778 was in reference to the consecration of Ignaz Josef Spaur an old friend of the Mozart family. Mozart?s work would then have to be seen as an homage of a truly personal nature. The Missa longa is the only setting of the Ordinary from this period which is appropriate to such a highly solemn event.Urtext of the ?New Mozart Edition? Ideal for church services and concert performances Full score & performance material (BA4853) and vocal score (BA4853-90) for sale
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Gioachino Rossini: Petite Messe Solennelle: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He com...
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The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.
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Gioachino Rossini: Petite Messe Solennelle: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He com...
(+)
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.
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Giovanni Battista Pergolesi: Stabat Mater: SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Pergolesi’s famous Stabat mater a work for two soloists strings and con...
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Pergolesi’s famous Stabat mater a work for two soloists strings and continuo quickly became a success throughout Europe. However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir whilst the arias were kept for the soloists.In this edition the outer movements and no. 8 are now scored for three-part choir (Sop MezSop Alto) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices. The added parts are derived from the existing musical material. These lend this well-known work a completely new charm andprovide a welcome addition to the repertoire for choral concerts.For performance material use original edition BA7679.The arrangerMalcolm Bruno is the editor of the Urtext edition of the Stabat mater (BA 7679) and a renowned expert in 18th century Italian music.
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Francesco Durante: Magnificat in B: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
B-Dur-Francesco Durante's Magnificat in B flat major is one of his most importan...
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B-Dur-Francesco Durante's Magnificat in B flat major is one of his most important works and also one of the most siginifcant settings of the Magnficat text here in cantata form. This work displays a mastery of the polyhonic style and though the use of certain pre-classical 'modern' elements its various forms never sound archaic rather the work presents a synthesis leading to a unique style. For a performance during the Christmas season Christmas hymns can be inserted between each of the individual movements. Six arrangements of such hymns are also available as octavos (Carus 10.270/06): - Johann Crüger: Nun komm der Heiden Heiland - Cornelius Freundt: Wie schön singt unsder Engel Schar - Johann Sebastian Bach: Uns ist ein Kindlein heut geborn - Erhard Bodenschatz: Joseph lieder Joseph mein - Johann Crüger: Fröhlich soll mein Herze springen - Gregor Joseph Werner: Der Tag der ist so freudenreich The string parts for these movements are included in the parts Carus 10.270/11-14.
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
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Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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8. Sinfonie (PENDERECKI KRZYSZTOF)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Study Score / Miniature]
Schott
Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orches...
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Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orchestra. Par PENDERECKI KRZYSZTOF. The form of this work is not so much based on the classical symphony, but is closer to a song cycle structure which has now grown to include 13 movements for choir and orchestra. The Romantic characteristics and form of the 8th Symphony are both reminiscent of Gustav Mahler’s choral symphonic works and his Lied von der Erde. Krzysztof Penderecki here extends and augments his expressive musical material, for example through cluster techniques and glissandi, possibilities which he has been systematically exploring since the 1950s. He has compiled the texts from poetry by Eichendorff, Rilke, Brecht, Kraus, Hesse, Goethe, Bethge and von Arnim on the theme of ’forests and trees’, which has long been close to his heart as demonstrated by his private arboretum near Luslavice (’my personal Ithaca’) containing over 1500 species of trees./ Répertoire / Solistes, Choeur et Orchestre
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Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Orchestra: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Critical Reports]
Barenreiter
Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 a...
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Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for saleDetailed Critical Commentary (English) documents all the sources and findings made by the editor.
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Carmen
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Eulenburg
'Carmen' est l'un des opéras plus souvent jouées dans le monde et la genèse d...
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'Carmen' est l'un des opéras plus souvent jouées dans le monde et la genèse de le oeuvre est exceptionnellement bien documentée. En dépit de cela, aucun des éditions publiées après la mort du compositeur correspondent à ses intentions. Maintenant les editi du Didion / Solistes, Choeur Et Orchestre
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Britten Benjamin - Cantata Misericordium Op. 69 - Mixed Choir , Soloists And Orchestra
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Boosey and Hawkes
Instrument : mixed choir (SATB), soloists (TBar) and orchestra Type : choral sco...
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Instrument : mixed choir (SATB), soloists (TBar) and orchestra Type : choral score Nombre de Pages : 22
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Mozart W.a. - Don Giovanni Kv 527 - Soloists, Choir And Orchestra
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Eulenburg
Opera Instrument : soloists, choir and orchestra Type : study score Series : Eu...
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Opera Instrument : soloists, choir and orchestra Type : study score Series : Eulenburg Miniature Scores Nombre de Pages : 688 Content : Vorwort - Revisionsbericht - Preface - Editorial Notes - Ouvertüre - 1. Akt - 2. Akt
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Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
With final chorus An die Freude (Ode to Joy)-With final chorus 'An die Freude' (...
(+)
With final chorus An die Freude (Ode to Joy)-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for sale
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
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BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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