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BAGPIPE
Soli, Mixted choir and accompaniment
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:: (14)
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Nursery rhyme (14)
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DVD concert (14)
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Lap Steel Guitar (13)
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Soli (T (Evangelist), B (Jesus… (9)
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Fake Book (8)
Bass Clarinet (8)
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Choeur SSATB, 2 Hautbois, 2 Vi… (8)
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Affiche (7)
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Lyrics only (7)
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4 Trompettes Et 4 Trombones (7)
Guitare Flatpick et Plectre (7)
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Flute, Piano Trio (bass, drum,… (7)
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Solistes SATB, Choeur SATB, Fl… (7)
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Lute (7)
Flûte à Bec et Piano (7)
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Soprano, Flûte Traversière E… (7)
2 Trompettes Et 2 Trombones (7)
4 Voix Mixtes et Guitare (7)
Cornet (7)
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2 Flutes, Piano (7)
Choeur SA Et Piano (7)
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Batterie et Percussions (7)
Porte-partition (7)
Pocket, Study conductor (7)
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4 Solistes, Choeur Et Orchestr… (6)
Solistes (SATB), Choeur Mixte … (6)
Guitare Tablatures Flatpick et… (6)
Solo S (T), Viola da braccio (… (6)
Choeur (MezMez) Avec Instrumen… (6)
Basse, Choeur Mixte (SATB) Et … (6)
Soli (STB), Choeur Mixte (SATB… (6)
Solistes (SATB) . Choeur Mixte… (6)
Soli (SATB), Choeur Mixte (SAT… (6)
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Orgue, 2 Hautbois, Cor Anglais… (6)
Saxhorn en Sib en Clé de Sol (6)
Brass Quartet: 2 trumpets, hor… (6)
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Flûte à Bec Soprano, Cordes … (6)
Clarinette Alto et Piano (6)
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Saxhorn en Sib Basse Continue (6)
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Soprano Saxophone (6)
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Cordes (Quatuor Pour Flûtes A… (6)
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Electric bass, Drums (6)
Orgue et Fanfare (6)
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Hohe Stimme, Melodie-Instrume… (6)
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Xylophone or Marimba or Vibrap… (6)
2 Euphoniums (6)
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Soprano, Trompette, 2 Violons,… (6)
Gemischter Chor (SATB/CantoATB… (6)
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Ensemble Instrumental et Petit… (6)
Choeur de Jeunes et Piano (6)
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Chamber Music (6)
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Guitare ou Luth (5)
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Children choir, Instruments (5)
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Octuor De Cuivres (5)
SAM a Cappella (5)
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Fiddle (5)
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Violon 2 (5)
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Cor en Fa (5)
Vibraphone (5)
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Soprano Saxophone and Piano (5)
Parties Instruments Divers (5)
Voix et Ensemble (5)
SAM et Piano (5)
Ukulélé Soprano (5)
2 Flûtes à Bec (5)
Guitar, Orchestra (5)
String quartet: 4 violins (5)
Choeur Mixte et Orchestre (5)
Oboe and Orchestra (5)
String Trio: 3 cellos (5)
Violon 1 (5)
Partition D'Orchestre (5)
Choeur de Femmes (5)
Libretto (5)
Guitare, Flûte Ad Libitum et … (4)
2 Trompettes Sib, 1 Cor, 1 Tro… (4)
Quatuor à Vents variable (4)
S, A, A, T, B, Choeur Mixte A … (4)
Instrumentation Flexible (4)
Clarinet Quartet: Clarinet, Vi… (4)
5-Part Flexible Band and Opt. … (4)
Quatuor à Cordes, Violoncelle… (4)
Flûte Traversière, Cordes et… (4)
Flûte Traversière Clarinette… (4)
Trompette, Trombone et Basse C… (4)
Violoncelle, Contrebasse et Pe… (4)
Flute, Oboe, Piano (trio) (4)
Solo S (T), Flûte à Bec F1 (… (4)
Guitar and Bass Tablatures, Ch… (4)
Flûte A Bec Soprano Et Flûte… (4)
Quatuor de Cordes (4)
4 Cellos (4)
Solo T, 2 Violons et Basse Con… (4)
Basson, Violoncelle et Piano o… (4)
Quintette à vent et Percussio… (4)
Violon, Piano, Guitare Basse e… (4)
Hautbois et Harpe (4)
Plectrum Orchestra (4)
Voix, piano (4)
Piano, Piccolo, Flûte Travers… (4)
3 Parties Solo, Choeur Et Orch… (4)
Orgue et Flûte à Bec Soprani… (4)
2 Violons, 2 Altos et 2 Violon… (4)
Flute, Viola and Piano (4)
Clarinet (band part) (4)
Violoncelle, Contrebasse, Bass… (4)
Trio à Cordes et Piano (4)
Hautbois, Ensemble de Cordes e… (4)
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Violon Principal et 13 Cordes (4)
Solo S, 2 Violons et Basse Con… (4)
Handbells (4)
Choeur Mixte A 3 Voix, 2 Violo… (4)
Hautbois et 4 Clarinettes (4)
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Brass Et Choeur (4)
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Clarinette, Cor de Basset et P… (4)
Harp, Flute (duet) (4)
Choeur A Cappella (4)
1 Et 2 Flûtes A Bec Soprano E… (4)
Quatuor avec Piano (4)
Trombone, Tuba (duet) (4)
Choral SSATBB (4)
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Trio A Vent-Bois (4)
Clavecin Et Instruments A Cord… (4)
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Clarinette, Piano, Violon et V… (4)
Flute, Violin, Cello and Piano… (4)
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Flûte Traversière, Clarinett… (4)
Violoncelle, Accordéon et Cho… (4)
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Saxophone, Clarinet (duet) (4)
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Flûte Traversière, Clarinett… (4)
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Harpsichord and Strings (4)
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6 Trombones 2 Trombone Basses (4)
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
(+)
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B...
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BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative – aria – recitative – aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in a melody full of thecheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling violin part which ultimately soars upward to breathtaking heights.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 4 Christ Lag In Todes Banden: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
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Cantata for Easter Sunday-Christ lag in Todes Banden (Christ lay by death enshro...
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Cantata for Easter Sunday-Christ lag in Todes Banden (Christ lay by death enshrouded / Christ lay in grim death's prison ) BWV 4Cantata for Easter SundayUrtext of the New Bach Edition.Original German text with English singing translation.Idiomatic and easy-to-play Piano reduction.Performance material (BA10004) vocal score (BA10004-90) & study score (TP1004) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprisingconsidering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 31 Der Himmel Lacht!: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
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Der Himmel lacht! Die Erde jubilieret BWV 31 (The Heavens laugh the earth exult...
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Der Himmel lacht! Die Erde jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter DayPerformance material (BA10031) vocal score (BA10031-90) & study score (TP1031) available for saleThe text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Our editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardlysurprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
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Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Tr...
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Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 6 Bleib Bei Uns: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata for Easter Monday- Full sc...
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Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata for Easter Monday- Full score & performance material (BA10006) vocal score (BA10006-90) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such ascouncil inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Voice &
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate - Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for sale Barenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of thechurch year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 158 Der Friede Sei Mit Dir: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede s...
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Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede sei mit dir is one of those works of Bach’s which present the most problems. Neither the author of the text nor the history of the work’s composition is known to us; and to judge by appearances the version that has come down to us is but a fragment compounded of a number of once disparate elements and gives little indication of the work’s original form.Yet the movements that have come down to us are of such uncommon musical interest that we would not want to be deprived of them just because they may be incomplete. The modesty of its requirements is at least in partresponsible for the comparatively wide popularity enjoyed by this cantata.- Urtext of the New Bach Edition- Full score & performance material (BA10158) vocal score (BA10158-90) available for sale
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Johann Sebastian Bach: Cantata BWV 158 Der Friede Sei Mit Dir: SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Cantata for Easter Tuesday-Der Friede sei mit dir BWV 158Cantata for Easter Tues...
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Cantata for Easter Tuesday-Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede sei mit dir is one of those works of Bach’s which present the most problems. Neither the author of the text nor the history of the work’s composition is known to us; and to judge by appearances the version that has come down to us is but a fragment compounded of a number of once disparate elements and gives little indication of the work’s original form.Yet the movements that have come down to us are of such uncommon musical interest that we would not want to be deprived of them just because they may be incomplete. The modesty of its requirements is at least in partresponsible for the comparatively wide popularity enjoyed by this cantata.- Urtext of the New Bach Edition- Full score & performance material (BA10158) vocal score (BA10158-90) available for sale
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
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Barenreiter
Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet...
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Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata No. 10: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Barenreiter
Cantata for the Feast of Visitation B. V. M.-Now My Soul Exalts The Lord BWV 10:...
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Cantata for the Feast of Visitation B. V. M.-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata BWV 132 Bereitet Die Wege: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Cantata for the 4th Sunday of Advent-Bereitet die Wege bereitet die Bahn BWV 13...
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Cantata for the 4th Sunday of Advent-Bereitet die Wege bereitet die Bahn BWV 132Cantata for the 4th Sunday of Advent.The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the church service given by the Weimar court orchestra (of which he was the concert master) on 22 December the fourth Sunday in Advent in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary in Weimar Salomon Franck who wrote the poem especially for thatoccasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.- Urtext of the New Bach Edition- Full score & performance material (BA10132) vocal score (BA10132-90) available for sale.
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Johann Sebastian Bach: Cantata Bwv 78 Jesu Der Du Meine Seele: Mixed Choir:
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Barenreiter
Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the ...
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Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freely remodelled as ariasand recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 68 Also hat Gott die Welt geliebt: SATB:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Cantata for Whit Monday-Also hat Gott die Welt geliebt BWV 68 Cantata for Whit M...
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Cantata for Whit Monday-Also hat Gott die Welt geliebt BWV 68 Cantata for Whit MondayThe cantata Also hat Gott die Welt geliebt was written for the second day of Whitsun in the year 1725 and is one of nine cantatas to texts by Mariane von Ziegler which chronologically speaking close the 1724/1725 cycle of chorale cantatas. The work is not really a chorale cantata at all but its spacious opening chorale movement induced Bach to keep it among the chorale cantatas when he later revised the order of the cycle.Urtext of the New Bach EditionFull score & performance material (BA10068) vocal score (BA10068-90) available for sale
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Johann Sebastian Bach: Cantata BWV 140 Wachet auf ruft uns die Stimme: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140...
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Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140)Cantata for the 27th sunday after Trinity The Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus the work is scored for two Oboes English Horn Bassoon Horn Violino Piccolo Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake' is based on a hymn by Philipp Nicolai also written in 1731 for the 27th Sunday after Trinity. Urtext of the NewBach Edition Study score format 22.5 x 16.5cm (TP1140) performance material (BA10140) and vocal score (BA10140-90) available for sale
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Johann Sebastian Bach: Cantata BWV 208 Was mir behagt: Soprano: Score
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Soli, mixted choir, orchestra
[Sheet music]
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Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Bi...
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Was mir behagt ist nur die muntre Jagd BWV 208Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-WeimarThe hunting cantata the earliest secular cantata of Bach's which has come down to us was performed for the birthday of Duke Christian of Saxony-Weissenfels (23February) - according to most recent research very probably in the year 1713. It was later performed again for the birthday of Duke Ernst August of Saxony-Weimar (the co-regent of Duke Wilhelm Ernst).Bach's score employs taut musical forms; noteworthy - and entirely characteristic ofBach's early style - is the dominant role of the continuo in recitatives and arias. The setting is in chamnber music style.- Urtext of the New Bach Edition- Full score & performance material (BA10208) and vocal score (BA10208-90) available for sale
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Johann Sebastian Bach: Cantata BWV 80 Ein feste Burg ist unser Gott: Voice:
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Barenreiter
Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for t...
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Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
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Johann Sebastian Bach: Cantata BWV 147 Herz Und Mund Und Tat Und Leben: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
As one of the most popular and best-known cantatas this work has become an indis...
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As one of the most popular and best-known cantatas this work has become an indispensable part of the repertoire. The last movement is most commonly known as Jesu Joy of Man's Desiring. Study score and performance material available for sale. Barenreiter Urtext: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest inmusicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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