The Classical Guitarist's Gig Book is an essential collection of classic works either written or transcribed for solo guitar. Many of the pieces are frequently requested for ceremonial or formal events. In addition to containing functional music, concert literature is also included which may be used for a wide spectrum of musical situations. Some of the works are presented as faithful transcriptions while others are treated with mild to generous artistic liberties./ Recueil / Guitare Classique

Uses: General ReformationScripture: Psalm 36:5; Lamentations 3:22-23; Psalm 89:8The faithfulness of Christ is the foundation of this outstanding original. A noble theme lifts the message to amazingheights while the considerate vocal writing makes this selection useful for church choirs of any size. With piano only or with the beautiful orchestration this sacred choral anthem is a tuneful reminder of God's glory andmajesty. Available separately: SATB Orchestration (Score and parts for Piano Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Timpani Percussion 1&2 Harp Violin 1&2 Viola Cello Double Bass) StudioTrax CD. Duration: ca. 3:33.

Uses: General RevivalScripture: James 4:6; Romans 3:24-25; Hebrews 4:16; II Peter 3:18A modern contemporary classic takes wing in a musical setting that opens it up to ensembles of any size andlevel. The chorus is so memorable as it articulates the foundations of our faith and declares the attributes of unfailing grace. A beautiful theme for any worshipping choir! A full orchestration and performance track offersadditional options to directors. Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpets 1-3 Trombones 1 & 2 BassTrombone/Tuba Timpani Melodic Percussion Aux. Percussion Piano Violin 1 & 2 Viola Cello Double Bass). Duration: ca. 3:44.

Par . Here is an economical collection of 15 complete arrangements in a variety of styles. Perfect for quickly building a library of great sounding charts. Playable with 3 saxes, 2 trumpets, 1 trombone, piano, drums. Includes: Ain't No Mountain High Enough; Baby, It's Cold Outside; Blue 'n' Moody; Blue Train; Come Fly with Me; Final Countdown; Green Onions; Hawaii Five-O Theme; Livin' on a Prayer; Puttin' on the Ritz; Sesame Street Theme; Sway (Quien Sera); 25 or 6 to 4; What'd I Say; and You've Got a Friend in Me. Full-band demo recordings are included. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-04-05/ Recueil / Jazz Ensemble

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

Series : Bärenreiter Studienpartituren - Study scores Edition : Study Score Binding : stapled Instrumentation : 2 Flute, Flute 3/ Piccolo, 2 Oboe, Oboe 3/ English horn, 2 Clarinet (b flat), Clarinet (b flat) 3/ Bass clarinet, 2 Bassoon, Contrabassoon 4 Hn, 3 Trumpet, 3 Trombone, Tuba, Kettledrum, Drums (3), Harp, Piano, Strings Duration : 20'

Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Snare drum Strings (Violin 1 Violin 2 Viola Cello Bass)Peter Warlock wrote the Capriol Suite for Piano duet. He also produced a version for string orchestra and both were published in 1926. Two years later in 1928 he made this arrangement for full orchestra. This new edition corrects a few minor errors that were present in the 1928 edition published by Curwen and also shows the trumpets in Bb; they were shown in C originally. The six movements which are based on sixteenth century dance tunes are:- Basse-Danse Pavane Tordion Bransles Pieds-en-l´air Mattachins.

reconstructed by Philip Wilby-This reconstruction of the Concerto in D K.315f was first performed on 15th August 1985 at the Dartington Hall Summer School of Music by Ernst Kovacic (Violin) and Bernard Roberts (Piano) with the Dartington Chamber Orchestraconducted by Diego Masson. This is the Study Score. Instrumentation includes SOLO VIOLIN; SOLO PIANO; 2 FLUTES; 2 OBOES; 2 HORNS IN D AND G; 2 TRUMPETS; TIMPANI; STRINGS.The duration of this work is 25 minutes. Full score solo and orchestral parts are available on hire from the publishers.

Combining the classical Mass form with American musical styles Missa Americana joins together both old and new. This innovative combination allows the work to be performed in both church and concert settings. IncorporatingEnglish and traditional Latin texts Missa Americana is set for mixed choir and soprano and tenor soli with orchestral or organ accompaniment. Movements: Introit and Kyrie Gloria Credo Offertory (text from Psalm 138) Sanctus and Benedictus Agnus Dei (based on American hymn tune). Publications available: SATB Score Organ Score and Orchestra (score and parts for 2 Flutes Piccolo 2 Oboes English Horn 2 Bb Clarinets Bb Bass Clarinet 2Bassoons 4 F Horns 3 Bb Trumpets 2 Trombones Bass Trombone Tuba Timpani Percussion (3 players) Harp Celesta (Piano) Violin Viola Cello and Bass). Total Performance Time: Approx. 26 minutes