The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

Listing for Trombone Parts 1 and 2 only.Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Snare drum Strings (Violin 1 Violin 2 Viola Cello Bass)Peter Warlock wrote the Capriol Suite for Piano duet. He also produced a version for string orchestra and both were published in 1926. Two years later in 1928 he made this arrangement for full orchestra. This new edition corrects a few minor errors that were present in the 1928 edition published by Curwen and also shows the trumpets in Bb; they were shown in C originally. The six movements which are based on sixteenth century dance tunesare:- Basse-Danse Pavane Tordion Bransles Pieds-en-l´air Mattachins.

Listing for Viola Part only.Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Snare drum Strings (Violin 1 Violin 2 Viola Cello Bass)Peter Warlock wrote the Capriol Suite for Piano duet. He also produced a version for string orchestra and both were published in 1926. Two years later in 1928 he made this arrangement for full orchestra. This new edition corrects a few minor errors that were present in the 1928 edition published by Curwen and also shows the trumpets in Bb; they were shown in C originally. The six movements which are based on sixteenth century dance tunes are:- Basse-Danse Pavane Tordion Bransles Pieds-en-l´air Mattachins.

This unique series allows you to form a jazz quartet with three players, playing either the same instrument or playing any combination of flute, clarinet, alto saxophone or trumpet. The CD contains accompaniments from a tight jazz backing band, which makes playing in a swing style easy.

Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be

Don and Nancy's regal Easter Celebration! is another superb example of what's made their music so popular for so long. With stately elegance it will be learned easily offers nice harmonies with some soprano divisi includes several short a cappella lines which sound full and exciting contains a soprano descant and will sound great with either piano or organ accompaniment and even better with the use of one or two trumpets (optional). Use asan introit to Easter services or as an anthem; either way this joyful flourish captures the triumphant mood of the day.

Uses: General Concert Scripture: Psalm 57:8 - Psalm 108 Composed in a vigorous early American martial style this anthem exclaims the joy and power of music. With divisi in both men's and women's voices this will require an accomplished choir. Performed with the piano accompaniment this is a powerhouse. When performed with the brass and percussion (2 horns 3 trumpets 2 trombones tuba and 2 percussion players) this will be a tour de force.

Commissioned for a premiere performance at the Texas Music Educators' Association 2000 convention Joseph Martin's Come to the Music is alive and electric with driving rhythm memorable melodies mixed meter and joyful text. Optional percussion and piccolo accompaniment included at the back of the octavo enhance the medieval dance quality of this exciting piece. Score and parts for flute 1&2 (fl 2 dbl piccolo) oboe clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1&2 tuba timpani percussion 1-3 harp piano violin 1&2 viola cello double bass.

Uses: General Lent Ash Wednesday Holy WeekScripture: I John 1:9; Psalm 51:10-12; Hebrews 8:12From the pages of concert music repertoire comes an adaptation that incorporates the power of theoriginal masterwork with the impact of a new sacred text. Contemplative in nature the cry for forgiveness and mercy rises like a prayer from the luxurious textures of the choral sonority. Linear voice leading gives thisthrough-composed anthem an organic quality flowing with emotion and religious devotion. A noble orchestration crowns the whole with dignity and nobility. Available separately: SATB Orchestration StudioTrax CD. (Orchestrationinstrumentation: Score & parts for flute 1&2 oboe clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1-3 tuba timpani percussion 1&2 harp piano violin 1&2 viola cello double bass). Duration: ca. 4:47.

Uses: General Pentecost Evangelism Reformation Church AnniversaryScripture: I Corinthians 12:12-27; I Peter 2:9-10; Acts 20:28The last e-mail between two best friends J. Paul Williams and JosephMartin contained the text of this inspiring testimony of faith. Written for a church Paul served during the early days of his ministry this anthem was completed posthumously and represents the crowning effort for this popularwriting team. Strong arching melodic gestures sequence and crescendo lifting to the heights these words: “grace is our miracle we are your church O Christ.” Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & Parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpets 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion Harp Piano Violin 1 & 2 Viola Cello DoubleBass). Duration: ca. 3:53.

Uses: General Music Appreciation ConcertScripture: Psalm 66:4; James 5:13; Psalm 96:1Leaping joyfully from the score this music of unbridled energy calls the world to jubilant praise. Masterfullyamalgamating classic sacred poetry along with words from the Psalms this general use anthem is equally at home in the sanctuary or concert hall. Whether done with piano alone with brass and percussion or with the fullorchestration you will ignite the spirit of song in a bright new way with this amazing composition. Available separately: SATB SSAA StudioTrax CD (Accompaniment Split-Trax Performance) Brass & Percussion parts FullOrchestration CD-ROM (Score & parts for Flute 1&2 (Fl. 2 dbl. Piccolo) Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Violin Cello DoubleBass). Duration: ca. 2:39.