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FLUTE
2 Pianos, 4 hands
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Yellow River (XINGHAI XIAN)
2 Pianos, 4 hands
[Reduction]
Schott
Concerto for Piano and Orchestra - Arranged on basis of the Cantata Yellow River...
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Concerto for Piano and Orchestra - Arranged on basis of the Cantata Yellow River. Par XINGHAI XIAN. Rachmaninoff and Tchaikovsky may have influenced it and Lang Lang has included it in his repertoire: the piano concerto 'Yellow River' features a brilliant virtuoso solo part, expressiveness and drama, contemplation, great pathos and wit. Based on the cantata of the same name by the famous Chinese composer Xian Xinghai (1905-1945), the concerto, arranged by Yin Chengzong among others, is similarly characterized by the combination of Chinese folk music and elements of the Peking Opera, with traditional European art music. 'Yellow River', the cradle of Chinese civilization and a symbol of the spirit of the Chinese people, can be compared to the 'Moldau' from Smetana's symphonic poem 'Má Vlast'. It is down to you to discover its programmatic content!/ Répertoire / Orchestre et Piano
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Johann Strauss: Pizzicato Polka: Piano Duet: Instrumental Work
2 Pianos, 4 hands
[Sheet music]
Edwin Ashdown
This arrangement for Piano Duet depends upon the most delicate of staccato to re...
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This arrangement for Piano Duet depends upon the most delicate of staccato to reproduce the pizzicato effect so it is both a delightful piece and superb practice for the intermediate pianist.Johann Strauss wrote the PizzicatoPolka scored for String Orchestra with glockenspiel with his brother Josef for a trip to St Petersburg. On the evening the novelty piece was introduced such was the crowd’s enthusiasm that it was performed nine times.Similar scenes followed wherever the work was performed and it became one of the pair’s most popular works.
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Concertino In Dance Styles
2 Pianos, 4 hands
Alfred Publishing
Concertino in Dance Styles is a work in three movements that highlights skills i...
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Concertino in Dance Styles is a work in three movements that highlights skills in articulations, dynamics, tempo, and mood. From the joyous first movement to the mysterious second movement, followed by a delightful jig for the third movement, this piece provides unique technical challenges, harmonic variety, and stylistic moods. The second piano part can be played by a teacher, older sibling, parent, or grandparent---making this piece a recital showstopper! / 2 Pianos, 4 Mains
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Reynaldo Hahn: Caprice Mélancolique Et Autres Pièces Pour Deux Pianos. Sheet Music for Piano(Duet)
2 Pianos, 4 hands
Leduc, Alphonse
Pour Deux Pianos-At the time Reynaldo Hahn (1874-1947) tackled music for two pia...
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Pour Deux Pianos-At the time Reynaldo Hahn (1874-1947) tackled music for two pianos Belle Époque salons were already vying for this gifted 17-year-old who had made himself known by publishing a song whose success was going to be crowned by a place in posterity: Si mes vers avaient des ailes. Dated 1891 the Scherzo lent surprises with its very title a veritable oxymoron since the scherzo is normally distinguished by its rapidity. From it the composer kept only the three-beat rhythmic pattern and the tripartite structure (ABA) with B serving as a trio. Previously unpublished this expressive dance with its moderate tempo had its world premiere recordingby Leslie Howard (with Mattia Ometto) who prefaced the present publication. Built on an improvised theme while dusk was wrestling with night the Caprice mélancolique of 1897 takes the form of a waltz-fantasy in quadruple time its originality being heightened by the contrasting central part. The moving triptych Pour bercer un convalescent dedicated in 1915 by Private Reynaldo to 'Henri Bardac sergeant in the 306 th infantry seriously wounded at the battle of the Aisne' combines modesty and melancholy with infinite delicacy: its healing powers are of all times.
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Léon Jessel: The Parade Of The Tin Soldiers Op. 123: Piano Duet: Instrumental
2 Pianos, 4 hands
[Sheet music]
Edwin Ashdown
The Parade of the Tin Soldiers is a jolly march composed originally for Piano an...
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The Parade of the Tin Soldiers is a jolly march composed originally for Piano and recorded many times over the decades. Each Christmas season at Radio City Music Hall in Manhattan the Rockettes perform a traditional danceroutine to the tune. Of particular charm is the moment near the end when the soldiers fall down in a long chromatic scale.Composer arranger conductor bandleader Kapellmeister Leon Jessel was active in his native Germany fromthe late 1800?s until the rise of Nazism ended his career in the 1920?s. Before that he had worked extensively as a musician and created Germany?s most beloved operetta Schwarzwaldmädel (Black Forest Girl) and others almost aspopular.
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The Joy Of Two Pianos
2 Pianos, 4 hands
Yorktown Music Press
Chassidic Round Dance (Agay) Chit Chat Polka (Strauss) Jeannie With The Ligh...
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Chassidic Round Dance (Agay) Chit Chat Polka (Strauss) Jeannie With The Light Brown Hair Liebesfreud [Kreisler, Fritz] Meet Frankie And Johnny (Agay) Menuet From The Little Notebook For Anna Magdalena Bach (Bach) Music Box Rag (Agay) Oh! Susanna Rondo All'ungharese From Piano Concerto In D (Haydn) Russian Sailors' Dance From The Red Poppy (Gilere) Sonatina (Clementi) Two Landler (Mozart)
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24 Preludes Op. 22 Vol.1 (WYSCHNEGRADSKY IVAN ALEXANDROWITSCH)
2 Pianos, 4 hands
[Sheet music]
Belaieff
Par WYSCHNEGRADSKY IVAN ALEXANDROWITSCH. In Quarter-Tone System/ Répertoire / 2...
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Par WYSCHNEGRADSKY IVAN ALEXANDROWITSCH. In Quarter-Tone System/ Répertoire / 2 Pianos 4 Mains
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Mozart W.a. - Concerto For Piano N°8 Kv 246 Lutzow Concerto - 2 Pianos
2 Pianos, 4 hands
Barenreiter
Mozart, Wolfgang Amadeus Concerto for Piano and Orchestra no. 8 C major K. 246 L...
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Mozart, Wolfgang Amadeus Concerto for Piano and Orchestra no. 8 C major K. 246 Lützow Concerto Edition no. BA 5388-90 ISMN 9790006470402 Editor Wolff, Christoph Arranger Töpel, Michael Piano reduction, Urtext edition
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Maurice Ravel: Concerto: Piano: Instrumental Work
2 Pianos, 4 hands
[Reduction]
Barenreiter
for the Left Hand for Piano and Orchestra Piano reduction and solo part-In 1929...
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for the Left Hand for Piano and Orchestra Piano reduction and solo part-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’s evolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings (Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale
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Vivaldiana Op. 23 (CALLIGARIS SERGIO)
2 Pianos, 4 hands
[Score]
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Intermediate
Ricordi
Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGI...
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Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos
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Mozart, Wolfgang Amadeus : Concerto pour piano et orchestre en ut majeur (n° 8) Concerto Lützow / Concerto for Piano and Orchestra in C Major (No. 8) Lützow-Concerto
2 Pianos, 4 hands
[Sheet music]
Barenreiter
[Konzert für Klavier und Orchester C-Dur KV 246 (Nr. 8) Lützow-Konzert] / Clas...
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[Konzert für Klavier und Orchester C-Dur KV 246 (Nr. 8) Lützow-Konzert] / Classique / Editeur : Christoph Wolff / Réduction piano : Mich / Partition / Cartonné / Plats de carton /
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Zorba's Dance (THEODORAKIS MIKIS)
2 Pianos, 4 hands
[Score and Parts]
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Intermediate/advanced
Schott
Syrtaki. Par THEODORAKIS MIKIS. Mit „Zorba's Dance' schuf Mikis Theodorakis je...
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Syrtaki. Par THEODORAKIS MIKIS. Mit „Zorba's Dance' schuf Mikis Theodorakis jene Melodie, die die griechische Musiktradition von der Antike bis zur Gegenwart zu verkörpern scheint und heute als Syrtaki weltweit den Inbegriff der volkstümlichen griechischen Musik darstellt. Lowell Liebermann schuf nun eine virtuose und zugleich effektvolle Bearbeitung für zwei Klaviere, die sich sowohl als Konzert- aber auch als Zugabenstück bestens eignet. / Niveau : Intermédiaire à Avancé / Répertoire / 2 Pianos
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Alla Turca Jazz op. 5b (SAY FAZIL / CETINER YUDUM (Arr)
2 Pianos, 4 hands
[Sheet music]
Schott
Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amad...
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Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos
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Piano Concerto No. 5 (SHCHEDRIN RODION)
2 Pianos, 4 hands
Schott
piano reduction for 2 pianos. Par SHCHEDRIN RODION. Shchedrin, son of a composer...
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piano reduction for 2 pianos. Par SHCHEDRIN RODION. Shchedrin, son of a composer and music teacher, underwent a thorough musical training in Moscow. His versatility and dazzling competence across a wide variety of musical genres are surely a result of his studies. The composer is also an exceptional pianist and frequently performs his own piano works (concertos, sonatas, 24 preludes and fugues, etc.) on the concert platform. While employing a variety of modern compositional techniques he has, nevertheless, succeeded in uniting traditional and contemporary forms. His work is suffused with his love for Russian folkmusic, poetry and literature, yet it is not just relevant in his homeland but speaks to a wider audience. His more recent works too, are characterized by this fusion of a deep Slavic sensitivity with outstanding virtuosity./ Répertoire / 2 Pianos
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Cinderella - 8 Easy Pieces (STEENHUYSE-VANDEVELDE CHRISTA)
2 Pianos, 4 hands
Metropolis Music Publishers
Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde has been teachi...
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Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde has been teaching for over 30 years with unbridled enthusiasm and unparalleled creativity. Throughout her career she inspired more than a thousand piano students, which she brought into contact with masters from the past and the present. Christa's own compositions have a high romantic style with a flowing melody and a beautiful harmonic accompaniment. Christa Steenhuyse-Vandevelde has been teaching for over 30 years with unbridled enthusiasm and unparalleled creativity. Throughout her career she inspired more than a thousand piano students, which she brought into contact with masters from the past and the present. Christa's own compositions have a high romantic style with a flowing melody and a beautiful harmonic accompaniment./ Répertoire / 2 Pianos
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Journey Through The Classics - Piano Duets
2 Pianos, 4 hands
[Sheet music]
Hal Leonard
58 Essential Masterworks. Par . Featuring 58 carefully curated classical duets f...
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58 Essential Masterworks. Par . Featuring 58 carefully curated classical duets from elementary to intermediate, this 1 piano, 4 hands collection is a must-have for every piano studio. Features comb-binding for easy page turns. Includes works by Brahms, Czerny, Gurlitt, Lully, Schubert, Tchaikovsky, and many more. The graded pieces are presented in a progressive order from elementary through to intermediate level. The authentic repertoire is ideal for lessons and recitals, and every level includes a reference chart with the key, composer, and challenge elements listed for each piece. The Beckman/True Duo has been performing together since 2000 in national and international venues. Presenting both standard and contemporary works from 1900 to present day, their programs include music for duo pianos and piano duet. They have released multiple recordings and are also committed teachers who have taught workshops for experienced teachers and young musicians. They have adjudicated and performed in venues across the globe. / Date parution : 2021-12-09/ Recueil / 2 Pianos
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Monologe (ZIMMERMANN BERND ALOIS)
2 Pianos, 4 hands
Schott
2 Exemplare zur Auffuhrung notig. Par ZIMMERMANN BERND ALOIS. In January 1964 Be...
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2 Exemplare zur Auffuhrung notig. Par ZIMMERMANN BERND ALOIS. In January 1964 Bernd Alois Zimmermann interrupted the completion of his opera Die Soldaten [The Soldiers] in order to rearrange his orchestral work Dialoge for two pianos. Monologe resulting therefrom takes up the original material but develops it towards a different direction: Zimmermann‘s collage technique based on quotations extends over the entire musical setting so that it is not only Mozart (Piano Concerto in C major KV 467) who has his say but Beethoven, Messiaen and Bach as well. 'Monologe – this is a piece for two pianists; real monologues of these pianists who, though simultaneously,[…] do not always play at the same 'time'; […] losing themselves in their 'own thoughts', as it were.' (Zimmermann)/ Répertoire / 2 Pianos
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Carl Maria von Weber: Konzerstuck Fur Klavier Un Orchester F-Moll Op 79: Piano
2 Pianos, 4 hands
[Reduction]
G. Henle
There were two reasons behind Weber?s hesitation to perform his opus 79 known a...
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There were two reasons behind Weber?s hesitation to perform his opus 79 known as 'Concert Piece' in public. As he wrote to the music journalist Friedrich Rochlitz experience had shown that concertos in minor keys were not aswell-received by the public. Furthermore he was worried that he would be misjudged as a 'musical charlatan' because while composing it he had had visions of a dramatic love story at the time of the crusades which had influencedthe character of the work. His concerns were superfluous; the effective virtuoso piece conquered the concert stages all over the world. It is now available for the first time as an Urtext edition. The world famous pianistMarc-André Hamelin provided the fingering.
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Wolfgang Amadeus Mozart: Piano Concerto In C Minor K. 491: Piano Duet:
2 Pianos, 4 hands
G. Henle
Piano reduction-According to Mozart?s own catalogue K. 491 was completed on 24 ...
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Piano reduction-According to Mozart?s own catalogue K. 491 was completed on 24 March 1786 it was Mozart?s only Piano concerto aside from K. 466 that was in a minor key. It was probably first performed two weeks later aspart of an ?academy? at the Burgtheater in Vienna. Mozart was extremely pressed for time while composing this work a fact that is shown both by the cursory way in which the autograph was written and by therepeated corrections. Unlike earlier publications this edition contains the definitive version as in Mozart?s manuscript. The Piano reduction of this edition was undertaken by the celebrated pianist AndrásSchiff to whom we also already owe our reductions of the concertos K. 453 467 488 and 503 (HN 765 766 767 and 825). He also supplied the fingerings for the solo part the cadenzas and the lead-ins.
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Sergei Rachmaninov: Suite 2 Op.17: Piano: Instrumental Work
2 Pianos, 4 hands
[Score]
Boosey and Hawkes
Dramatic and lyrical by turns this work displays Rachmaninov's keyboard charact...
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Dramatic and lyrical by turns this work displays Rachmaninov's keyboard characteristics: intense Russian flavor rich and bold sonorities compelling rhythmic drive and brilliant virtuosity. Rachmaninov shows here a very fine grasp of the medium of two pianos his haunting sense of melody and his richly harmonic and rhythmic foundation. Altogether it ranks as a very important contribution to two-piano literature. Arranged for 2 Pianos 4 Hands this edition includes two complete copies of the work.
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Camille Saint-Saëns: Piano Concerto No. 2 In G Minor Op. 22: Piano Duet: Score
2 Pianos, 4 hands
[Reduction]
G. Henle
Piano Reduction-A talented pianist and composer it stood to reason that Camille...
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Piano Reduction-A talented pianist and composer it stood to reason that Camille Saint-Saëns would engage with the Piano concerto genre early on particularly as in France the 'concerto brilliant' was very popular at that time.Saint-Saëns did indeed begin to compose his own concertos however; he gave a clear renunciation of the 'concerto brilliant' declaring instead that 'the solo part of a concerto must be set out and treated like adramatic role'. He realised this concept of a 'symphonic concerto'; in his Piano Concerto No.2 In G Minor composed in 1868.The solo part is technically very challenging and at the same time closely boundup with the Orchestra. Johannes Umbreit is responsible for the Piano reduction based on the composer's own version for Two Pianos; Pascal Rogé supplies the fingerings for the solo part.
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DE FALLA MANUEL RITUAL OF FIRE 2 PIANOS 4 MAINS
2 Pianos, 4 hands
[Sheet music]
Chester
Born in 1876 in Cadiz, the historical seaport town at the southern-most tip of A...
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Born in 1876 in Cadiz, the historical seaport town at the southern-most tip of Andalucia, Manuel de Falla is the greatest Spanish composer of this century.
The Ritual Fire Dance from the Ballet El Amor Brujo has been transcribed for two pianos, four hands by Mario Braggiotti. / [Manuel De Falla: Ritual Fire Dance (El Amor Brujo) For 2 Pianos] / Classique / Partition /
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Beethoven L.v. - Konzert Nr.2 In B Op.19 - Piano Reduction
2 Pianos, 4 hands
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Intermediate/advanced
Barenreiter
Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 2 B-flat major o...
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Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 2 B-flat major op. 19 Details Edition no.: BA 9022-90 ISMN: 9790006544141 Editor: Del Mar, Jonathan Arranger: Schelhaas, Martin Product format: Piano reduction, Part(s), Urtext edition Includes the following individual parts: Piano (2) Binding: Paperback Pages / Format: 46/35 S. - 31,0 x 24,3 cm Although the sources to Beethoven?s piano concerto op. 19 are generally known, many misconceptions and misinterpretations are put right in this Bärenreiter Urtext edition. Up till now, no edition was based exclusively on the authentic sources. Previous publications tended to rely on earlier editions, such as the old Beethoven Complete Edition which in turn also did not take exclusively authentic sources into account. Jonathan Del Mar?s scholarly-critical edition corrects misreadings of Beethoven?s autograph which were already present in the first edition and had subsequently been incorporated into other editions of this work. ? First Urtext edition based on the authentic sources ? Numerous corrections in the orchestral parts ? Piano reduction with a separate solo piano part
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Alan Bush: Variations Nocturne And Finale For 2 Pianos: Piano Duet: Instrumental
2 Pianos, 4 hands
[Sheet music]
Novello & Co Ltd.
Variations Nocturne & Finale On An English Sea-Song for Piano and Orchestra Op....
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Variations Nocturne & Finale On An English Sea-Song for Piano and Orchestra Op.60. Orchestral part arranged for a second Piano by David Lyon. After a brief introduction to the Orchestra the melody of an eighteenth century whalermen's ballad with verse and refrain 'Blow Ye Winds' is given out the verse by the Piano the refrain divided between Orchestra and Piano. Then follow thirteen variations the last three being pianistic etudes accompanied Orchestrally. The nocturne evokes the nostalgia of a long voyage and the finale the excitement dangers and glory of a triumphant chase. In these movements as well as in the variations the entiremusical material is derived from the basic theme. The work is designed as a virtuoso concert-piece for the pianist with supporting Orchestral flashes of colour and points of contrast.
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Grand duo - Franz Schuberts Grosse Fantasie (LISZT FRANZ)
2 Pianos, 4 hands
[Sheet music]
EMB (Editio Musica Budapest)
New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand d...
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New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos
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Dimitri Shostakovich: Piano Concerto No.2 Op.102: Piano: Instrumental Work
2 Pianos, 4 hands
[Score]
Boosey and Hawkes
Shostakovich's Piano Concerto No.2 accurately and beautifully arranged for 2 Pia...
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Shostakovich's Piano Concerto No.2 accurately and beautifully arranged for 2 Pianos. Composed in 1957 the premiere was given on 10th May in the Great Hall of Moscow Conservatoire conducted by Nikolai Ansonov. The piece is dedicated to and was first played by Dmitri's son Maxim Shostakovich. This is an abridged version for two Pianos.
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Fantaisie-Tableaux (Suite No. 1), Op. 5 (RACHMANINOV SERGEI)
2 Pianos, 4 hands
Alfred Publishing
Par RACHMANINOV SERGEI. This large four-movement work, written in 1893, was prem...
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Par RACHMANINOV SERGEI. This large four-movement work, written in 1893, was premiered by Rachmaninoff and Pavel Pabst in Moscow. It is dedicated to Peter Ilyich Tchaikovsky. A few lines of poetry by Romantic poets preface each movement. The theme of love in the first two movements is brought to life by the two pianos with colorful, passionate writing. The final two movements feature the sound of bells---the third movement inspired by cathedrals bells that Rachmaninoff heard as a youngster, and the fourth movement capturing the jubilant sound of Easter carillon./ Répertoire / 2 Pianos
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Béla Bartók: Piano Concerto No.3: Piano: Instrumental Work
2 Pianos, 4 hands
Boosey and Hawkes
Bartok wrote his Piano Concerto No.3 during the summer of 1945 intending it as ...
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Bartok wrote his Piano Concerto No.3 during the summer of 1945 intending it as a birthday present to his wife Ditta on 31st October. By this time he was already gravely ill; however he was able to finish the score with the exception of the last seventeen bars which he notated in a kind of musical shorthand. These last bars were later deciphered and scored by his pupil and friend Tibor Serly. This is a reduction for 2 Pianos four hands by Matyas Seiber.
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