Arr. Philip Sparke. Par BYRD WILLIAM. The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas. The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book. Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances. The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas. The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford 's March and it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book. Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances. / Niveau : 4 / Transcription / Répertoire / Brass Band

Arr. Philip Sparke. Par BYRD WILLIAM. The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas. The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book. Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances. / Niveau : 4 / Transcription / Répertoire / Brass Band

Par HESS NIGEL. Dans l'état de New York, se trouvent les montagnes Catskill - une combinaison extraordinaire de la Majesté et la puissance, la paix et la tranquillité. Une fois vu qu'ils appellent vous revenir encore et encore. Cette transcription brass band a été faite par Phillip Littlemore et explore les sons chaleureuses et sonores de la fanfare. ' Les Catskills ' est le deuxième mouvement de photos de la côte est, écrite à l'origine de la bande de vent et a été commandée en 1985 par l'orchestre de vent de jeunes britanniques avec des fonds de la National Westminster Bank plc. Ces trois courts ' images ' ont été inspirés par plusieurs visites par le compositeur d'une petite partie de la côte atlantique des Etats-Unis, un secteur qui offre le grands extrêmes dans la géographie et le peuple. Ce travail a récemment été enregistré sur le CD ' Images East Coast ' par la bande Leyland, réalisée par Michael Fowles et peuvent être commandé à partir de ce site (numéro de catalogue: 0-571-52109-6)./ Répertoire / Brass Band

Par MILLER GLENN. Un arrangement classique par Mark Freeh, offrant une suite en quatre mouvements de nombres de Glenn Miller classique dont In the Mood, Moonlight Serenade, Pennsylvanie 6-5000 et patrouille américaine./ Répertoire / Brass Band

Par WILLIAMS JOHN. In a career that's spanned over five decades, composer John Williams has scored fewer than five Westerns which, judging from his exemplary work on this 1972 score The Cowboys, seems something of a shame. Williams offers up a robust, brassy score that the composer hopes 'people will find genuine pleasure in'. Brass Band Grade 5: 1st Section Duration: 6 minutes/ Recueil / Brass Band

Par MILLER GLENN. A Glenn Miller Suite ia a classic arrangement by Mark Freeh, offering a four- movement suite of classic Glenn Miller numbers including In the Mood, Moonlight Serenade, Pennsylvania 6-5000 and American Patrol. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 9 minutes/ Répertoire / Brass Band

Par VAUGHAN WILLIAMS RALPH. In his Prelude ? The Truth from Above, outstanding arranger and curator Paul Hindmarsh has distilled the essence of a timeless Christmas classic by Ralph Vaughan Williams into five minutes of ravishingly unforgettable music for brass band. The variants of the Herefordshire tune popular from the Fantasia on Christmas Carols and The Oxford Book of Carols are skilfully and stylishly woven together, from an evocative opening to an ecstatic, multi-layered coda. Unerringly true to the timeless spirit of the original, with the added beauty of the brass-band sound at its most sonorously grave and haunting, Prelude ? The Truth from Above may be performed separately, or as the first of two preludes, preceding Paul?s arrangement of Rhosymedre from the Three Preludes Founded on Welsh Hymn Tunes, also available from Stainer

Par EILISH BILLIE / BROWN MICHAEL (Arr.). Retardé par la pandémie mais devant finalement sortir en 2021, le nouveau James Bond, No Time to Die (Mourir peut attendre), se distingue par une chanson d?une sombre beauté interprétée par Billie Eilish. Rappelant l?ambiance harmonique et la classe des arrangements typiques des James Bond, cette chanson est déjà bien partie pour devenir un classique. Elle est ici parfaitement transcrite pour brass band par Christopher Bond./ Répertoire / Brass Band