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FLUTE
Choeur Mixte SATB et Piano
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Sing in a Season
Choeur Mixte SATB et Piano
Oxford University Press
Par CHILCOTT BOB. for SATB and piano or small ensemble A collaboration with poet...
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Par CHILCOTT BOB. for SATB and piano or small ensemble A collaboration with poet Charles Bennett, this celebratory work explores all that we can learn from the natural world. The work may be accompanied by piano, playing from the vocal score, or a small ensemble of flute, oboe, clarinet in A, horn in F, timpani, and organ, using the materials available separately. / Date parution : 2023-08-12/ Répertoire / Choeur Mixte SATB et Piano
15.15 EUR - Sold by LMI-partitions
(Seller in french langage)
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Selfe Petties Teares (PEERSON MARTIN)
Choeur Mixte (SSATB) et Piano
[Sheet music]
Schott
Par PEERSON MARTIN. / Feuillet / Choeur Mixte (SSATB) et Piano
3.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Make Not A Bond Of Love
Choeur Mixte (SSATB) Et Piano
Boosey and Hawkes
An attractive addition to the wedding/civil ceremony choral repertoire, 'Make no...
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An attractive addition to the wedding/civil ceremony choral repertoire, 'Make not a bond of love' is an approachable motet of around 3 minutes duration featuring Todd's characteristic lush harmonies and expert vocal writing. The text by Kahlil Gibran tells of the joys of love, but also of the need for individuality in a relationship.This work is also appears in the Concerts for Choirs volume Confetti and Cake (ISMN 979-0-060-11896-8). / Choeur Mixte (SSATB) Et Piano
4.14 EUR - Sold by LMI-partitions
(Seller in french langage)
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Requiem (MOZART WOLFGANG AMADEUS)
Choeur Mixte SATB et Piano
Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal...
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Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Choeur Mixte SATB et Piano
17.34 EUR - Sold by LMI-partitions
(Seller in french langage)
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Chatroom
Choeur Mixte (SATBarB) Et Piano
Schott
Chatroom' uses original texts from the World Wide Web which appear in partly abs...
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Chatroom' uses original texts from the World Wide Web which appear in partly abstract tonal poetry. A conglomeration of unclear scraps of conversation from Internet forums and dating sites become a tongue-twister collage about the nonsense of modern Internet communication. / Choeur Mixte (SATBarB) Et Piano
16.65 EUR - Sold by LMI-partitions
(Seller in french langage)
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