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FLUTE
Choeur SATB, 2 Violons et Basse Continue
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Danksaget Dem Vater (ROSENMULLER JOHANN)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : G-Moll -. Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung /...
(+)
Tonalité : G-Moll -. Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/ Répertoire / Choeur SSATB, 2 Violons et Basse Continue
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Danksaget Dem Vater (ROSENMULLER JOHANN)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : G-Moll -. Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung /...
(+)
Tonalité : G-Moll -. Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/ Répertoire / Choeur SSATB, 2 Violons et Basse Continue
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Daran Ist Erschienen Die Liebe Gottes (ROSENMULLER JOHANN)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par ROSENMULLER JOHANN. Kantaten - Verwendung / Kirchenjahr: Wei cor achten - La...
(+)
Par ROSENMULLER JOHANN. Kantaten - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/ Répertoire / Choeur SSATB, 2 Violons et Basse Continue
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Wo Ist Der Neugeborne König (HAMMERSCHMIDT ANDREAS)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : A-Moll -. Par HAMMERSCHMIDT ANDREAS. Gattungen: Geistliche Konzerte ...
(+)
Tonalité : A-Moll -. Par HAMMERSCHMIDT ANDREAS. Gattungen: Geistliche Konzerte - Verwendung / Kirchenjahr: Epiphanias, Wei cor achten - Langue : Allemand / Musique religieuse / Répertoire / Choeur SSATB, 2 Violons et Basse Continue
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Danksaget Dem Vater (ROSENMULLER JOHANN)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : G-Moll -. Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung /...
(+)
Tonalité : G-Moll -. Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/ Répertoire / Choeur SSATB, 2 Violons et Basse Continue
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Wo Ist Der Neugeborne König (HAMMERSCHMIDT ANDREAS)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : A-Moll -. Par HAMMERSCHMIDT ANDREAS. Gattungen: Geistliche Konzerte ...
(+)
Tonalité : A-Moll -. Par HAMMERSCHMIDT ANDREAS. Gattungen: Geistliche Konzerte - Verwendung / Kirchenjahr: Epiphanias, Wei cor achten - Langue : Allemand / Musique religieuse / Répertoire / Choeur SSATB, 2 Violons et Basse Continue
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Wo Ist Der Neugeborne König (HAMMERSCHMIDT ANDREAS)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : A-Moll -. Par HAMMERSCHMIDT ANDREAS. Gattungen: Geistliche Konzerte ...
(+)
Tonalité : A-Moll -. Par HAMMERSCHMIDT ANDREAS. Gattungen: Geistliche Konzerte - Verwendung / Kirchenjahr: Epiphanias, Wei cor achten - Langue : Allemand / Musique religieuse / Répertoire / Choeur SSATB, 2 Violons et Basse Continue
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Daran Ist Erschienen Die Liebe Gottes (ROSENMULLER JOHANN)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Wei cor ...
(+)
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/ Répertoire / Choeur SSATB, 2 Violons et Basse Continue
2.20 EUR - Sold by LMI-partitions
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Danksaget Dem Vater (ROSENMULLER JOHANN)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : G-Moll -. Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung /...
(+)
Tonalité : G-Moll -. Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/ Répertoire / Choeur SSATB, 2 Violons et Basse Continue
5.30 EUR - Sold by LMI-partitions
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Daran Ist Erschienen Die Liebe Gottes (ROSENMULLER JOHANN)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Wei cor ...
(+)
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/ Répertoire / Choeur SSATB, 2 Violons et Basse Continue
5.30 EUR - Sold by LMI-partitions
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Daran Ist Erschienen Die Liebe Gottes (ROSENMULLER JOHANN)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Wei cor ...
(+)
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/ Répertoire / Choeur SSATB, 2 Violons et Basse Continue
2.20 EUR - Sold by LMI-partitions
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Wo Ist Der Neugeborne König (HAMMERSCHMIDT ANDREAS)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : A-Moll -. Par HAMMERSCHMIDT ANDREAS. Gattungen: Geistliche Konzerte ...
(+)
Tonalité : A-Moll -. Par HAMMERSCHMIDT ANDREAS. Gattungen: Geistliche Konzerte - Verwendung / Kirchenjahr: Epiphanias, Wei cor achten - Langue : Allemand / Musique religieuse / Répertoire / Choeur SSATB, 2 Violons et Basse Continue
2.20 EUR - Sold by LMI-partitions
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Daran Ist Erschienen Die Liebe Gottes (ROSENMULLER JOHANN)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Wei cor ...
(+)
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand/ Répertoire / Choeur SSATB, 2 Violons et Basse Continue
2.20 EUR - Sold by LMI-partitions
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Wo Ist Der Neugeborne König (HAMMERSCHMIDT ANDREAS)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : A-Moll -. Par HAMMERSCHMIDT ANDREAS. Gattungen: Geistliche Konzerte ...
(+)
Tonalité : A-Moll -. Par HAMMERSCHMIDT ANDREAS. Gattungen: Geistliche Konzerte - Verwendung / Kirchenjahr: Epiphanias, Wei cor achten - Langue : Allemand / Musique religieuse / Répertoire / Choeur SSATB, 2 Violons et Basse Continue
8.20 EUR - Sold by LMI-partitions
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Danksaget Dem Vater (ROSENMULLER JOHANN)
Choeur SSATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Tonalité : G-Moll -. Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung /...
(+)
Tonalité : G-Moll -. Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Anlässe: L Hautbois und Dank - Langue : Allemand/ Répertoire / Choeur SSATB, 2 Violons et Basse Continue
9.50 EUR - Sold by LMI-partitions
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Wär Gott Nicht Mit Uns Diese Zeit (BUXTEHUDE DIETRICH)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the b...
(+)
Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violins also play the chorale, and in which the lines of the hymn follow each _x000D_other without a break. This cantata has come down to us in a tabulatur from the Düben Collection. It belongs in the context of a number of chorale cantatas which were copied around 1685. / Musique religieuse / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons et Basse Continue
2.90 EUR - Sold by LMI-partitions
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Wär Gott Nicht Mit Uns Diese Zeit (BUXTEHUDE DIETRICH)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the b...
(+)
Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violins also play the chorale, and in which the lines of the hymn follow each _x000D_other without a break. This cantata has come down to us in a tabulatur from the Düben Collection. It belongs in the context of a number of chorale cantatas which were copied around 1685. / Musique religieuse / Répertoire / Choeur SATB, 2 Violons et Basse Continue
2.90 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Wahrlich, Ich Sage Euch (ROSENMULLER JOHANN)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Aus 'Andere Kernsprüche' 1652, Nr. 16. Par ROSENMULLER JOHANN. Tonalité : C-Du...
(+)
Aus 'Andere Kernsprüche' 1652, Nr. 16. Par ROSENMULLER JOHANN. Tonalité : C-Dur -/ Répertoire / Choeur SATB, 2 Violons et Basse Continue
1.80 EUR - Sold by LMI-partitions
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Wahrlich, Ich Sage Euch (ROSENMULLER JOHANN)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Aus 'Andere Kernsprüche' 1652, Nr. 16. Par ROSENMULLER JOHANN. Tonalité : C-Du...
(+)
Aus 'Andere Kernsprüche' 1652, Nr. 16. Par ROSENMULLER JOHANN. Tonalité : C-Dur -/ Répertoire / Choeur SATB, 2 Violons et Basse Continue
1.80 EUR - Sold by LMI-partitions
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Wahrlich, Ich Sage Euch (ROSENMULLER JOHANN)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Aus 'Andere Kernsprüche' 1652, Nr. 16. Par ROSENMULLER JOHANN. Tonalité : C-Du...
(+)
Aus 'Andere Kernsprüche' 1652, Nr. 16. Par ROSENMULLER JOHANN. Tonalité : C-Dur -/ Répertoire / Choeur SATB, 2 Violons et Basse Continue
1.80 EUR - Sold by LMI-partitions
(Seller in french langage)
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Wär Gott Nicht Mit Uns Diese Zeit (BUXTEHUDE DIETRICH)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the b...
(+)
Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violins also play the chorale, and in which the lines of the hymn follow each _x000D_other without a break. This cantata has come down to us in a tabulatur from the Düben Collection. It belongs in the context of a number of chorale cantatas which were copied around 1685. / Musique religieuse / Répertoire / Choeur SATB, 2 Violons et Basse Continue
2.90 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
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Walts Gott, Mein Werk Ich Lasse (BUXTEHUDE DIETRICH)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich t...
(+)
Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich tut mich verlangen, ” which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sünder BuxWV 178. Apart from the “Amen, ” with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the prelude and interludes. This piece exists in a tabulatur copied by Düben before June 1687./ Répertoire / Choeur SATB, 2 Violons et Basse Continue
3.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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Wär Gott Nicht Mit Uns Diese Zeit (BUXTEHUDE DIETRICH)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the b...
(+)
Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violins also play the chorale, and in which the lines of the hymn follow each _x000D_other without a break. This cantata has come down to us in a tabulatur from the Düben Collection. It belongs in the context of a number of chorale cantatas which were copied around 1685. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons et Basse Continue
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Wär Gott Nicht Mit Uns Diese Zeit (BUXTEHUDE DIETRICH)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the b...
(+)
Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violins also play the chorale, and in which the lines of the hymn follow each other without a break. This cantata has come downto us in a tabulatur from the Düben Collection. It belongs in the context of a number of chorale cantatas which were copied around 1685. / Date parution : 2007-01-01/ Répertoire / Choeur SATB, 2 Violons et Basse Continue
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Walts Gott, Mein Werk Ich Lasse (BUXTEHUDE DIETRICH)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich t...
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Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich tut mich verlangen, ” which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sünder BuxWV 178. Apart from the “Amen, ” with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the prelude and interludes. This piece exists in a tabulatur copied by Düben before June 1687./ Répertoire / Choeur SATB, 2 Violons et Basse Continue
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Wahrlich, Ich Sage Euch (ROSENMULLER JOHANN)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Aus 'Andere Kernsprüche' 1652, Nr. 16. Par ROSENMULLER JOHANN. Tonalité : C-Du...
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Aus 'Andere Kernsprüche' 1652, Nr. 16. Par ROSENMULLER JOHANN. Tonalité : C-Dur -/ Répertoire / Choeur SATB, 2 Violons et Basse Continue
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Walts Gott, Mein Werk Ich Lasse (BUXTEHUDE DIETRICH)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich t...
(+)
Par BUXTEHUDE DIETRICH. This six-verse hymn is based on the melody “Herzlich tut mich verlangen, ” which Buxtehude used both for the solo cantata Herzlich tut mich verlangen BuxWV 42 and for a chorale prelude entitled Ach Herr, mich armen Sünder BuxWV 178. Apart from the “Amen, ” with coloratura decoration, the text is set in a simple four-part texture. The accompanying violins are used in the prelude and interludes. This piece exists in a tabulatur copied by Düben before June 1687. / Musique religieuse / Répertoire / Choeur SATB, 2 Violons et Basse Continue
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Die Augen Des Herrn Sehen Auf (ROSENMULLER JOHANN)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Reformat...
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Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Reformationsfest - Langue : Allemand/ Répertoire / Choeur SATB, 2 Violons et Basse Continue
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Die Augen Des Herrn Sehen Auf (ROSENMULLER JOHANN)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Reformat...
(+)
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Reformationsfest - Langue : Allemand/ Répertoire / Choeur SATB, 2 Violons et Basse Continue
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Die Augen Des Herrn Sehen Auf (ROSENMULLER JOHANN)
Choeur SATB, 2 Violons et Basse Continue
[Sheet music]
Carus Verlag
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Reformat...
(+)
Par ROSENMULLER JOHANN. Gattungen: Kantaten - Verwendung / Kirchenjahr: Reformationsfest - Langue : Allemand/ Répertoire / Choeur SATB, 2 Violons et Basse Continue
2.20 EUR - Sold by LMI-partitions
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