Walzer, F. Gem Ch, Orchester (Klav). Par ZIEHRER CARL MICHAEL. gemCh/ Répertoire / Choeur

Ssatb. Par PRAETORIUS MICHAEL. 5. Folge: Unsere Liebe Frau/ Répertoire / Choeur

Francis Pott’s My song is love unknown sets all of Samuel Crossman’s famous verses but one (commonly omitted when the poem is sung metrically as a hymn). The music begins with offbeat repeated chords prompted—not inappropriately—by the opening to Richard Strauss’s tone poem  Death and transfiguration. In its early stages only trebles and altos are heard. The sequential flow of Crossman’s poem is soon disrupted with particular dramatic ends in mind. After a seemingly anxious harmonic distortion of the opening chords the word ‘crucify’ arises initially as a mere mutter from the lowervoices so timed as to afford assonance with other words in the upper parts and thus remain barely discernible as if only imagined. In due course however cries of ‘Hosanna’ find themselves on a collision course with a rising tide of ‘Crucify’ during which the ‘Hosanna’ faction gradually loses heart and sheep-like defects until a single treble voice—plaintively daring to repeat the ‘offending’ word—is swept aside by a murderous outcry. In due course ‘Crucify’ recurs as a further angry climax before the opening music returns this time expanding into an extended polyphonic final section for double choir and SATB soloists. The principal climax of the work subsides into a form of epilogue crowned sorrowfully by a treble soloist to whom the music in toto has by now presented many challenges. The anthem ends in the key and mood of its opening. The character of its demanding organ part reflects the possibility that it may one day be orchestrated.   My song is love unknown was composed in memory of Michael Renton a craftsman and largely self-taught ‘Renaissance’ man who was not only a member of the Winchester cathedral congregation but also the cathedral’s stonemason. He was beloved of many in the Cathedral community; a true and

Dvorak's Mass in D Op.86 was completed in 1887. It is scored for Soprano, Alto, Tenor and Bass soloists, SATB and organ, or SATB (with optional soloists) and orchestra. Edited by Michael Pilkington. / Choeur

The Open Singing Choir Songbook-Open Singing is all about creating moments of magic and pure pleasure through singing with others. At Open Singing sessions everyone is invited to sing: the event is neither choral rehearsalor choral concert. It is – pure and simple – all about turning up and making music. Open Singing transcends age style and culture. Along with a methodical approach and good communication skills a clever choice of repertoire is one of the most important preconditions for a successful session. This album presents a varied selection of time-honoured classics and new pieces suitable for all kinds of Open Singing. Additionally Sing Along – SingTogether! offers valuable tips and performance suggestions for successful planning and realization of Open Singing sessions.