This collection, in two volumes, offers seven well-known carols in fresh and sophisticated a cappella settings. Volume 2 includes excellent arrangements at a mature high school level and beyond that can be selected individually or as a group by choirs in school and church alike: Away in a Manger- The Holly and the Ivy- Coventry Carol- The First Nowell. / Choeur Mixte (SSAATTBB) A Cappella

Winner of the 1st prize at the International Composition Competition Musica Sacra Nova 2012, the eight-part work presents itself in a powerful and majestic manner. Canonic sections alternate with full-voiced passages, presenting the chamber choir as a powerful organ. / Choeur SSAATTBB

Deux chansons partie par l'éminent chorale anglaise compositeur Herbert Howells, fixant les paroles de James Ballantine et Seumas O'Sullivan. / Choeur Mixte (SAATTBB) A Cappella

Par SCHOENBERG ARNOLD. ?Friede auf Erden? op. 13 is regarded as Arnold Schoenberg?s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated ?Friede auf Erden?, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a ?reine Harmonie unter Menschen? (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth ? a real showpiece for ambitious choirs! / Date parution : 2022-07-20/ Répertoire / SSAATTBB A Cappella

A setting of Psalm 45 (46) in Latin commissioned by the Leeds Festival Chorus and first performed by them in Leeds Town Hall in March 2014, conducted by Simon Wright. The work features a variety of choral and organ textures, tempi and moods over its five-minute span, in response to the vivid text. Suitable for advanced standard performers and in both sacred and secular contexts. / Choeur Mixte (SSAATTBB) Et Orgue

'for the National Youth Choirs of Great Britain'for junior-upper voice SSSA Choir and Double SATB Choir a cappella (Score)Commissioned by the National Youth Choirs of Great BritainText is by Arthur W. E. O'Shaughnessy, adapted by Jessica Duchen.Composer's NoteWhen the National Youth Choirs of Great Britain requested a short piece for their gala concert at Birmingham's Symphony Hall, I was particularly excited about the prospect of writing for 300 singers. A recent research trip to Estonia resulted in somewhat of a revelation: having heard and seen their world-renowned choirs in action (literally!) has resulted in We are the Music-Makers having the less mainstream 'surround-sound' of upper voices/junior choir at the back and sides of the audience and a further stereophonic double-choir on stage.This poem was sent to me by Tim Williams (my ex Head of English at school), and immediately seemed to fit this occasion. This text has already been set magnificently by Elgar, so partly to avoid any kind of comparison and also to bring its timeless message up to date, I asked my poet friend Jessica Duchen to give it a sligtly more contemporary feel.A poem about global music-making (which ties in with the NYCGB's recent World-Music CD), it speaks about humankind, nation to nation, and the mention of Babel inspiring a 'speakng of tongues' effect by using as many different international words for 'music' as possible as an accompaniment (not an easy task, as many of them are similar to our own word!). These are: French (Musique), Romanian (Muzica), Swahili (Mahewa), Polish (Muzka), Estonian (Muusika), German (Muzik), Japanese (Ongaku), and Spanish (Música). / Choeur Mixte (SSAATTBB) A Cappella

Par BEDNALL DAVID. La grêle, Gladdening Light a été rédigé à la demande de Matthew Owens pour le choeur de la cathédrale de Wells et fut créé à la Chandeleur 2006. Le compositeur a longtemps été un admirateur de l'établissement par Charles Wood et donc voulu créer une oeuvre avec une atmosphère totalement différente, particulièrement en mettant l'accent sur la lumière mystique. L'ouverture et la clôture articles utilisent le Chant grégorien pour Chandeleur - un paramètre troped de la dimittis Nunc. Où ces articles psalmodiés se produisent qu'ils devraient être unconducted et chantées avec la liberté et le rythme du plain-chant. L'accent tout au long de la pièce doit être sur la luminosité./ Feuillet / SSAATTBB

Commissioned by Soli Deo Gloria, this 9-minute setting of Psalm 104 is described by the composer as overflowing with the glories of creation, earth, and the heavens. Glorious Majesty is a work of contrasts, with sections performed by both large and small groups of singers, as well as shifting moods and harmonies, to highlight the distinction between passages in the text that praise God and those that praise God's creation. / Choeur Mixte (SSAATTBB) A Cappella

Le Kikapust qu'offre de série Choral choeurs un vaste choix de clôture-harmony un arrangements cappella. Tous nos arrangeurs / compositeurs - Jonathan Rathbone, Ben Parry and Mark Williams - étaient membres de longue date de Swingle Singers. / A Cappella