for Clarinet and Orchestra-In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)

Published in 1953 the Concerto for Clarinet and Orchestra was composed by the French composer conductor and winner of the Grand Prix de Rome in 1927 Henri Tomasi (1901-1971). This concerto was dedicated to Ulysse Delécluse (1907-1995) a French Clarinettist known for his transcription of 'Quinze études' by J. S. Bach for the clarinet. Each of its three movements were chosen to be the examination pieces at the Paris Conservatoire the first movement for the Examination Solo in 1953 and the second and third for the Contest Solo in 1966. This concerto begins with an unconventional start the clarinet playing on its ownand being joined later by the orchestra. It also contains some unusual material such as polychords and dissonances through the piece. Notes on this concerto by Henri Tomasi himself were written in 1957 describing the importance of the improvisation for the principal topic.

For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

Par SPOHR LOUIS. Louis Spohr?s technically, extremely demanding concertos have long been part of clarinetists? standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was ?undeniably one of the most accomplished works of art of its kind.? Emphasized was also the ?great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato.? The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler?s new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition. / Date parution : 2022-10-12/ Répertoire / Orchestre et Clarinette

Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)