Sound and Articulation Instrument : clarinet Nombre de Pages : 128 With 'Clarinet Fundamentals', Reiner Wehle presents a three-volume basic work for the study of the clarinet. Volume 1 deals with sound exercises and articulation, including themes such as 'Practising' and 'The clarinet reed'. Volumes 2 and 3 deal with 'Fingering technique and dexterity' as well as 'Intonation'. The annotated list of references (sheet music and books) shall encourage further studies. Reiner Wehle has given numerous master classes, is a sought-after jury member at renowned competitions, and has been professor at the Music Academy of Lübeck since 1993. Content : Preface - About practising - Breathing and posture - Legato exercises: - One finger - two fingers - Three or four fngers - Cross-hand fingerings - ab', a' and bb' key - First change of register - High register - Difficult fingerings - Basset clarinet, bass clarinet, basset horn - Sound exercises - Articulation: - Exercises for single tonguing - Exercises for double tounging - The clarinet reed - Recommended reading/playing

in B-Dur / Bb Major-German composer Carl Stamitz wrote more than 60 concertos for Violin Viola Viola d'amore Cello Clarinet Basset Horn Flute Bassoon and other instruments. Some of the Clarinet and Viola concertos that Stamitz composed are considered to be among the finest available from the period. Stylistically Stamitz's music is not too far removed from the works of the young Mozart or those of Haydn's middle period. The Clarinet Concerto No. 3 was likely written around 1785 which was the same year that Stamitz was appointed the lead Violin of the Duc de Noailles in Paris. The style of thisconcerto reflects the usual orchestration found in the mid-eighteenth century where most of the important musical material was given to the strings while the winds were left to fill in the harmony. Carl Stamitz's style is pleasant and free-flowing as nicely illustrated in this concerto.

Music Minus One Clarinet (with optional Bass Clarinet)-MMO is proud to offer this much-lauded composition by Israel's most heralded composer the Jewish Rhapsody for Clarinet and Orchestra. The concerto is set in movements alternating between B-flat clarinet and bass clarinet. Includes a version minus both instruments as well as one minus just B-flat clarinet for those who don't play bass clarinet. This crowd-pleaser is a must-have! Includes a printed music score on high-quality ivory paper a compact disc featuring the complete concerto in digital stereo followed by the concerto performed again minus both clarinet solo parts and also minus just b-flat clarinet. (DDD) Performed by Orit Orbach clarinet

This easy solo-duet-trio collection is for level 2 (2 1/2) and under. The solo line is a level 2 to 2 1/2; the duet line is a level 1 1/2 or easier; and the trio line is a level 1 or easier. Any combination of instruments can play together: Flute (C instruments); Clarinet (Bass Clarinet); Alto Sax (Eb Instruments); Tenor Sax; Trump et; Horn in F; Trombone (Bass Clef). A fingering chart is included. This series is fun to play for 1st, 2nd, and 3rd year players.Hedwig's Theme - Diagon Alley - Hogwarts Forever - Nimbus 2000 - The Ghost Trio (Cast A Christmas Spell) - And Harry's Wondrous World

Klangbeispiele wichtiger Passagen aus der Opern- und Konzertliteratur-Excerpts from the Concert & Operatic Repertoire for Clarinet/High Clarinet (D/Eb)/Bass Clarinet. See MP8661 for accompanying set of 2 CDs - these orchestral recordings present the complete excerpt and the Clarinet parts are not omitted.

Clarinet Deluxe 2-CD Set-Native son Tim Laughlin decided he wanted to create in the style but not necessarily using the tried and true classics of the Crescent City. So he assembled an extraordinary band of players all veterans of the music wrote a collection of new songs and produced this extraordinary album. It won First Prize as the Best Jazz Album created in Louisiana in 2003 by Offbeat Magazine. Tim graciously made this album available to Music Minus One remixing the music to omit the key players clarinet trumpet trombone piano bass and drums for delectable play-alongs. This is music rich in tradition but new to your ears. This music isn't easy but then again to modern players it maybe as they'll be able to negotiate the charts provided. Audio samples of each song are provided.

Performed by Tim Laughlin clarinet Accompaniment: Tim Laughlin's New Orleans All-Stars. Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs andasked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.

transcr. and ed. for Bb Clarinet (or Bass Clarinet-This versatile transcription is sure to be enjoyed by both players and audiences.

10 Jazz Standards - Authentic Jazz Playalong-Part of the Authentic Jazz Playalong series This volume brings together Gershwin Porter Ellington and other legends of 20th Century Jazz. It Don't Mean a Thing features ten absolute classics of jazz repertoire idiomatically arranged for the intermediate (grades 4-6) Clarinet player. Melody lyrics and chord symbols are provided offering opportunity for improvisation with suggested solo phrases notated to aid the beginner. There is also a brief guide and biographical note to each song in the collection. In addition the playalong CD comprises a live trio of piano bass and drums for truly authentic performance.

10 Great Etudes For Playing and Improvising-This new method provides beginners and moderately advanced musicians with an introduction to the language of blues. In 10 solo studies which can be accompanied by professionally performed and recorded playbacks the musician learns to master the essential basics step by step: Each piece comes with appropriate scale exercises tips for studying and practicing suggestions for own improvisations as well as recommended listening.The accompanying CD provides a unique band feeling with top-notch musicians:Ken Peplowski (clarinet) Mike LeDonne (piano/organ) Peter Washington (bass) and Joe Farnsworth (drums)

Playing with the Chamber orchestra. The recordings for the POESIA production were made by a chamber orchestra supported by electric bass and drums. Recordings and sheet music of the highest quality are the trademarks of composer Otto M. Schwarz and Symphonic Dimensions Publishing. Let this music transport you into the dreamworld of masks, fairy tales and romance!

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music in often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Clarinette et Piano