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DOUBLE BASS
FLUTE
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Double Bass Concerto (VANHAL JOHANN BAPTIST)
Conducteur
[Sheet music]
Breitkopf & Härtel
Par VANHAL JOHANN BAPTIST. The unbroken popularity of Vanhal's sole double bass ...
(+)
Par VANHAL JOHANN BAPTIST. The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The new edition profits from Tobias Glöckler's experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glöckler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor's virtuoso cadenzas as well./ Répertoire / Conducteur
31.40 EUR - Sold by LMI-partitions
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Firefly (Concert Band Score) (DOBSON SIMON)
Conducteur
[Sheet music]
Faber Music Limited
Par DOBSON SIMON. Firefly was composed by award-winning composer Simon Dobson (b...
(+)
Par DOBSON SIMON. Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempo concert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, 'Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to.” It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland. Duration: 5-6 minutes. INSTRUMENTATION: Pic, fl1 (2), fl.2 (2), ob, bsn, Eflat cl., cl. 1 (2), cl.2 (2), cl. 3(2), bass cl. - alto sax (2), tenor sax, bar. Sax - 5 tpts in B flat (5), 4 horns in F (2 optional) (4), 3 tbns, euph (2), tuba)2) - double bass - timp and kit / Répertoire / Conducteur
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POSADAS ALBERTO - PALABRAS DESHABITADAS - CONDUCTEUR
Conducteur
DURAND
Sous-titre :
pour soprano & contrebasse
Compositeur :
Alberto P...
(+)
Sous-titre :
pour soprano & contrebasse
Compositeur :
Alberto Posadas
Instrumentation :
Soprano and Double Bass
Édition musicale :
Editions Durand / Partitions classique / Ensemble et orchestre / Conducteur / DURAND
26.99 EUR - Sold by Woodbrass
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Nicholas Maw: Little Concert: Orchestra: Instrumental Work
Conducteur
[Sheet music]
Faber Music Limited
Written for Melinda Maxwell and the Orchestra of St. John's Smith Square to comm...
(+)
Written for Melinda Maxwell and the Orchestra of St. John's Smith Square to commemorate the orchestra's twenty first anniversary. the happy surprise of his Little Concert. . . beneath the graceful long lines and jig-like spurts of a solo part expressly written for Melinda Maxwell Maw finds time and space enough to draw quite long-range implications from his basic motif of a semitone plus a major third and to insert some of his special densely poetic harmonies.Bayan Northcott The Independent 6 June 1988.Scored for Oboe solo two Horns two Violins Viola Cello and Double Bass.
15.99 GBP - Sold by Musicroom UK
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Concerto Da Camera H 285 / Rhapsody-Concerto H 337 (MARTINU BOHUSLAV)
Conducteur
[Sheet music]
Barenreiter
Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contai...
(+)
Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contained in this volume represent two different stylistic periods within Martinu's work. The 'Concerto da Camera” (1941) is the last of his works inspired by the Baroque concerto grosso. The 'Rhapsody-Concerto”, composed eleven years later (1952), was the first work of his so-called 'fantasia period”, marked by a more open sense of form and an expansion of tonality. The edition of the 'Concerto da Camera' shows, for the first time, the extend of Martinu's modifications to the work since its composition and publication, particularly on the solo violin part. The edition of the 'Rhapsody-Concerto” takes into account, among others, the discovery of previously unknown contemporary performance materials. This volume of the Bohuslav Martinu-Complete Edition (BMCE) is based on a wealth of text and music sources, in particular autographs and contemporary copies that were recognized by the composer and early performers of the works, as well as some first editions created in collaboration with Martinu./ Répertoire / Conducteur
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