Work for Flute and Guitar commissioned by Clive Conway and Gerald Garcia.Anthony Payne: 'As a passionate Elgarian for most of my musical life I was fascinated by the prospect of writing something which reflected or somehowincorporated his Memorial Chimes written for the Loughborough Carillon a piece moreover which I did not know although I pride myself on an intimate acquaintance with the greater part of his output. My own style is a far cryfrom that of the English late-romantics which I so love but I have recently discovered how to relate to their music in more than just spiritual and emotional particulars and in Spring's Shining Wake I produced a gloss of Delius'In a Summer Garden finding equivalents in my vocabulary for each of that work's procedures somethings approaching the original closely and sometimes shadowing it from afar.p>When I saw the Elgar I immediately realised that thiskind of approach was out of the question. For one thing it is quite a short piece and frankly it is not one of the master's great inspirations. It does however possess one characteristically haunting phrase and I saw how Icould draw it within my own harmonic and textural orbit not the sort of idea to base a work on but a happy little discovery such as one often makes during the course of composing a work.I accordingly set out to write a shorttone poem which somehow draws together the sonorous 'objets trouvés' which float into the mind during intense contemplation of a still landscape memories of the past (the Elgar) intimations of magic in the wind sudden intenseperceptions of the cosmic forces of which we form such an insignificant part ominous vibrations borne on the air from some other existence.

Par . The delightful sound of flute and guitar finds Paul Coles inspired both as arranger and composer. In ?Gaelic and British Melodies?, he has explored some of the most popular pieces from these traditions as well as providing ten of his own compositions in the same styles. These will be ideal for school or folk club performances or simply for the sheer pleasure of playing together with a friend. They are suitable for intermediate players. / Date parution : 2022-11-03/ Recueil / Flûte et Guitare

2-CD Set-Performed by Edward Flower guitar Accompaniment: Jeremy Barlow flute The first in a two-album series for flute and guitar conceived and produced by noted guitarist Ed Flower. This album offers a broad range of musical experience spanning two centuries from Renaissance to Baroque. Jeremy Barlow flutist accompanies Ed in each duet. Become part of the most felicitous duet-sound in music the flute and guitar. This deluxe edition includes a second CD with a slow-tempo practice version to help you while you learn each piece. Includes a newly engraved music score printed on high-quality ivory paper; a compact disc containing a complete performance in stereo and asecond stereo performance minus the solo part; and a second compact disc containing a -20% slow-tempo practice version of the accompaniments.

with Suggested Chordal Accompaniment. Par BAY WILLIAM. This collection contains 100 favorite gospel songs and hymns for flute and guitar. Inside you will find rousing camp meeting songs, sentimental expressions of a deep-rooted faith, and gospel oriented hymns with an old-time music flavor. In preparing this collection I felt the sincere and solid faith of America's 'revivalist era”, staunchly embedded in the rural and southern regions of America, but also in the dedicated inner city missions founded in sprawling urban centers. These solos will bring joy, exuberance, nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith. / Gospel / Recueil / Flûte Traversière et Guitare

Par MYCHAL GENDRON. This volume contains some of the most popular traditional carols, arranged for flute and guitar. Most of these duet arrangements allow as much dialogue and interplay between the two instruments as possible, while maintaining each carol's character and spirit. While the flute often carries the melody, the guitar has frequent solo passages of its own to help break the 'melody with chords' monotony found in many arrangements of this kind. Modulations, imitative counterpoint and quotations from works by well-known composers will, hopefully, make these little pieces enjoyable for performers as well as listeners. For intermediate level flutists and guitarists. Standard notation only. / Niveau : Intermédiaire / Christmas - Chamber / Recueil / Guitare et Flûte Traversière

Many of the melodies in this book are more than nine hundred years old; yet these pieces are as vibrant, as exciting, and as seductive as they were centuries ago. This music is fun to play. It’s addictive. You will find yourself humming it, and you’ll come back to play these pieces again and again. Each piece in this collection has its own powerful personality. Many of the Cantigas have an indefinable feel we have not heard in music from other periods. . . It’s like a texture that fills the room, it permeates the air and once inhaled, it paints pictures in your mind. You hear it and you feel it down to your toes. This is music that follows you and begs to be playedagain and again. If you are an intermediate player, you will find that most of these high-quality pieces are readily accessible. If you are a professional, you will find this book to be a resource that you will draw on repeatedly. If you just like to play for yourselves, it will be a great source of entertainment. For us, this collection is all of the above. These pieces work for concerts, for weddings, and for restaurants. This is some of our favorite music, and we hope that you have as much fun playing it as we do./ Recueil / Flûte Traversière et Guitare