Similar to the trademark version by Ike & Tina Turner this easy arrangement starts out slow in the beginning then kicks into high gear to finish out. Saxes take the lead at first but there is plenty of full ensemble playing as well. No solos are required.

In the Basie tradition of high-powered flag wavers this Mark Taylor original is an impressive concert opener. After the intro bones and tenors take the lead but the ensemble builds quickly with some full ensemble hits. Thesolo section features dueling tenors and there is a short drum solo before the final chorus. A real scorcher!

Jazz Classics for the Young Ensemble - Grade 3 This production number for young players offers a perfect way to honor the music of the legendary Duke Ellington Orchestra. This swingin' medley takes you through the well-knownstandards C-Jam Blues Sophisticated Lady and of course Take the A Train.

Classy Latin sounds abound in this moderately paced chart that showcases the melodic and harmonic genius of Antonio Carlos Jobim. Opening with a rhythm section vamp the trumpets take the first chorus then provide a creativecounterline as the saxes take over. Scored to sound full with young players this chart will sound great with few rehearsals. Short written (or ad lib.) solos are featured for alto and trumpet.

Written in a simmering medium tempo this distinctive funk chart opens with the bass establishing the groove gradually joined by the rest of the rhythm section. A small combo of soprano sax baritone sax trumpet and trombone takethe first statementfollowed by the full ensemble on intricate unison lines as well as tutti ensemble punches and riffs. Solo space is provided for tenor sax. Requires soprano sax

The trombones take the spotlight in this medium blues swing chart from Mark Taylor. There are short written or ad lib solos for each trombone player and there is a nice ensemble shout chorus for the full band.

Trombone Section Feature-When the trombone section gets a chance to speak its usually with a touch of attitude and style. This sassy shuffle tune in a moderately slow tempo gives them a great opportunity to take the spotlight. Includes a flexible solo section and some niceensemble sections as well.

Featuring a contemporary sounding groove utilizing even 8th notes this familiar standard is given a unique treatment in the skilled hands of Mike Tomaro. A trio of tenor sax trombone and guitar take the lead before yielding tothe entire ensemble.The overall style is laid back but with an underlying rhythmic pulse and energy with plenty of variety in scoring and dynamics.

In this medium up-tempo swing chart the unison melodic phrase is completed by the full ensemble which then builds to the solo section. The solo changes are well suited for less experienced players. Recorded by the groupSuperblue on Superblue 2 (Blue Note: CDP 92997 2).

Aside from Take Five this is the most famous 5/4 piece ever written. Roger's solid chart captures the excitement and drive of the original and includes a solo for alto sax.

Young Jazz Ensemble – Grade 3Tenor sax and trumpet take the spotlight on this familiar standard arranged here in a medium swing style. The interaction with the full band is marvelous and after the solo section aroaring sax soli leads to a feature section for the entire ensemble. This one swings hard and sounds great!

Recorded by the Mingus Big Band on the CD Que Viva Mingus! this stellar Steve Slagle arrangement takes the band through an extended modal format while always swingin! With a unique blend of group improvisation fullensemble passages andsolo space for trombone tenor sax and trumpet this medium tempo chart is another standout from this iconic contemporary big band.

From the movie that has captured everyone's imagination here is the hit song Let It Go skillfully arranged for young jazz groups. Trumpets take the melody first following by the trombones accompanied by the saxes. Sure to sound great with limited rehearsal time this arrangement also requires no soloists.

This haunting ballad from the '40s received notoriety as the theme song for television's Mike Hammer. The saxophone section takes the spotlight here while the brass add background figures to spice things up. Also included is asolo or soli section for saxes. (Includes CD)

Paul has taken the famous Les Brown version and adapted it for younger groups. The authentic style of the original is still there in this classy arrangement of a classic from the swing era.