Includes the cycles Briefly It Enters (High Voice edition only), I Will Breathe a Mountain, Let Evening Come (High Voice edition only), Three Donald Hall Songs, Tillinghast Duo, individual songs, and selections from Songs of Innocence and of Experience (Medium/Low Voice edition only). With notes on the songs and composer comments. Includes several first editions and first-time transpositions.There are different songlists for the High Voice and Medium/Low Voice editions. / Voix Moyennes

Par SATIE ERIK. La revue de café-concert (ou caf?conc?) était l?une des formes de divertissement populaire à Paris depuis la moitié du XIXe siècle et au début du XXe. Les programmes étaient composés de piécettes en un acte, d?airs d?opéra, de tours de chant, de danse, de numéros de cirque, etc. Dans le répertoire d?une soirée de café-concert, il y avait la valse chantée, sentimentale et très mélodique, sur des paroles racées ; Je te veux en constitue un exemple. Dans cette édition, la version transposée pour voix moyenne-grave de cette célèbre valse. / Date parution : 2022-07-20/ Répertoire / Voix Medium ou Grave et Piano

Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104

Set for medium range voices. J. Hamelle Paris edition-Sixty songs for medium voice and piano. Includes 'Aubade' 'Apres Un Reve' 'Au Bord de L'eau' 'Fleur Jetee' and 'Les Berceaux'.

20 Melodies Voix Moyenne Et Piano. Par HAHN. Contents: Quand la nuit n'est pas étoilée - Cantique - La Délaissée - La Chère Blessure - Théone - Le souvenir d'voir Cante - Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau - Fumée - Le printemps - Dans la nuit - Les fontaines - À Chloris - Le Rossignol des lilas - À nos morts ignorés - Ma jeunesse - Le plus beau présent - Puisque j'ai mis ma lèvre - La douce paix As Proust liked to remind us, Reynaldo Hahn (1875-1947) had a clear voice that was really appreciated in Paris at the time: he believed Hahn's mouth was a genius music instrument that was letting the most beautiful, sad yet warm voice out when he was singing. Following the first volume written in 1986, Melodies Volume 2 comprises twenty exciting songs for Voice with Piano Accompaniment, composed by Reynaldo Hahn. These twenty melodies are: Quand la nuit n'est pas etoilee & Cantique - La Delaissee - La chère blessure & Theone - Le souvenir d'voir Cante-Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau & Fumee - Le printemps - Dans la nuit - Les fontaines - A Chloris - Le rossignol des lilas - A nos morts ignores - Ma jeunesse - Le plus beau present - Puisque j'ai mis ma lèvre - La douce paix / Niveau : Moyen / Répertoire d'Examen / Répertoire / Voix Moyenne et Piano

Medium Voice and Piano-Medium Voice and Piano. This collection of 5 art songs comes from Ancient Greek poetry. The music was written by William Bolcom and the poems were translated into English by Arnold Weinstein. Songs: On a Statue of a Runner · Unlucky Eutichus · An Encaustic Painting · Timomarchus's Picture of Medea in Rome · Praxiteles' Aphrodite.

Frank Bridge’s Three Songs for Medium Voice Viola and Piano is the second volume in a 30-volume series by The Frank Bridge Trust in association with Thames Publishing celebrating the works of Frank Bridge. This publication features the songs Far far from each other Where is it that our soul doth go? and Music when soft voices die and includes the score for Viola separately making the collaboration of the three musicians easier. The songs can be and often are performed together as a cycle but also work as short individual pieces. The first performance of the three songs in December 1908 marked a rareoccurrence as Frank Bridge played the Piano part himself. Far far from each other is the most ambitious of the three pieces for all three musicians. The words are excerpts from Matthew Arnold’s ‘Empedocles on Etna and Other Poems Parting’.Where is it that our soul doth go? is the shortest of the three songs and the words are a translation of the last stanza of Heinrich Heine’s Clarisse translated by K. F. Kroeker.While the first two songs are original settings Bridge first wrote Music when soft voices die for High Voice Piano and Cello in 1903. The present version was transcribed in 1907. Music when soft voices die the short poem providing the words for this piece is one of the most influential and well-known of Shelley’s works.Watch Three Songs performed by Rebecca Ringle (Mezzo-Soprano) Luke Fleming (Viola) and Roger Steptoe (Piano):

Si Mes Vers Avaient Des Ailes!-Pas de description disponible. Contacter info@musicroom.com pour plus d'informations

Par STRAUSS RICHARD. Les huit lieder composés en 1885 sur des textes du poète Hermann von Gilm, aujourd?hui peu connu, occupent une place à part dans la production de lieder de Richard Strauss. Pour la première fois, il a mis ici en musique tout un groupe de lieder sur des textes d?un seul poète et les a ensuite réunis en un seul opus également destiné à l?impression. Certains numéros comme Zueignung, Die Nacht, et Allerseelen comptent parmi les lieder les plus populaires de Strauss, mais c?est aussi le cycle dans son intégralité qui est, de par son aménagement bien disposé, digne de considération: le compositeur encore en pleine évolution se situe ici très consciemment dans la tradition de Schubert à Wolf, et choisit, avec l?amour vain, un thème hautement romantique, qui se trouve mis en lumière sous les facettes les plus diverses. Parue en 1887 et d?abord écrite à l?intention d?une voix élevée, la première édition des Lieder op. 10 fut suivie, encore du vivant du compositeur, par des versions transposées pour voix moyenne et grave, ainsi que cela devint la règle pour tous les lieder de Strauss par la suite. L?édition Urtext de Henle se saisit de ces transpositions conservées jusqu?à aujourd?hui afin de pouvoir offrir ce merveilleux cycle de lieder à chaque tessiture vocale! / Date parution : 2022-06-14/ Répertoire / Voix Medium et Piano

Pour la première fois, les belles chansons du compositeur britannique Gerald Finzi (1901-1956) sont recueillies ensemble en un seul volume, dans deux clés. Cette nouvelle collection comprend quelques premières transpositions de temps aussi bien. / Voix Moyenne/Voix Basse Et Piano

Being such a prolific composer particularly for Vocal and Piano works Gabriel Fauré's music is always addressed with high expectations. His Le Chanson D'Éve for Voice and Piano accompaniment is no exception. Fauré (1845-1924) began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saëns. Fauré's career saw him succeed Théodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire all the while composing sublime works. His song cycle Le ChansonD'Éve was composed between 1906 - 1910. As Fauré's longest song cycle Le Chanson D'Éve is made up of ten melodies based on poetry by Charles Van Lerberghe. With Fauré's music remaining hugely popular to this day Le Chanson D'Éve is a favourite for the vocal repertoire.

1.Modestes Vacances; 2.Les 2 Hôtels; 3.Le Boulanger; 4.La Maison inachevée; 5.Monsieur le Curé; 6.Les 3 Peupliers; 7.Paresse; 8.Les Conscrits; 9.Le Château; 10.L'Horizon; 11.Le Pêcheur; 12.Le Ruisseau; 13.La Petite Bergère; 14.Les Champignons; 15.Le Retour