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FLUTE
Orchestra
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Quartette Pour Flûtes à Bec … (24)
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Choral SSATB (15)
Tuba (15)
Saxophone Ténor et Piano (15)
Musical Awakening (15)
Chanson (15)
Biography (14)
2 Hautbois Et Orchestre (14)
Piano, Guitar (duet) (14)
Soli and Orchestra (14)
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DVD concert (13)
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French Horn and Piano (12)
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Ocarina (11)
Livret (11)
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Flute ensemble (10)
Partition de Poche (10)
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Flexible Instrumentation (10)
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Lyrics only (10)
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5 A 9 Instruments A Vent (9)
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Travaux Pour Choeurs (9)
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Petit Orchestre: Récitant, So… (8)
Violon I (8)
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Matériel D'Orchestre (8)
Book (8)
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Lute (8)
Descent (Soprano) Recorder, Pi… (8)
Guitare et Voix (8)
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Baritone Saxophone (8)
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3 Parties Mixtes, Flûte A Bec… (7)
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DVD (7)
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:: (7)
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Fake Book (7)
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Orchester (6)
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2 Violins and Basso (6)
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Horn and Orchestra (6)
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2 Hautbois, 2 Cors Et 2 Basson… (6)
Voix, piano (6)
4 Guitars (Quartet) (6)
Flute, Clarinet (duet) (6)
Conga (6)
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Lyrics & Chords (6)
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2 Cellos, Piano (5)
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Clavecin (5)
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Viol et Basse Continue (4)
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2 Instruments A Cordes (Ou Fl… (4)
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Nursery rhyme (4)
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Choeur (Unisson), Voix Hautes … (4)
Flûte Traversière, Clarinett… (4)
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Violon, Viole et Basse Continu… (4)
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Melody line, Piano (4)
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Saxophone ensemble (4)
Snare drums (4)
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SAM a Cappella (4)
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2 Flûtes Traversières, Instr… (3)
Flûte Traversière Alto et Vi… (3)
Piccolo, Piano (3)
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Instruments en Clé de Fa (3)
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Alto voice, Piano (3)
String Quartet : 4 violas (3)
Baritone Ukulele (3)
Solo à (B), Violon et Basse C… (3)
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3 Violons en Solo et en Groupe… (3)
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Vocal duet, Piano and Guitar c… (3)
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ATTBB (2)
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Piano, Clarinette (Ou Violon) … (2)
Viola, Cello (duet) (2)
Double bass, Orchestra (2)
Flûte Traversière, Hautbois … (2)
Flûte Jouant Aussi Piccolo, 2… (2)
Violon Solo Ou Violon Et Piano… (2)
Electric Bass (band part) (2)
Trompette et Guitare (2)
Tous instruments (2)
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Guitar, Harp (2)
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Saxhorn or Euphonium (2)
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Violes de Gambe (2)
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Oboe, Flute (2)
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Flûte Traversière et Piccolo… (2)
Orchestre De Chambre Et Basse … (2)
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4 Voix (SATB) (2)
Orgue Et Choeur (2)
2 Violons, Alto, Violoncelle E… (2)
8 [4] Violoncelles (2)
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Choeur D'Enfants (Ou De Jeunes… (2)
Clips (2)
Clavier et Synthétiseur (2)
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Archet (2)
B FLAT INST/BC INST/C INST/E F… (2)
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Melody Line, Lyrics & Chords (2)
Bläseroktett - 2 Oboen, 2 Kl… (2)
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Soprano Et Mezzo-Soprano (2)
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Flûte, 2 Clarinettes En Sib, … (2)
Solo Bar (Ms), Hautbois Da Cac… (2)
String Quintet : Violin, 2 vio… (2)
Récitant, Choeur SATB/SATB et… (2)
Déchant, Flûte à Bec/Piccol… (2)
1 ou 2 Clarinettes en Sib (2)
Melody instruments (2)
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Symphony #4 F Minor (VAUGHAN WILLIAMS RALPH)
Orchestra
Eulenburg
Par VAUGHAN WILLIAMS RALPH. Durée: 34', Format: ETP small/ Répertoire / Orches...
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Par VAUGHAN WILLIAMS RALPH. Durée: 34', Format: ETP small/ Répertoire / Orchestre
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Symphony #6 E Minor (VAUGHAN WILLIAMS RALPH)
Orchestra
Eulenburg
Par VAUGHAN WILLIAMS RALPH. Durée: 35', Format: ETP small/ Répertoire / Orches...
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Par VAUGHAN WILLIAMS RALPH. Durée: 35', Format: ETP small/ Répertoire / Orchestre
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Snehvides Spejl - Operatrailer: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Composer's Program Note Repertoire operas occationally have orchestral suites: B...
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Composer's Program Note Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied upin a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focusis on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to meto start making orchestral excerpts from my operas that are meant to be played before the premiere (andafter please); I call them 'opera trailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and moreappetizer-ish. SNOW WHITE'S MIRROR is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself either because she kills them or because they decide they can't stand being around her anymore. But apparently she's o.k. with that...The music is intended for a large audience: it's basically pop music done with all the craftmanship of aclassical composer who's equally at home with large scale symphonic form avantgarde technique opera singing - and modern pop. The Trailer is in three movements. It contains three sections of the opera; the prelude an interlude close to the beginning of the second act and the final scene but one. It's a gloomy sort of trailer starting out in grand title sequence style moving on to a decidedly odd piece where Snow White find her way to the dwarfs (who're creepy junkies doing pornography to get money to buy dope) and ending in kind of an eerie rejection mood: Everyone still alive walks out on Snow White singing 'skin as white as snow hands red with blood soul as black as ivory'.(NM 2010)
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Symphony No. 3 Op. 78 (SAINT-SAENS CAMILLE)
Orchestra
[Score]
-
Intermediate/advanced
Barenreiter
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] ...
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Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre
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Saint-saens Camille - Symphonie N°3 Op.78 - Score
Orchestra
[Score]
Barenreiter
Saint-Saëns, Camille Symphony no. 3 in C minor op. 78 - Study score to suppleme...
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Saint-Saëns, Camille Symphony no. 3 in C minor op. 78 - Study score to supplement the full score and performance material on sale - Based on ?Camille Saint-Saëns ? Complete Edition of the Instrumental Works? - Detailed Foreword (Ger/Eng/Fr) ?In this work I gave everything I had to give. [?] What I did here I will never do again?. (Camille Saint-Saëns) Camille Saint-Saëns was justifiably proud of his Symphony No. 3 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth, this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. This study score is based on ?Camille Saint-Saëns ? Complete Edition of the Instrumental Works?, Volume I/3.
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78 - Organ: Orchestra: Part
Orchestra
[Part]
Barenreiter
“In this work I gave everything I had to give. […] What I did here ...
(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
10.50 GBP - Sold by Musicroom UK
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Parts
Orchestra
[Set of Parts]
-
Intermediate/advanced
Barenreiter
“In this work I gave everything I had to give. […] What I did here ...
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“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
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Camille Saint-Saëns: Symphony No. 3 C minor Op. 78: Orchestra: Part
Orchestra
[Part]
Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...
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?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886.In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.The edition of Symphony No.3 marks the launch of a large-scale project: thepublication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns Complete Edition of the Instrumental WorksNow with separate parts for all windsOrchestral parts in a large format (25.5 cm x 32.5 cm)
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Part
Orchestra
[Part]
Barenreiter
“In this work I gave everything I had to give. […] What I did here ...
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“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78 - Organ: Orchestra: Score
Orchestra
Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...
(+)
?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns ? Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Part
Orchestra
[Part]
Barenreiter
“In this work I gave everything I had to give. […] What I did here ...
(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Part
Orchestra
[Part]
Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...
(+)
?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns ? Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
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Pelle Gudmundsen-Holmgreen: Incontri: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Incontri for Orchestra (2010) by Pelle Gudmundsen-Holmgreen. Commissioned by The...
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Incontri for Orchestra (2010) by Pelle Gudmundsen-Holmgreen. Commissioned by The Danish National Symhony Orchestra / DR. Parts are for hire: hire@ewh.dk Preface / Programme Note INCONTRI is a kind of orchestral prelude presenting some of the orchestra’s timbral possibilities. The timbres of the instrument groups emerge either clear on their ownor in various blends. There are no doublings between the three main groups – winds strings and percussion – each group maintains its own individual character evenduring the encounters; as in a forest where different kinds of birds continuetheirterritorial song without yielding or altering their signals.The joint musical project is not unlike a Baroque concerto grosso not only in theway the form plays the groups off against each other but also in the musical language itself. I have previously written a concerto grosso which I called ”Jungle Baroque” becauseof its savage and wild sounds. The same thing can be said about INCONTRI – bydegrees. Pelle Gudmundsen-Holmgreen
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Beethoven, Ludwig Van : Symphony Nr. 3 Eb major `Eroica`, Op. 55
Orchestra
[Study Score / Miniature]
Schott
So he too is nothing more than an ordinary man. [...] he will place himself abov...
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So he too is nothing more than an ordinary man. [...] he will place himself above everyone else and become a tyrant!' is what Beethoven is said to have shouted full of rage when Napoleon had declared himself emperor, and supposedly tore the title page of Symphony No. 3 headed 'Bonaparte' to pieces. Despite his anger, however, the work was again headed 'Bonaparte' when he wanted to publish it in 1804. But it was the first edition of 1806 which finally bore the title of Sinfonia eroica. Symphony No. 3 was Beethoven's first work in which he had come to terms with his progressing deafness and left the boundaries of the musical conventions far behind. / Préface : Max Unger / Partition /
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Simon Holt: A Table Of Noises (Full Score): Orchestra: Score
Orchestra
[Sheet music]
Chester
Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchest...
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Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchestra and the Borletti-Buitoni Trust. First performance on 14th May 2008 at Symphony Hall Birmingham by Colin Currie (percussion) and the City ofBirmingham Symphony Orchestra conducted by Martyn Brabbins.NOTE FOR PERFORMANCEIn table top the unpitched solo percussion part in the 9th movement the scoring was initially left open. The present full score showsa suggested instrumentation which was devised by Colin Currie in conjunction with the composer. Soloists should attempt to match the timbres used but should not feel constrained by the exact choice ofinstruments.COMPOSER’S NOTEThe percussion instruments used in a table of noises in some ways represent the odd things that were on my great uncle Ash’s parlour table that fascinated me as a child. There is even abottle; there was always a milk bottle with the silver top pushed in surrounded by other essentials for his life. From birth he was quite severely handicapped in one of his legs and couldn’t walk too far without his trusty crutch.He kept everything he needed within arm’s length. In the list of instruments for the solo part there’s everything from deep log drum sounds to very high metallic chime sounds. Wood glass metal and a whistle. Mostlysmall-scale things with a large gong behind used sparingly. I think that we managed to keep below 30 instruments in all which I was keen to do. I didn’t want scores of things that are only played once they have to earn theirkeep. I didn’t want to use a marimba but thought that trying to make the xylophone sound in a more expressive way would be more of a challenge. The percussionist sits for much of the time on a Cajon a flamenco instrument which isessentially a wooden box. The player hits the front of the box in various ways rather as you play a conga. There are guitar strings inside and bells to add to the overall colour. I would like to thank Colin Currie for the
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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
Orchestra
[Sheet music]
Barenreiter
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnat...
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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Above All: Orchestra: Parts
Orchestra
Integrity Music
Above All features 12 powerful songs that are sure to find a place in any Palm S...
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Above All features 12 powerful songs that are sure to find a place in any Palm Sunday Easter or Communion service. This collection is ideal for choirs ensembles and student choirs and the songs can be performedindividually or in four mini-musicals leading up to Easter. As a finale the DVD Accompaniment Trax features powerful visuals for the last three songs. Titles include: O Wondrous Love The Glories of Calvary Lord of Life andLove Above All Behold the Lamb. For All You've Done O Mighty Cross I Will Glory in the Cross All the Earth Will Sing Your Praises God So Loved Saved the Day My Redeemer Lives. Orchestration includes score and parts forFlute Oboe Clarinet Trumpet 1 2 3 Horn Trombone 1 2 3 Percussion 1 2 Violin Viola Cello String Bass Rhythm (Piano/Guitar/Bass). Instrumentation varies. SATB Listening CD CD Accompaniment Trax (Split) DVDAccompaniment Trax Orchestration CD 10-Pack CD Preview Pack also available.
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Georg Friedrich Händel: In The Lord Put I My Trust HWV 248: Orchestra: Parts
Orchestra
[Partitions]
Novello & Co Ltd.
The Orchestra Parts for George Frideric Handel's 'Chandos Anthem' (No.2) In The...
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The Orchestra Parts for George Frideric Handel's 'Chandos Anthem' (No.2) In The Lord Put I My Trust expertly edited by Damien Cranmer. Arranged for Cello Bassoon Double Bass Oboe Violin I Violin II and Basso Continuo. You can purchase the Full Score separately here.
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Hallelujah By and By: Orchestra: Parts
Orchestra
Shawnee Press
Uses: General Revival All Saints DayScripture: Deuteronomy 34:1; John 14:2; Re...
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Uses: General Revival All Saints DayScripture: Deuteronomy 34:1; John 14:2; Revelation 20:12Incorporating memorable moments from many old favorites - I'll Fly Away When the Roll Is Called UpYonder Unclouded Day and The Sweet By and By - this crowd-pleasing gem is easy to learn fun to sing and quite infectious! Each voice part is featured briefly as the various sections describe their own specialcontributions to harmonious choral singing. Hallelujah By and By will bring back pleasant memories of times gone by and will no doubt create some lasting new impressions for the future.
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The Beatles: Love Is All You Need (A Tribute to the Beatles): Orchestra: Score &
Orchestra
[Score and Parts]
Hal Leonard
(A Tribute to The Beatles )-Master arranger Bruce Healey brings us a spectacular...
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(A Tribute to The Beatles )-Master arranger Bruce Healey brings us a spectacular showcase of pop music's greatest act with 13 memorable songs each given a new creative treatment in this stunning symphonic arrangement. Includes: All My Loving All YouNeed Is Love Blackbird Can't Buy Me Love Come Together Day Tripper Here Comes The Sun If I Fell Lady Madonna Let It Be Ob-La-Di Ob-La-Da Something and Yesterday.
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Love Is All You Need (A Tribute to the Beatles): Orchestra: Score
Orchestra
Hal Leonard
(A Tribute to The Beatles)-Master arranger Bruce Healey brings us a spectacular ...
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(A Tribute to The Beatles)-Master arranger Bruce Healey brings us a spectacular showcase of pop music's greatest act with 13 memorable songs each given a new creative treatment in this stunning symphonic arrangement. Includes: All My Loving All YouNeed Is Love Blackbird Can't Buy Me Love Come Together Day Tripper Here Comes The Sun If I Fell Lady Madonna Let It Be Ob-La-Di Ob-La-Da Something and Yesterday.
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Masses
Orchestra
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Le Complete Vocal Works Johann Pachelbel est connu aujourd'hui comme un composit...
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Le Complete Vocal Works Johann Pachelbel est connu aujourd'hui comme un compositeur de musique d'orgue et d'un célèbre canon instrumental qui comporte fréquemment dans les programmes de concert et des catalogues d'enregistrement. Cependant, la même chose peut être dite de seulement quelques-uns de ses compositions vocales. Tout au plus, les motets apparaissent parfois dans la musique d'église répertoire. Les arias de Pachelbel , des concertos vocales et magnificat à grande échelle ont reCu peu d'attention jusqu'à présent .Musiciens d'église et musicologues ont longtemps souhaité une édition critique de ces travaux importants , qui survivent dans le manuscrit de Pachelbel et ont été en grande partie composé de ses principaux lieux de travail , Erfurt et Nuremberg. Comme toujours avec ces entreprises , de nouvelles découvertes sont à prévoir en ce qui concerne le corpus d'oeuvres , du matériel source et le contexte des travaux. Cela concerne non seulement la belle musique, mais plutôt un approfondissement de notre compréhension de Pachelbel comme un personnage clé entre traditions méridionales et centrales allemandes , et la reconnaissance d'une oeuvre qui a tous été trop souvent poussé dans l'ombre par le puissant Bach. / Orchestre
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Bach, Johann Sebastian : Brandenburg Concertos 4-6
Orchestra
[Study Score / Miniature + CD]
Schott
The more you read, the more you hear!
The Eulenburg Audio Sco...
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The more you read, the more you hear!
The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.
Eulenburg Audio Score is the new way to hear, read and understand music. / Partition CD /
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Johann Strauss Sr.: Johann Strauss I: William Tell Galopp (Parts): Orchestra:
Orchestra
Bosworth
Johann Strauss I (1804-1849)was an Austrian composer known particularly for his ...
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Johann Strauss I (1804-1849)was an Austrian composer known particularly for his waltzes. This piece is for orchestra.
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Henry Purcell: Purcell Society Volume: Orchestra: Score
Orchestra
[Sheet music]
Novello & Co Ltd.
16 Dramatic Music Part I (Original Engraving)
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Kongen Af Himmelby - Demo: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopia...
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Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopiaville-Demo is commissioned by Finn Schumacker for The Odense Symphony Orchestra. Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied up in a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focus is on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to me to start making orchestral excerpts from my operas that are meant to be played before the premiere (and after please); I call them 'operatrailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and more appetizer-ish. The Utopiaville-Demo is a fast-and-furious cinemascope 3D THX-demo for my chamber opera 'The King ofUtopiaville' which is sort of a mix between a reversed revolutionary opera (reversed because it's about a revolutionthat flops) and a rhythm'n blues theatre concert. The opera takes place on the remote tropical island of Honga-Tonga where a mayor form Europe is taking a much needed holiday as far away as possible from his home town Utopiaville. The mayor desperately needs to get away:He has overstepped his authority blatantly and broken every rule of law he felt like in order to create a modern liberalistic society where sanitation medicare hospitals schools the police and all other public institutions are sold to private investors and then leased back by the public - that way noone will ever have to pay taxes because everything finances itself the mayor says and in order to keep reality at a safe distance he drinks massive amounts of insanely expensive french claret all in the best interest of the inhabitants of Utopiaville of course.Honga Tonga can't get any further away from Waikiki Beach: It looks something like the 1933 version of
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Peter Maxwell Davies: Peter Maxwell Davies: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
Caroline Mathilde Act I (Concert Suite)-The story centres on the English princes...
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Caroline Mathilde Act I (Concert Suite)-The story centres on the English princess Caroline Mathilde (1751-1775) sister of George III who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King Christian VII. The balletportrays her unhappy marriage the King's growing madness and her fatal love-affair with Struensee the King's influential physician which leads to their arrest his execution and her exile at the age of 20 separated from hertwo young children. In keeping with the period and perhaps also with the traditions of Romantic ballet the music is relatively simple in harmony and form and most of the action is conveyed in set-piece dances. The suite which consists essentially of the second half of Act I begins with one of these a bristling interplay of wind and string ensembles in D major portraying in the ballet a curious nuptial game with the king and princess on movablepedestals. The slow music that follows has to do with the king's healing by Dr. Struensee and the new queen's unquiet reverie (oboe and cor anglais solos). Then the suite like the act is capped by a pair of pas-de-deux thefirst savage and bizarre for the royal couple the second rich and passionate for the queen and the miracle-working doctor.Score (miniature). Duration c. 25mins.
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Symphony #2 C Major Jv 51 (WEBER CARL MARIA VON)
Orchestra
Eulenburg
Par WEBER CARL MARIA VON. Durée: 19', Format: ETP small/ Répertoire / Orchestr...
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Par WEBER CARL MARIA VON. Durée: 19', Format: ETP small/ Répertoire / Orchestre
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