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Ray
FLUTE
Orchestra
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Symphonie Japonaise
Français
Orchestra
[Study Score / Miniature]
Leduc, Alphonse
L'oeuvre musicale qui a pour support une Partition a pour titre Symphonie Japona...
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L'oeuvre musicale qui a pour support une Partition a pour titre Symphonie Japonaise. C'est une partition musicale composée par Gallois-Montbrun Raymond et qui est destinée aux joueurs de Conducteur et Poche. Le détail de l'instrumentation Partition D'Orchestre In 16 Poche vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Partition D'Orchestre In 16 Poche / Partition
106.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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Petite Suite Pour Orchestre á Cordes (VAUDRAY FRANCK)
Orchestra
[Score]
Martin, Robert
Par VAUDRAY FRANCK. / Répertoire / Orchestre
13.10 EUR - Sold by LMI-partitions
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Symphonie #1 En Ut (PARAY PAUL)
Orchestra
[Sheet music]
Jobert
Par PARAY PAUL. / classique / Répertoire / Orchestre
79.71 EUR - Sold by LMI-partitions
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Orchestral Repertoire (CAROLL RAYNOR)
Orchestra
[Sheet music]
Carl Fischer
Par CAROLL RAYNOR. / Répertoire / Orchestre
31.70 EUR - Sold by LMI-partitions
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Orchestral Repertoire (CARROLL RAYNOR)
Orchestra
[Sheet music]
Carl Fischer
Par CARROLL RAYNOR. / Répertoire / Orchestre
35.80 EUR - Sold by LMI-partitions
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Orchestral Repertoire Vol.1 (CARROLL RAYNOR)
Orchestra
[Sheet music]
Carl Fischer
Par CARROLL RAYNOR. / Répertoire / Orchestre
35.80 EUR - Sold by LMI-partitions
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Orchestral Repertoire (CAROLL RAYNOR)
Orchestra
[Sheet music]
Carl Fischer
Par CAROLL RAYNOR. / Répertoire / Orchestre
38.30 EUR - Sold by LMI-partitions
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No other people (BARRY GERALD)
Orchestra
[Study Score / Miniature]
Schott
for orchestra. Par BARRY GERALD. 'The title, No other people., is taken from Ray...
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for orchestra. Par BARRY GERALD. 'The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods. In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original. I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings. There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo. They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing. Something of this is in the music.' Gerald Barry, 2009/ Répertoire / Orchestre
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Z-4383 (BORBOUDAKIS MINAS)
Orchestra
[Score and Parts]
Peters
for Large Ensemble. Par BORBOUDAKIS MINAS. Z-4383 by Minas Borboudakis is a 12-m...
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for Large Ensemble. Par BORBOUDAKIS MINAS. Z-4383 by Minas Borboudakis is a 12-minute work for large ensemble (1(=Picc).1.1(=BCl).1 – 1.1.1(=BTbn).0 – 2Perc – Acdn – Pf – Str(1.1.1.1.1 or String Orchestra) – Electronics). It describes the journey of the wagon of the same name in which the body of the politician and pacifist Grigoris Lambrakis, also called 'Z', who was murdered in 1963, was transported from Thessaloniki to Athens. In the scene from the cult novel Z by Vassilis Vassilikos, the author lets the soul of Grigoris Lammbrakis fly over the train. Train noises, distorted fragments of speech, as well as lines rising ever higher unfold in the music. Sequences expressing pain, longing, hope and despair return as wordless instrumental quotations, attempting to portray the unspeakable before the soul leaves the body at the work's conclusion. The world premiere took place on 20 July 2018 with the Academy of the Bavarian Radio Symphony Orchestra conducted by Daniel Carter. The score (EP 14315) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-09-07/ Répertoire / Orchestre
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La Mer
Orchestra
[Score]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
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'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Ensemble A Vent
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon I
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Contrebasse
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Alto
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La Mer
Orchestra
[Score and Parts]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Orchestre
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La Mer
Orchestra
[Part]
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
(+)
'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violon II
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Thats So Orff
Orchestra
Alfred Publishing
C'est donc Orff! offre attrayante, de nouvelles leCons pour la classe de musique...
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C'est donc Orff! offre attrayante, de nouvelles leCons pour la classe de musique élémentaire en intégrant l'improvisation, le mouvement, et les accessoires. Les activités d'engagement, faciles à utiliser sont conCus pour les enseignants et les novices de musique expérimentés. Complets, délicieux leCons avec un processus étape par étape font les pièces accessibles à tous et de donner aux élèves l'occasion d'explorer la musique à travers le processus Orff. Cette collection passionnante de chansons originales et des arrangements avec les pages reproductibles sont écrits de manière adapté aux élèves qui auront à vos élèves d'effectuer avec succès en peu de temps! Le CD de données accompagnant permet pour la projection des arrangements et une plus grande interaction dans la salle de classe. Ajouts merveilleux à n'importe quel programme, les morceaux de qui est si Orff! présentera les compétences de vos élèves et disposent d'un public délirant! / Orchestre
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Octuor En Fa Majeur D 803
Orchestra
[Study Score / Miniature]
G. Henle
Pour cette composition, Schubert s'inspira du Septuor op. 20 de Beethoven, don...
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Pour cette composition, Schubert s'inspira du Septuor op. 20 de Beethoven, dont il reprit le caractère divertissant et la structure en six parties, en rajoutant seulement un deuxième violon à l'instrumentation. Dans une lettre, il fit figurer son octuor parmi les oeuvres de musique de chambre qui lui permettraient de se frayer 'la voie vers la grande symphonie'. On ne peut plus déterminer si la composition fut commandée par le comte Ferdinand Troyer, lequel tenait un salon musical à Vienne et jouait personnellement de la clarinette. En revanche, il est certain que Schubert composa l'oeuvre en quelques semaines au début de l'année 1824 et que la création eut lieu peu après chez Troyer. Elle figure aujourd'hui parmi les oeuvres les plus populaires pour les grands ensembles de musique de chambre. / Octuor A Vent
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Oration (Score) (BRIDGE FRANK)
Orchestra
[Sheet music]
Faber Music Limited
Par BRIDGE FRANK. 'The individual emotional quality and organic structure of Ora...
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Par BRIDGE FRANK. 'The individual emotional quality and organic structure of Oration place it high in Bridge's output and indeed in British music of the first half of this century. . .a profound work. . .'Music and Letters (Trevor Bray), April 1981/ Répertoire / Conducteur
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Octuor En Fa Majeur D 803
Français
Orchestra
G. Henle
Pour cette composition, Schubert s'inspira du Septuor op. 20 de Beethoven, don...
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Pour cette composition, Schubert s'inspira du Septuor op. 20 de Beethoven, dont il reprit le caractère divertissant et la structure en six parties, en rajoutant seulement un deuxième violon à l'instrumentation. Dans une lettre, il fit figurer son octuor parmi les oeuvres de musique de chambre qui lui permettraient de se frayer 'la voie vers la grande symphonie'. On ne peut plus déterminer si la composition fut commandée par le comte Ferdinand Troyer, lequel tenait un salon musical à Vienne et jouait personnellement de la clarinette. En revanche, il est certain que Schubert composa l'oeuvre en quelques semaines au début de l'année 1824 et que la création eut lieu peu après chez Troyer. Elle figure aujourd'hui parmi les oeuvres les plus populaires pour les grands ensembles de musique de chambre. / Violon, Alto, Violoncelle,Contrebasse, Clarinette (Si Bémol), Basson Et Cor
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Symphonie N015 Op. 141 (CHOSTAKOVITCH DIMITRI)
Orchestra
[Sheet music]
Sikorski
Par CHOSTAKOVITCH DIMITRI. Shostakovich’s fifteenth symphony differs substanti...
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Par CHOSTAKOVITCH DIMITRI. Shostakovich’s fifteenth symphony differs substantially in many ways from his other late symphonies. The eleventh (1957), subtitled The Year 1905, and the twelfth (1960), subtitled The Year 1917, are both programmatic symphonies, relating to political and historical events within the year of which they are subtitled. The next two symphonies are sung texts, with vocal and/or choral parts: thirteenth (1962) and fourteenth (1969) symphonies. With the Symphony No. 15 In A Op. 141, Shostakovich’s last foray in the genre, the composer returned to a purely instrumental and non-programmatic composition, which inhabits a purely emotional andintellectual plane, quite removed from the world of politics and history. Available here is the pocket or study score of Shostakovich’s last symphony, the Symphony No. 15 in A Op. 141. This is an excellent Sikorski edition score, and is ideal for study and perusal purposes./ Répertoire / Orchestre
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Irish Reel (Score)
Orchestra
Faber Music Limited
Britten's Irish Reel was composed in 1936 as title music for a documentary film ...
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Britten's Irish Reel was composed in 1936 as title music for a documentary film made by Marion Grierson and Evelyn Spice. Around the Village Green was made for the Travel and Industrial Development Association, which explored the changes to rural life in East Anglia after the increased mechanisation of agriculture. In his incidental music, Britten incorporated a riotous medley of folk songs and other traditional tunes (including 'Early One Morning', 'The Vocar of Bray', and Sheild's 'The Plough Boy'), many of which were suggested to him by the Norfolk-based composer E.J.Moeran.
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Barenreiter
Organ Part. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives ...
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Organ Part. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Liszt F. - Les Preludes And Other Symphonic Poems - Conducteur
Orchestra
[Study Score / Miniature]
Dover Publications
This authoritative edition presents full-score reproductions of three of Liszt...
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This authoritative edition presents full-score reproductions of three of Liszt’s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer’s unpublished choral setting of Joseph Autran’s poem “The Four Elements”, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo’s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: “He runs, he flies, he falls, and he stands up king!” Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement “transformation of themes,” an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt’s expanding chromaticism would be no less influential, anticipating the twentieth century’s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Barenreiter
Violoncello/Bass. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Arc...
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Violoncello/Bass. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Symphony #4 Bb Major Op. 60
Orchestra
Eulenburg
Beethoven's Symphony #4, like #5, portrays the transition from darkness to light...
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Beethoven's Symphony #4, like #5, portrays the transition from darkness to light. Despite being scored for a small ensemble and its classical structure the work is brimming with originality and grace - 'a slender Greek maiden' as described by Robert Schumann. / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Barenreiter
Viola. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach ...
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Viola. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Peterloo Overture (Score) (ARNOLD MALCOLM)
Orchestra
[Sheet music]
Faber Music Limited
Par ARNOLD MALCOLM. Peterloo is the derisive name given to an incident on 16 Aug...
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Par ARNOLD MALCOLM. Peterloo is the derisive name given to an incident on 16 August 1819, in St Peter's Fields, Manchester, when an orderly crowd of some 8,000 people met to hear a speech on political reform. On the orders of the magistrates they were interrupted by the Yeomanry, attempting to seize the banners they carried, and to arrest their speaker, Henry Hunt. Cavalry were sent in, eleven people were killed and four hundred injured in the ensuring panic. This overture attempts to portray these happenings musically, but after a lament for the killed and injured, it ends in triumph, in the firm belief that all those who have suffered and died in the cause of unity amongst mankind will not have done so in vain./ Répertoire / Conducteur
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Achachilas
Orchestra
Jobert
Les Achachilas sont les esprits protecteurs, ancêtres, du peuple Aymara. Ils so...
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Les Achachilas sont les esprits protecteurs, ancêtres, du peuple Aymara. Ils sont représentés sur terre par les montagnes et monts qui entourent ces peuples.Après la naissance de ma fille, j'ai senti le besoin de regarder de plus près la terre de mes ancêtres. Ce travail de mémoire a guidé toute cette oeuvre.Cette pièce 'est une succession d'états dont chacun annonce ce qui suit et contient ce qui précède. ...Tandis que je les éprouvais, ils étaient si solidement organisés, si profondément animés d'une vie commune, que je n'aurais su dire où l'un quelconque d'entre eux finit, où l'autre commence. En réalité, aucun d'eux ne commence ni ne finit mais tous ces prolongent les uns dans les autres'. La pensée et le mouvant Bergson.Ce présent qui dure, ce passé qui fait corps avec le présent, correspondent à un non-développement, à un non-déterminisme - chaque acte est un 'jaillissement ininterrompu de création', dans lequel il n'y a jamais deux moments identiques.Dans mon travail, l'oeuvre n'est jamais préconstruite, il n'y a pas d'esquisses préparatoires, et reste par conséquent totalement imprévisible. Composer devient alors une véritable aventure, totalement libre.Seule la mémoire, conscience du passé qui fait corps avec le présent, donne cohérence à ma musique.Cette oeuvre est dédiée à ma fille Millaray, en espérant que ces Achachilas se penchent sur elle.Marco-Antonio Perez-Raminez / Orchestre
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Mass In B Minor Bwv 232
Orchestra
Barenreiter
Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présente...
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Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.:Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris.Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets.' / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Orchestra
[Sheet music]
Barenreiter
Violin Ii. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives B...
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Violin Ii. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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