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There There
FLUTE
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There Was A Time: Organ: Instrumental Work
Organ
Banks Music Publications
There Was A Time from Finzi's 'Intimations of Immortality' Ode has been arrang...
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There Was A Time from Finzi's 'Intimations of Immortality' Ode has been arranged as a prelude for Organ by Andrew Seivewright.
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J. Jerome Williams: There Is A Balm: Organ: Instrumental Album
Organ
Fred Bock Music Company
There Is A Balm
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Judith Weir: The Tree Of Peace: Organ: Instrumental Work
Organ
Chester
Judith Weir's The Tree Of Peace was composed in 2016 for Organ. Commissioned in ...
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Judith Weir's The Tree Of Peace was composed in 2016 for Organ. Commissioned in loving memory of Richard Axtell (1952-2015) talented and much-loved organist at the Parish of St. Andrew West Tarring. 'It'senormously inspiring to see the Master of the Queen's Music turning her attention to the organ once again. Judith Weir's The Tree Of Peace is a short piece commissioned in memory of the organist Richard Axtell... Despite thesimplicity of the music it carries all the hallmarks of Weir's unmistakeably refined idiom.' - Stephen Farr Choir and Organ Jan 2018 From the Master of the Queen's Music Judith Weir comes The Tree ofPeace which was commissioned in memory of Richard Axtell organist of the parish church in West Tarring West Sussex. It was given its first performance there by Charles Harrison on the 17 June 2017. It lasts some 4 minutes andproves to be a thoroughly engaging piece in her customary refined idiom. It is in three main sections with a graded increase of tempo throughout. Thematic material is presented at the start cantabile. The central sectionprovides an energetic development marked animato leading to the conclusion molto mosso which gives the theme as in the opening but in augmentation. Throughout I feel an orchestral sense of colour and interrelationships inthe music - and have found it delightful to play. A modest two manual and pedal instrument with some contrasted quiet colours available will suffice and the technical demands are by no means severe. A delightful addition to therepertoire of short self-contained delightful pieces. - Organists' Review Duration: Approx 4 minutes.
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Johann Sebastian Bach: Organ Works - Volume 4: Organ: Instrumental Album
Organ
[Sheet music]
Barenreiter
Third Part of the Clavier Ubung-In 1739 Bach?s Third Part of the Clavier Übung ...
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Third Part of the Clavier Ubung-In 1739 Bach?s Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of Organ composition as it offers an impressive cross section of Bach?s artistry.This present volume is an updated edition of Volume 4 Series IV of the New Bach Edition presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary as there were relatively few corrections affecting the musical text. However the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work?s genesis but also offers an up-to-datedescription of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach?s autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach Digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must in the interest of its use by researchers and performers incorporate intervening new discoveries wherever possible. With this in mind Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach Digital thereby enabling the user to gain quick access to the sources.- With altered readings integrated into the musical text taking into account new musicological evidence.- With a new Preface by Christoph Wolff (Ger/Eng) discussing this work and its sources.- Newly engraved and with improved page
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Shinichi Suzuki: Suzuki Organ School 5: Organ: Instrumental Tutor
Organ
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 5 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'Praeludium' 'Pastorella' (Marpurg) 'Madeleine's Song' 'Preparatory Exercise' (Buxtehude) 'Postlude' (Fischer) 'Cantilena' (Knecht) 'March' (Purcell arr. Hagström) 'Organ Prelude' (Mankell) 'Prelude' (Lübeck) 'Trio' (Sorge) 'March from A Midsummer Night's Dream' (Mendelssohn arr. Hagström) 'Prelude' (Krebs). 'Madeleine's Song ' 'Pastorella ' 'Postlude ' 'Praeludium ' and 'Trio' are Federation Festivals 2016--2020 selections.
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Shinichi Suzuki: Suzuki Organ School 6: Organ: Instrumental Tutor
Organ
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 7 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström and Jeremy Chesman.Titles: 'New and Effective Education in Music' 'Suzuki Method for Organ' 'Trumpet Voluntary' (Clarke) 'Piéce d'Orgue' (Franck) 'Praeludium' (Buxtehude) 'Sortie' (Franck) 'Prelude' (Bach) 'Trio' (Lemmens) 'Preparatory Exercise' (Walthier) 'Ouverture' (Schmügel) 'Toccata' (Rönnberg) 'Praeludium' (Walther) 'Prelude' (Bach) 'Sortie' (L. Boëllman) 'Toccata' (Rönnberg). 'Piéce d'Orgue ' 'Sortie ' and 'Toccata BuxWV 157' are Federation Festivals 2016--2020 selections.
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Shinichi Suzuki: Suzuki Organ School 7: Organ: Instrumental Tutor
Organ
Alfred Publishing
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book
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Shinichi Suzuki: Suzuki Organ School 2: Organ: Instrumental Tutor
Organ
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 2 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'Allegro' (Suzuki) 'Amaryllis' (Ghys) 'Anthem' (Traditional) 'Bells' (French Folk Song) 'Cinderella' (French Folk Song) 'Claire de Lune' (Lully) 'Folk Song' (Icelandic Folk Song) 'French Folk Song' (Traditional) 'Goodbye to Winter' (Folk Song) 'London Bridge' (Folk Song) 'Long Long Ago' (Bayly) 'Lullaby' (Schubert) ' Musette' (Anonymous) 'O Come Little Children' (Traditional) 'Prelude' (Charpentier). 'French Folk Song ' 'O Come Little Children ' and 'Prelude (from 'Te Deum')' are Federation Festivals 2016--2020 selections.
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Shinichi Suzuki: Suzuki Organ School 8: Organ: Instrumental Tutor
Organ
Alfred Publishing
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 8 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström and Jeremy Chesman.Titles: 'Praeludium' (Bach) 'Air from Orchestral Suite No. 3 BWV 1068' (J. S. Bach / arr. Hagström) 'Postlude' (Guilmant) 'Le cygne from Le carnaval des animaux' (Saint-Saëns) 'Pedal--Exercitium BWV 598' (Bach) 'Prelude in E. Minor' (Bruhns) 'Menuet gothique' (Boëllmann) 'Marche--Sortie' (Dubois) 'Prelude in C' ( Kellner) 'Cortège' (Vierne) 'Verset--Fantaisie' (Guilmant) 'Radetzky March' (Strauss / arr. Hagström) 'Fugue in D Minor BWV 565' (Bach).
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Shinichi Suzuki: Suzuki Organ School 4: Organ: Instrumental Tutor
Organ
Alfred Publishing
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book
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Shinichi Suzuki: Suzuki Organ School 3: Organ: Instrumental Tutor
Organ
Alfred Publishing
The first classical Organ method for children the Suzuki Organ School is based ...
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The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book
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Alexandre Pierre François Boely: Complete Works For Organ Vol.3: Organ:
Organ
[Sheet music]
Leduc, Alphonse
French composer organist and pianist Alexandre Boëly (1785-1858) was born int...
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French composer organist and pianist Alexandre Boëly (1785-1858) was born into a family of musicians. Having received musical education from an early age Boëly led a successful career. His Organ works remain prominent within the instrument's repertoire. The series of Boëly's Complete Works was assembled by Norbert Dufourcq and Brigitte François-Sappey. The third volume contains a variety of Boëly's most famous works including Noels Chorales and other compositions. For all advanced organists Boëly's Organ works are an essential addition to therepertoire.
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Diane Bish Classical Organ Collection Organ: Organ: Instrumental Album
Organ
Gentry Publications
Diane Bish has carefully selected some of her most loved organ selections and ma...
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Diane Bish has carefully selected some of her most loved organ selections and made them available in one wonderful collection. Songs include: Adagio in G minor (Thomaso Albinoni) ? Canon in D (Pachelbel) ? Overture (fromHandel's Royal Firework Music) ? Sicilienne (Theresia V. Paradis) ? and Apres Un Reve (Faure).
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Organ Improvisations for Hymn Singing - Volume 2: Organ: Instrumental Album
Organ
Hinshaw Music Inc.
Contents: 1. Azmon ('O For A Thousand Tongues To Sing')2. Beecher ('Theres A W...
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Contents: 1. Azmon ('O For A Thousand Tongues To Sing')2. Beecher ('Theres A Wideness In Gods Mercy')3. Birmingham ('Tell Out My Soul The Greatness Of The Lord')4. Grosse Gott (Te Deum) ('Holy God We Praise Thy Name')5. Hanover ('O Worship The King')6. Land Of Rest ('Jerusalem My Happy Home')7. Laudes Domini ('When Morning Gilds The Skies')8. Merrial ('The Day Thou Gavest Lord Is Ended')9. Moscow ('Come Thou Almighty King')10. Munich ('O Word Of God Incarnate')11. Old Hundredth ('All People That On Earth Do Dwell')12. Russia ('God The Omnipotent')13. St. Anne ('O God Our Help In Ages Past')14. St. Clement ('The Day Thou Gavest Lord Is Ended')15. St. Columba ('The King Of Love My Shepherd Is')16. Sicilian Mariners ('Lord Dismiss Us With Thy Blessing')17. Slane ('Be Thou My Vision')18. Toulon ('God Of The Prophets Bless The Prophets Heirs!')19. Westminster Abbey ('Chirst Is Made The Sure Foundation')
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10 Choral Preludes op. 70a-k (SENFTER JOHANNA)
Organ
Schott
Par SENFTER JOHANNA. Johanna Senfter (1879–1961) is one of the most interestin...
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Par SENFTER JOHANNA. Johanna Senfter (1879–1961) is one of the most interesting composers of the late Romantic period. She studied piano and composition at the Frankfurt Conservatoire 1895–1903 and thereafter in Leipzig with Max Reger 1908/9. Her most significant legacy is her organ music, which takes up the contrapuntal, highly chromatic composition techniques used by her teacher. These ten chorale preludes Op. 73 were written in 1930 and are suitable for concert or liturgical performance./ Répertoire / Orgue
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Emily Maxson Porter: What Wondrous Love Is This O My Soul?: Organ: Instrumental
Organ
Hinshaw Music Inc.
Contents: Fantasia On Four American Hymns1. Wondrous Love2. Were You There3. Dee...
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Contents: Fantasia On Four American Hymns1. Wondrous Love2. Were You There3. Deep River4. Burleigh
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Andrew D. Gordon: 100 Ultimate Jazz Riffs for Organ: Organ: Instrumental
Organ
ADG Productions
100 Ultimate Jazz Riffs for Organ authored by Andrew D. Gordon consists of as t...
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100 Ultimate Jazz Riffs for Organ authored by Andrew D. Gordon consists of as the title suggests 100 Jazz riffs based on common chord progressions used in jazz such as II-V-I III-VI-II-V etc. There are five separate sections: Jazz-Swing Jazz-Ballad Jazz-Funk Jazz-Waltz and Latin-Jazz. Besides the 100 riffs at the end of the book there is the chord progression for the popular jazz standard “Blue Moon†showing you how to use the various riffs from the 100 riffs to create an improvised solo over the cho
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Organ Improvisations for Lent and Easter Hymns: Organ: Instrumental Album
Organ
Hinshaw Music Inc.
Contents: 1. Aus Der Tiefe Rufe Ich ('Forty Days And Forty Nights')2. Easter H...
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Contents: 1. Aus Der Tiefe Rufe Ich ('Forty Days And Forty Nights')2. Easter Hymn ('Jesus Christ Is Risen Today')3. Ellacombe ('The Day Of Resurrection')4. Erhalt Uns Herr ('The Glory Of These Forty Days')5. Fortunatus ('Welcome Happy Morning')6. Gaudeamus Pariter ('Come Ye Faithful Raise The Strain')7. Gwalchmai ('Christ The Lord Is Risn Today')8. Herzlich Tut Mich Verlangen ('O Sacred Head Sore Wounded')9. Herzliebster Jesu ('Ah Holy Jesus')10. Horsley ('There Is A Green Hill Far Away')11. Machs Mit Mir Gott ('Thou Hallowed Chosen Morn Of Praise')12. O Filii Et Filiae ('O Sons And Daughters Let Us Sing')13. O Filii Et Filiae (Vers. 2) ('O Sons And Daughters Let Us Sing')14. Old 124th ('Turn Back O Man Forswear Thy Foolish Ways') &('Eternal Lord Of Love Behold Your Church')15. Petra ('Go To Dark Gethsemane')16. Puer Nobis ('That Easter Day With Joy Was Bright')17. St. Albinus ('Jesus Lives! Thy Terrors Now')18. St. Flavian ('Lord Who Throughout These Forty Days')19. St. Kevin ('Come Ye Faithful Raise The Strain')20. St. Magnus ('The Head That Once Was Crowned With Thorns')21. Salzburg ('At The Lambs High Feast We Sing')22. Unser Herrscher ('He Is Risen He Is Risen!')23. Valet Will Ich Dir Geben (St. Theodulph) ('All Glory Laud AndHonor')24. Victory ('The Strife Is Oer The Battle Done')25. Were You There ('Were You There When They Crucified My Lord?')
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Compendium of Organ Performance Technique I and II: Organ: Instrumental Album
Organ
Barenreiter
Handbook of classical-modern organ playing-Handbook of classical-modern Organ pl...
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Handbook of classical-modern organ playing-Handbook of classical-modern Organ playing.Barenreiter's two-volume edition is the first to offer a reference work on Organ technique systematically subdivided into 60 exercise units. It provides an overview of all relevant topics on manual and pedal playing based on the tutors by Marcel Dupré Fernando Germani Charles-Louis Hanon and Johannes Brahms as well as on their sequels and supplements. There is also a comprehensive set of exercises to maintain the achieved performance level.This compendium is a tutor for all levels of expertise and training from ambitious semi-professional organists through to fully professional church musicians and conservatorystudents. Furthermore it is aimed at all of those who teach the Organ whether privately or at academies colleges conservatories or universities.Two-volume reference work on Organ technique (Ger/Eng)Covers all relevant areas of manual and pedal playingIncludes a comprehensive set of exercisesConcise introductory text (Ger/Eng)Index for topics and keywords on teaching and performing issuesFor every level of expertise and trainingPeter Wagner (b. Karlstadt 1967) studied Catholic church music (A-level certification) Organ improvisation concert Organ and music theory in Cologne Würzburg and Salzburg. His later career led him to a wide variety of teaching consultancy and jury activities in the areas of Organ playing music theory choral and orchestral conducting voice training and children?s choirs. He has also given concert tours in Germany and abroad. From 2001 to 2003 Wagner was an educational consultant and teacher at the Bavarian State Academy of Music in Hammelburg. Since then he has been cathedral organist and choral director in Minden as well dean church musician for the archbishopric of Paderborn.
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Historical Performance Practice in Organ Playing
Organ
[Sheet music]
Carus Verlag
Modern and Contemporary Music. Par . Now finally in English too: The third part ...
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Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Krenek, John Cage, György Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik?s organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. / Date parution : 2022-05-03/ Recueil / Orgue
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Orgelwerke Band I/1 (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...
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Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Orgelwerke Set Band I (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...
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Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Ars Organi Vol. 3 (PEETERS FLOR)
Organ
Schott
Complete theoretical and practical method for organ-playing in three parts. Par ...
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Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue
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Órgano Hispano: Organ: Instrumental Work
Organ
Schott
10 Orgelwerke Aus 4 Jahrhunderten-New Music on old instruments and new organ lit...
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10 Orgelwerke Aus 4 Jahrhunderten-New Music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles which adds new sounds to the purely Baroque repertoire.With works by José Blasco de Nebra Francisco Correa de Arauxo Antonio de Cabezón Pedro de Araujo and new compositions by Guy Bovet Michael Kapsner Pavel Klimashevsky Zsigmond Szathmáry and Alfred Müller-Kranich.The new Spanish organ of the Hochschule für Musik Mainz as an authentically rebuilt historical instrumentfrom the workshop of the organ builder Joaquín Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason the Hochschule für Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'.Certain specifications had to be taken into account: e. g. a limited pitch range half stops for treble and bass registers the short octave as well as a mean-tone temperament. In addition each composition is based on a work of the Iberian organ literature; sometimes the work found its way into the new composition sometimes it only served as an inspiration.The pieces can also be played on a modern organ although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles the resulting collection adds new sounds to the purely Baroque repertoire.
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Johann Sebastian Bach: Oxford Bach Books for Organ: Manuals and Pedals: Organ:
Organ
Oxford University Press
Book 3-Oxford Bach Books For Organ is a 5-volume graded series of Organ music c...
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Book 3-Oxford Bach Books For Organ is a 5-volume graded series of Organ music composed by J. S. Bach and arranged by Anne Marsden Thomas. This varied collection includes the essential pieces in all genres including choral preludes fugues toccatas and trio sonata movements alongside several of the composer’s lesser known works.Each volume contains a general introduction for players with advice on registration tempo ornamentation touch and articulation fingering pedalling and more. There are also concise notes on each piece by the renowned Bach scholar Professor Russell Stinson - addressing source issues structure and symbolism and forthe chorale preludes information on the original hymn melody and text on which the piece based.An authoritative introduction to this cornerstone of the Organ repertoire Oxford Bach Books For Organ presents pieces in a highly practical format that is perfect for teachers and students.This third volume contains 11 pieces for the manual or pedal Organ suitable for musicians at a Grade 7-8 level.
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Johann Sebastian Bach: Oxford Bach Books for Organ: Manuals Only Book 1: Organ:
Organ
Oxford University Press
Grades 2-5-Oxford Bach Books For Organ is a 5-volume graded series of Organ musi...
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Grades 2-5-Oxford Bach Books For Organ is a 5-volume graded series of Organ music composed by J. S. Bach and arranged by Anne Marsden Thomas. This varied collection includes the essential pieces in all genres including choral preludes fugues toccatas and trio sonata movements alongside several of the composer’s lesser known works. Each volume contains a general introduction for players with advice on registration tempo ornamentation touch and articulation fingering pedalling and more. There are also concise notes on each piece by the renowned Bach scholar Professor Russell Stinson - addressing source issues structure and symbolismand for the chorale preludes information on the original hymn melody and text on which the piece based. An authoritative introduction to this cornerstone of the Organ repertoire Oxford Bach Books For Organ presents pieces in a highly practical format that is perfect for teachers and students. This first volume contains 37 pieces for the manual Organ suitable for musicians at a Grade 2-5 level.
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Johann Sebastian Bach: Oxford Bach Books for Organ: Manuals and Pedals: Organ:
Organ
Oxford University Press
Book 2-Oxford Bach Books For Organ is a 5-volume graded series of Organ music c...
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Book 2-Oxford Bach Books For Organ is a 5-volume graded series of Organ music composed by J. S. Bach and arranged by Anne Marsden Thomas. This varied collection includes the essential pieces in all genres including choral preludes fugues toccatas and trio sonata movements alongside several of the composer’s lesser known works.Each volume contains a general introduction for players with advice on registration tempo ornamentation touch and articulation fingering pedalling and more. There are also concise notes on each piece by the renowned Bach scholar Professor Russell Stinson - addressing source issues structure and symbolism and for the choralepreludes information on the original hymn melody and text on which the piece based.An authoritative introduction to this cornerstone of the Organ repertoire Oxford Bach Books For Organ presents pieces in a highly practical format that is perfect for teachers and students.This second volume contains 18 pieces for the manual or pedal Organ suitable for musicians at a Grade 6-7 level.
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Johann Sebastian Bach: Oxford Bach Books for Organ: Manuals Only Book 2: Organ:
Organ
Oxford University Press
Grades 6-7-Oxford Bach Books For Organ is a 5-volume graded series of Organ musi...
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Grades 6-7-Oxford Bach Books For Organ is a 5-volume graded series of Organ music composed by J. S. Bach and arranged by Anne Marsden Thomas. This varied collection includes the essential pieces in all genres including choral preludes fugues toccatas and trio sonata movements alongside several of the composer’s lesser known works. Each volume contains a general introduction for players with advice on registration tempo ornamentation touch and articulation fingering pedalling and more. There are also concise notes on each piece by the renowned Bach scholar Professor Russell Stinson - addressing source issues structure and symbolismand for the chorale preludes information on the original hymn melody and text on which the piece based. An authoritative introduction to this cornerstone of the Organ repertoire Oxford Bach Books For Organ presents pieces in a highly practical format that is perfect for teachers and students. This second volume contains 18 pieces for the manual Organ suitable for musicians at a Grade 6-7 level.
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Organists' Charitable Trust - Little Organ Book: Organ: Instrumental Album
Organ
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Eleven pieces for solo Organ from the 19th to the 21st century. Selected and edi...
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Eleven pieces for solo Organ from the 19th to the 21st century. Selected and edited by Martin Neary. 'An imaginative kaleidoscope of attractive pieces. There is much to enjoy in this wide-ranging collection.' - John Scott LVO Organist and Director of Music Saint Thomas Church Fifth Avenue New York 'A valuable collection for organists. The fact that it is published in aid of such an important cause makes it all the more appealing.' - James O'Donnell Organist & Master of the Choristers Westminster Abbey Visiting Professor of Organ Royal Academy of Music 'Containing stimulating music for professional and amateur alike thisbeautifully produced volume is one of the highest quality and useful Organ albums to have been released in years. You should buy a copy - you won't regret it.' - Jonathan Vaughn (Choir & Organ - March/April 2011) Produced in association with the Organists Charitable Trust with the support of the Ralph Vaughan Williams Trust this is a collection of 11 pieces for solo organ (ABRSM Grade 6-7). Featuring previously-unpublished works by Howells and Rutter and new works by Philip Moore and three 'rising stars' David Bednall Iain Farrington and Thomas Hewitt Jones. Selected and edited by Martin Neary.
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