SKU: BT.SLB-00586700
French.
Ce recueil - initialement publié en 1990 et révisée en 2010 - a été publié dans le but de satisfaire l’intérêt porté au jazz par de nombreux percussionnistes et notamment par les élèves des deuxième et troisième cycles des conservatoires. Il apporte au jeune vibraphoniste une ouverture vers le jazz par le biais de dix thèmes : quatre arrangements de standards (Stella by Starlight, After You, Softly as in a Morning Sunrise, Someday my Prince will Come), trois compostions originales (48 Incluse, 2 Points magenta, Mondeville) et trois transcriptions de thèmes écrits pour le piano (Crystal Silence, Prelude to a Kiss, Stormy Weather). Ces célèbres thèmes- qui sont précédés par une partie théorique consacrée aux gammes, modes et arpèges ainsi qu’aux principales marches harmoniques - peuvent être joués aussi bien en solo qu’accompagnés. la fin de l’ouvrage, une liste d’écoute est proposée.
SKU: BT.SLB-00261200
45 Exercices de mise en place, de la ronde la double croche dans les mesures simples 2/4, 3/4 et 4/4.Enfin une méthode qui traite du problème majeur des musiciens amateurs : la mise en place rythmique. Pierre Pinto et Alex Védère, musiciens professionnels, ont conçu dans cette optique 45 exercices progressifs accompagnés d’un compact disc (1 heure d'enregistrement). Gr ce au système de balance, il vous sera possible de jouer en supprimant l'instrument concerné, ou alors d'écouter le trio original. Cette méthode s'adresse plus particulièrement aux batteurs, aux guitaristes et aux bassistes possédant des bases de solfège rythmique et de lecture en clés de sol et defa. Le but de cet ouvrage est de développer une même façon de concevoir la mise en place rythmique entre les instrumentistes. Vous trouverez dans cette méthode des exercices composés, arrangés et agencés de manière progressive et attrayante (les explications et la méthode de travail suivre précèdent chaque chapitre). Le recueil pour le guitariste est édité sous la référence SLB 00261400. Le recueil pour le bassiste est édité sous la référence SLB 00261300. L'enregistrement spécifique chacun des instruments comporte les 45 exemples traités dans l'ouvrage, il devrait apporter une aide précieuse pour mener bien l'étude de cette méthode.
SKU: AP.48263
ISBN 9781470643119. UPC: 038081555010. English.
Sound Percussion Ensembles by Dave Black and Chris Bernotas contains 11 arrangements and two original pieces at the intermediate level designed to give your percussion students a valuable group performance experience. It synthesizes skills taught in Sound Percussion and can be used as a supplement to any percussion method, or independently as stand-alone performance music. Playing in a group as a percussion ensemble will help your students develop independence and rhythmic stability, while offering a fun incentive to practice with friends. This book features a variety of music styles such as holiday, patriotic, multicultural, processional, classical, and original repertoire that can be used for performances throughout the entire school year. Each piece contains a Sound Advice section, providing helpful performance tips for your students on preparing for each work, executing the technique with excellence, and helping them understand notation. SI Online includes streaming demonstration tracks for each arrangement, providing excellent practice resources. Titles include: Trumpet Tune * Funeral March / March of the Marionette * Jingle Bells / Parade of the Wooden Soldiers * Hanukkah, Oh Hanukkah * Joy to the World / Deck the Halls * Chester / Battle Hymn of the Republic * España Cañi (Spanish Paso Doble) * Mama Paquita (Brazilian Folk Song) * Sakura/Arirang (Traditional Japanese / Korean Folk Song) * The Entertainer * Pomp and Circumstance * Mission Possible * Gears. This title is available in MakeMusic Cloud.
SKU: IS.PCE7114EM
ISBN 9790365071142.
Falling... in love is the musical narrative of an ancient Antwerp folktale. A young boy and his lovely lady decided to get married. Their passion was stronger than ever. However, the parents of the young folks did not agree: their love became forbidden, and a marriage was impossible. Driven by despair, the young couple climbed up the tower of the cathedral. The fiancees jumped hand in hand, shattering their endless love into 1000 golden pieces. Seized by sadness and remorse, the families repented. As a means of penance and reconciliation, and to honor their children, they placed a monument close to the cathedral: a tombstone made out of 1000 golden pieces. Nothing can bring people closer together than the power of love.
SKU: BT.SLB-00201000
SKU: BT.SLB-00182800
SKU: HL.14041798
ISBN 9788759818077. 12.5x16.5x1.13 inches.
Set of parts for Per Nørgård's En Lys Time / A Light Hour (2008-09) for a variable Percussion Ensemble (min. 10 players).
In A Light Hour everything - rhythms and motifs – is based on Nørgård´s special infinity series.
Score: WH30964
Programme note
A Light Hour is for ‘any number of percussion musicians’ (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open, as long as percussion is used within the three types specified in the score: skin, metal and wood. Each musicianuses two sound sources with two different sounds, one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments – vibraphone, xylophone, marimba, gamelan, glockenspiel, steel drums, crotales and the like. The work integrates and combines a number of rhythms that Nørgård has used in percussion works since the 1970s, for example in Early Spring Dance (for choir and percussion), and percussion works like I Ching, Easy Beats, Whirls, Zigzag, Nemo Dynamo and Echo Zone I-II-III. Special “tone-feasts” (the composer’s term) – followed by a rest – are an recognizable melodic feature of the work.: the first minute end with a short tone-feast (and a rest), the first four minutes end with a tone-feast lasting a minute (and a rest), the first quarter of an hour ends with a tone-feast of four minutes (and a rest) – and the work ends with a tone-feast lasting quarter of an hour (and a rest, when the work is over ...). The first 15 minutes have a bright, light character throughout, and alternate between rhythms and melodic play. The following 15 minutes are more insistent and decidedly percussion-based, Afro-Cuban, whereas the third quarter of A Light Hour moves in the.
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