An oratorio for SATB soli, SATB chorus and orchestra. Includes piano accompaniment. / Chant Et Piano

Edward Elgar's The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano, Tenor and Bass with Chorus and Orchestra. It is based on the epic poem, The Dream of Gerontius by John Henry Newman written in 1865. The original vocal score of Gerontius was actually printed before Elgar's had even finalised or completed his final orchestration and as such it was printed without many of the markings that were added in the later full score. This new edition brings vocal and full scores into agreement for the first time having been authentically and effectively edited by Hywel Davies and Bruce Wood, and also includes helpful notes on the background to the work as well as an outline of the editorial procedure and list of sources. This New Novello Choral Edition of the Vocal score with Piano reduction of the orchestral materialincludes a detailed foreword listing history, sources and editorial proceedure. / Chant Et Piano

This funeral anthem for SATB and orchestra was composed for, and performed at, the funeral of Queen Caroline, consort of George II, in Westminster Abbey on 17 December 1737. This vocal score is edited by Watkins Shaw and includes a piano reduction of the orchestral score. Duration approximately 50 mins. / Chant Et Piano

Par PURCELL HENRY. This new edition by Bruce Wood of the University of Wales, is intended to directly compliment the full score included in Purcell Society Volume 24. The piece is an ode to the birthday of Queen Mary, 1694, and is set for Soprano, 2 Counter-Tenor (Alto) and Bass soloists, with SATB and Orchestra. This vocal score features a piano/organ reduction of the orchestral score which also functions as a realisation of the original basso continuo. / Rép Classique / Répertoire / Chant et Piano

Sea Pictures is a song-cycle for Contralto and Orchestra which was first performed on 5th October 1899 at the Norwich Festival. This edition features a Piano reduction of the Orchestral score.

Commissioned by The Bach Choir in memory of Leopold de Rothschild (1927-2012), a singing member of the Choir for 50 years and Chairman for 23 years. Following his resignation as a singer Leo became the Choir's President, a position he held until his death - over this extraordinary period of devotion to the Choir he became a friend to vast numbers of his fellow singers, and gave unstintingly of his time and wisdomFirst performance 10 June 2014 in the Royal Festival Hall, London, by The Bach Choir, the Philharmonia Orchestra, and The Young Singers, a choir formed by The Bach Choir in partnership with the Tri-borough Music Hub, conducted by David Hill.cFor more on Jonathan Dove, please click on his name, above ... / Chant Et Piano

A new edition (2004), prepared by Bruce Wood, of Elgar's setting of Psalm 29 for SATB Chorus and Organ or Orchestra. / Chant Et Piano

Vocal Solo with Online Audio-Sing along with a full orchestra! Alan Menken & Howard Ashman's title track originally penned for the Disney animated movie in the 1990s has now been updated in a new setting performed by Ariana Grande and John Legend for the 2017 live action film presented in print as a vocal solo arrangement with Piano accompaniment. It also includes access to an online fully orchestrated accompaniment for download or streaming so you can sing along and sound like a pro! The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+ a multi-functional audio player that allowsyou to slow down audio without changing pitch set loop points change keys and pan left or right.

Samson , an oratorio for soloists, mixed chorus and orchestra by George Frideric Handel, libretto by Newburgh Hamilton after Milton's Samson Agonistes . Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete, modern edition of the composer's longest oratorio, prepared after examination of all known contemporary sources, both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743, as well as identifying the later shorter versions and additions performed regularly by Handel, and an Appendix of all further variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists, with an abundance of choral writing and some of Handel's most sublime writing for voices. Includes an historical preface, extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel. / Chant Et Piano

Sacred Oratorio in two Parts-During Telemann’s lifetime 'Die Donnerode' was one of his most popular sacred works. It was written following the devastating earthquake in Lisbon in 1755. The great success of the first performance in St. Jacobi in Hamburg in 1756 encouraged Telemann to write a second part to the work in 1760 expanding 'Die Donnerode' to make a complete oratorio. The work continues to be performed in this form today. The basic structure of 'Die Donnerode' is a psalm cantata for soloists chorus and orchestra. The texts and choice of instrumentation make reference to the threatening natural phenomenon of the earthquake. Telemann exploits all the musical possibilities offered by the text creating a powerful oratorio in which trumpets and timpani play an important role. This edition includes a vocal score on sale for the first time based on the Telemann Musical Works. The existing performance material has been thoroughly revised and newly engraved. Urtext edition based on the 'Telemann Musical Works' reflecting the current state of researchIdiomatic piano reduction foreword (Ger/Eng)Performance material thoroughly revised and newly engraved