Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. From Rachmaninov's Second Piano Concerto to Mozart's Clarinet Concerto this collection features many of your favourites!

The Phillip Keveren Series-15 familiar polka and waltz tunes arranged in a classical style for easy piano by Phillip Keveren. Includes: Acceleration Waltz - Beer Barrel Polka (Roll Out the Barrel) - Bitte Schön! (If You Please Polka) - By the Beautiful Blue Danube - Clarinet Polka - Fascination (Valse Tzigane) - The Godfather Waltz - Liechtensteiner Polka - Pennsylvania Polka - Piano Man - Pizzicato Polka - Que Sera Sera (Whatever Will Be Will Be) - The Sleeping Beauty Waltz - Tennessee Waltz - Waltz of the Flowers.

Ce troisième volume de La Méthode de piano classique est destiné aux étudiants qui ont terminé Method Book 2, ou pour ceux qui ont déjà une base solide dans le piano et sont de retour à l'instrument. Clairement énoncée et progresser par petites étapes gérables le livre comporte répertoire intéressant, varié et bien connu de l'époque baroque, classique et romantique époques Comprend un enregistrement sur CD de toutes les pièces offrant des performances de modèle pour vous aider à apprendre. Peut être complété par un répertoire supplémentaire, Duo et livres de fitness doigts. / Piano

Richard Causton's Night Piece for solo piano is a short encore work based on the clarinet line from the slow movement of Mozart's Clarinet Concerto. It was premiered by the Polish pianist Piotr Anderszewski in November 2014.

Allain Gaussin, a pupil of Olivier Messiaen at the CNSM in Paris, and a veritable alchemist of sound, created a sensual and sparkling work that aims to induce in listeners the sort of ?internal awakening? that the Japanese refer to as Satori ? the title given to a piece for solo clarinet he wrote in 1998. Composed a decade later, Tokyo-City for solo Piano draws on the same inspiration, fuelled by several stays in Japan. Gaussin sets out to reproduce the various sensations he experienced during his walks around the Japanese megalopolis: a fear of being swallowed up by its vastness gives way to a bedazzlement in the face of a buzzing universe awash with harmonies and colours. The work follows a dual symmetrical structure (in terms of register and tempo): after an enigmatic start entrusted to the low notes of the piano, a musical figure gradually emerges from ?floating polyphonies?, producing a veritable toccata which is slowly deformed, like an ana­morphosis. Then, only a glimmering of crystal-clear harmonies remains, and the work ends sparsely on the highest notes of the piano.

This piano accompaniment book is part of an instrumental series arranged for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Horn in F, and Trombone. It includes a specially designed accompaniment that can be easily played by a teacher or intermediate piano student. The instrumental solo part, in concert pitch, is added above the piano part so the accompanist or teacher can follow the soloist. A CD has also been included that features live demonstration performances of various instrument tracks throughout the series. The instrumental arrangements in this series are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2-3 player, and a fully orchestrated accompaniment CD. Each song on the CD includes a DEMO track, which features a live instrumental performance, followed by the PLAY-ALONG track by itself. Titles are: from Episode I: Augie's Great Municipal Band * Duel of the Fates * Qui-Gon's Funeral * Star Wars (Main Title); from Episode II: Across the Stars * The Imperial March * May the Force Be with You * The Meadow Picnic; from Episode III: Battle of the Heroes * Princess Leia's Theme * The Throne Room.

for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 22 E-flat major K. 482. Piano Solo, Flute, Clarinet (in B-flat) (2), Bassoon (2), Horn (2), Clarin trumpet (2), Kettledrum, Violin (2), Viola (2), Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Musicals' Features all the big hits from the West End and Broadway shows. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these idiomatic arrangements will boost players' confidence and are ideal pieces for performance. Contents: Fame (Fame); Food Glorious Food (Oliver); If I Were A Rich Man (Fiddler On The Roof); Over The Rainbow (Wizard Of Oz); Send In The Clowns (A Little Night Music); Singin' In The Rain (Singin' In The Rain); Tomorrow (Annie)

A selection of jazz pieces arranged for Keyboard and Guitar (both chord symbols and tablatures are included). For every piece you will find three versions: A simplified version: with the melody in the right hand and an easy accompanying line in the left hand (for beginners) A version for organ: with the melody in the right hand chords in the left and bass line for the pedal a version for solo piano for use with the piano or keyboard (medium difficulty) VOICE: It is possible to use the version contained in the CD for singing the pieces. The texts are found in the sheets inserted at the end of the volume and themelodies are given in the keyboard parts (right hand) GUITAR: All the guitar boxes for the chords are given in the single sheets inserted at the end of the volume. The sheet for each piece contains besides the guitar chords the text and a table with the melodic line (right hand) of the keyboard versions. OTHER INSTRUMENTS: It is also possible to play the melody parts or to improvise with other instruments such as flute violin etc. It should be noted that for instruments such as the clarinet or the saxophone the melodies will have to be transposed. A bass can be added to the group playing from the pedal part of the organ versions.

The Banks of Green Willow begins in pastorale mode with the title tune established in the Strings with solo clarinet. The work builds to quite a passionate climax before re-establishing the pastorale mood of the opening. The song on which the story is based has a tragic death at its centre which is reflected in the score.English composer and folksong collector George Butterworth who lived at the turn of the last century and lost his life in the First World War is known for his settings of selections of A E Housman’s A Shropshire Lad and for an Orchestral rhapsody he composed on the same theme. As a Recorder of folksongs he was successful in noting more than threehundred mainly from Sussex. One of them The Banks of Green Willow is the basis for the idyll for Orchestra that has been adapted here for Piano.

In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This piano accompaniment book is suitable for the flute, clarinet, alto saxophone, tenor saxophone, trumpet, french horn and trombone books and includes a CD that features various instrument demo tracks from the series. Also included are eight pages of colour photographs from the movie. Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.

Lower Intermediate to Intermediate-103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu Joy of Man's Desiring · Sheep May Safely Graze · Sleepers Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAUR??: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine Women and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn

24 Pieces For Piano. Par WOLF PETER E.. Péter Wolf (a doctoral graduate of the Franz Liszt Academy of Music in Budapest) has composed a number of large-scale compositions in recent years which have had success at the hands of distinguished performers: these include two piano concertos as well as concertos for oboe, clarinet, and violin. By entitling his newest set of pieces for piano Wolf-temperiertes Klavier, the composer was able to simultaneously indulge in wordplay based upon his surname and give a tip of the hat to German baroque master Johann Sebastian Bach. The work's likeness to Bach is not limited to its title - the manner in which a piece has been written in both major and minor keys for each tone of the chromatic scale is blatantly inspired by Bach. In the preface to this publication, Wolf offers the following insights: ''I think I managed to find expressive titles. The first piece, Epiclesis (a prayer for inspiration, patience, and support), was heard from above: I was able to work continuously and without inhibitions. The works could be born in every key, until the last one, the Epilogue, was completed. When I finally finished inscribing the pitches of Bach's name, I admit, a little shiver went through me.'' Of the character pieces, all were completely new with the exceptions of one being previously written and another whose theme Wolf borrowed from one of his own stage works. Wolf-temperiertes Klavier is recommended for advanced pianists who wish to push the boundaries between musical genres, as well as classical musicians interested in the harmonic language of jazz. / Niveau : Intermédiaire à Avancé / Musique contemporaine / Répertoire / Piano

Funky pieces for grade 5-6-Heather Hammond’s Cool Piano series is lively and attractive with plenty of variety of style key and tempo. The melodies are strong and the harmonies adventurous. Each book has 12 pieces and the progressive bookscorrespond to grades 1-6 standard. Children and young people will love the funky tunes which contrast excitingly with more formal exam pieces. Heather Hammond studied piano and clarinet at Leeds college of music and tookpostgraduate courses in teaching and music technology. She was a music specialist at a primary school for a number of years before setting up 'soundabout music workshops' - popular music activity sessions for children in York.Heather now divides her time between composing and teaching.

Funky pieces for grade 2-3-Heather Hammond’s Cool Piano series is lively and attractive with plenty of variety of style key and tempo. The melodies are strong and the harmonies adventurous. Each book has 12 pieces and the progressivebooks correspond to grades 1-6 standard. Children and young people will love the funky tunes which contrast excitingly with more formal exam pieces. Heather Hammond studied piano and clarinet at Leeds college of music andtook postgraduate courses in teaching and music technology. She was a music specialist at a primary school for a number of years before setting up 'soundabout music workshops' - popular music activity sessions for children inYork. Heather now divides her time between composing and teaching.