Par LOEB DAVID. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17./ Répertoire / Piccolo

Par LOEB DAVID. David Loeb's Japanese Tone Poems for piccolo alone collects particularly evocative Japanese works from his ouevre - Nightcolors (P-15), Piccolo Perspectives (P-21), and Snowsounds (P-24), unique in their vivid portrayal of ancient mountainous forests, winter scenes, and ekphrastic musical descriptions of images inscribed on woodblocks and ceramics, a double-set of tone poems, perhaps. Despite the name, this collection also includes two works that use Dutch and Korean imagery, due to their tight integration and relation to Japanese sources and Japanese musical ideas.David Loeb's Japanese Tone Poems for piccolo alone collects particularly evocative Japanese works from his ouevre - Nightcolors (P-15), Piccolo Perspectives (P-21), and Snowsounds (P-24), unique in their vivid portrayal of ancient mountainous forests, winter scenes, and ekphrastic musical descriptions of images inscribed on woodblocks and ceramics, a double-set of tone poems, perhaps. Despite the name, this collection also includes two works that use Dutch and Korean imagery, due to their tight integration and relation to Japanese sources and Japanese musical ideas./ Répertoire / Piccolo

La référence GB5983 de l'éditeur Billaudot dont l'auteur célèbre est Campo Régis, qui a pour titre ...DOUBLEES, MA VOCE... - POUR PICCOLO SOLO, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Piccolo. Cette partition musicale appartient à la catégorie Classique. / Piccolo / Partition

Version 2 Avec Cd. Par FELDMANN WALTER. «sexe-tuor» was originally a failed attempt to compose a solo oboe piece for my noyé cycle. For the solo the name 'le sexe du noyé' was intended, and the few measures of sexe-tuor were my first attempt to compose a piece in which more complex rhythms would result in a kind of proportional multiplication of individual fragments from the sextet [hence the French sextuor] le retour du noyé. This proved to be monstrously complicated and absurd. Thus, the ten measures of the «sexe-tuor» fragment represent a capitulation in the face of these complications, presented as the interruption of an immovable column of air in a frozen multiphonic sound. In the event, the solution to the problemwas quite simple: Beginning with the composition of le sexe du noyé the proportionalities of the pitch levels and rhythmic values revealed significant rhythmic possibilities. sexe-tuor remains as it is: a solo piece that can function in another compositional context, as an intermezzo between other, larger works on a concert program. The 90 second piece of music can be played in two versions: either for solo piccolo or solo oboe./ Répertoire / Piccolo

Pour Piccolo - Ou Flûte-. Par RIOU JACQUES. / Niveau : 3ème Cycle / Répertoire / Piccolo

Arr. Philip Sparke. Par SOUSA JOHN PHILIP. Eine praktische Sammlung mit 15 beliebten Märschen von John Philip Sousa, neu instrumentiert von Philip Sparke. Die Idee, die hinter dieser Sammlung von Sousas bekanntesten Märschen steckt, ist, heutige Blasorchester mit einer praktischen Ausgabe, ganz im Sinne von Sousas eigener Aufführungspraxis und Instrumentierung, auszustatten. Der englische Komponist Philip Sparke zeichnet für diese Neuinstrumentierung verantwortlich. Als Quelle dienten ihm Kopien von Sousas Originalpartituren und historische Aufnahmen. Die Partitur enthält viele nützliche Informationen. Philip Sparke gibt in seinem Vorwort wertvolle Hinweise zu Besetzung und Aufführungspraxis. Des weiteren sind eineausführliche Biographie von John Philip Sousa sowie zu jedem Marsch eine Werkbeschreibung enthalten. Diese wurden in fachkundiger Weise von Werner Probst verfasst. / Niveau : 3 / Marche / Répertoire / Piccolo

Par JOUBERT CLAUDE-HENRY. / Musique Instrumentale / Date parution : 2023-03-21/ Répertoire / Piccolo

Par ICHARD JEAN-PHILIPPE. / Musique Instrumentale / Date parution : 2023-03-21/ Répertoire / Piccolo

Die zwei Teile dieses gut 10-minütigen Werkes können einzeln oder zusammen aufgeführt werden.Der erste, From Something Bigger, entstand 2008 anlässlich eines Gedenkkonzertes für Karlheinz Stockhausen. Svoboda war schon vor Jahren als Musiker im Stockhausen-Umfeld fasziniert davon, wie volltönend ein Piccolo klingen kann. Er erweist hier auch der Eigenart Reverenz, mit der der Kölner Meister die Dinge um sich herum - seien es Töne oder bei einer Reise vorbeihuschende Telefonmasten - zu zählen und in aufeinander bezogene Einheiten zu gruppieren pflegte.Von der Faszination für Zahlenreihen zeugt auch der 2015 aus Anlass der Noten-Publikation hinzugefügte zweite Teil, Fibonacci Strata. Innerhalb seiner strengen Struktur - jeder Takt eine deutlich markierte Einheit - und virtuosen Mehrschichtigkeit gibt der Komponist mit zwei Kadenzen dem Hörer Gelegenheit, ?die Fassung wiederzugewinnen'. / Piccolo

La référence GB4763 de l'éditeur Billaudot dont l'auteur célèbre est Guerinel Lucien, qui a pour titre HISTORIETTE 1, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Piccolo. Cette partition musicale appartient à la catégorie Classique. / Piccolo / Partition

La référence GB5652 de l'éditeur Billaudot dont l'auteur célèbre est Petronio Arthur, qui a pour titre CINQ SOLILOQUES, a été écrite et composée pour Flûte Traversière et plus particulièrement pour Piccolo. Cette partition musicale appartient à la catégorie Classique. / Piccolo / Partition