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FLUTE
String Orchestra
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Judith Weir: I Give You The End Of A Golden String: String Orchestra: Study
String Orchestra
Chester
I Give You The End Of A Golden String was commissioned in 2013 by the Royal Phi...
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I Give You The End Of A Golden String was commissioned in 2013 by the Royal Philharmonic Society/Britten-Pears Foundation to celebrate the centenary of the birth of Benjamin Brittenand the bicentenary of thefoundation of the Royal Philharmonic Society.The piece was first performed on 8th June 2013 by the Britten Sinfonia conducted by Ryan Wigglesworth.'My aim when I began this piece was to create a long length ofstring music out of a single strand of melody.While experimenting at the beginning shaping and extending a melody in many possible directions I cameacross William Blake???s lines???I give you the end of a goldenstring;Only wind it into a ball It will lead you in at Heaven???s gate Built in Jerusalem???s wall???and this became my working method winding a single tune around itself so that it gradually formed itselfinto amuch richer more complex texture. The process happens three times producing the equivalent of acontinuous three-movement concerto.The ???first movement??? is engendered by two solo violas (the melody at the beginning alreadyentwined witha slightly alternative version of itself). The ???slow movement??? (a more extended more decorated developmentof the opening tune) is introduced by a solo cello (soon winding itself into a quartet of celli). The fast???finale??? led by two solo violins focuses on decorations within the melody rolling out ribbons of (Britten-like') thirds.' - Judith WeirSuggested minimum strings: 8.6.4.4.2 players
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Maja S.K. Ratkje: Tale Of Lead And Light: String Ensemble: Score and Parts
String Orchestra
[Score and Parts]
Wilhelm Hansen
String Quartet Version - Parts)-The composer writes: 'The backdrop for this comm...
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String Quartet Version - Parts)-The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'. The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'.
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Lin-Manuel Miranda: How Far I'll Go (from Moana): String Ensemble: Score and
String Orchestra
[Score and Parts]
Hal Leonard
from Moana-The powerful ballad from Disney's Moana sung by Auli'i Cravalho an...
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from Moana-The powerful ballad from Disney's Moana sung by Auli'i Cravalho and in the pop version by Alessia Cara. This breathtaking song and its title offer a superb message of confidence for young student players.
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Sound the Bells of Christmas: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Three festive carols are skillfully combined into a terrific showcase for holida...
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Three festive carols are skillfully combined into a terrific showcase for holiday programming. The familiar strains of these bell songs will make a superb concert opening for your holiday needs. Includes: Westminster Chimes TheMerry Bells All Ring I Heard the Bells on Christmas Day and Ukrainian Bell Carol.
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Dolly Parton: I Will Always Love You: String Orchestra: Score & Parts
String Orchestra
[Score and Parts]
Hal Leonard
Few know that this mega-hit from Whitney Houston was written by another entertai...
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Few know that this mega-hit from Whitney Houston was written by another entertainment giant Dolly Parton. This new arrangement for strings is beautifully and effectively scored for student players. Dur: 3:00
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Del Roma J.W. Stole: I Will Follow Him: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
With its remake in the film Sister Act this pop classic has all the trademark h...
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With its remake in the film Sister Act this pop classic has all the trademark hooks that work great for a pop string group. The sixties/Motown feel is fun and easy to play. Dur: 2:15
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John McCabe: Pilgrim String Sextet: String Ensemble: Score
String Orchestra
[Sheet music]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
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The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
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John McCabe: Pilgrim Sextet For Strings (Parts): String Ensemble: Instrumental
String Orchestra
[Sheet music]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
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The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
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Energie Blanche, Bleu Lointain (PEPIN CAMILLE)
String Orchestra
[Score and Parts]
Billaudot
Par PEPIN CAMILLE. Ce nonette s'inspire de la série Énergie blanche de Fabienn...
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Par PEPIN CAMILLE. Ce nonette s'inspire de la série Énergie blanche de Fabienne Verdier. Sur le fond lisse et bleu nuit des toiles viennent contraster des traits de peinture blanche, comme une force opposée. Au fil des tableaux, cette énergie évolue en ondulations nocturnes fluides ou rugueuses, en scintillements légers, en nuages vaporeux ou encore en crépitements. Les toiles semblent emplies de matière en apesanteur et c'est pourquoi j'ai imaginé une musique planante, cherchant un équilibre entre mouvement et immobilité. Pour moi, il se dégage de cette série bicolore l'idée d'une vitalité, d'une force, d'une lumière qui habite le vide infini et lointain du ciel. J'ai recréé cette énergie blanche en aspérités (grains de matière ou frêles touches de lumière) venant perturber ces nappes de bleu vibrant et mystérieux aux valeurs longues et étirées. Mon travail a été d'imaginer des variations de ces deux matière-couleurs grâce à la palette de textures extraordinaire qu'offrent les instruments à cordes. La pièce est ainsi conçue comme un voyage coloré et hypnotique en sept tableaux correspondant chacun à une toile de la série de Verdier. Hors champ est un épisode froid et nocturne au sein duquel de faibles lueurs de lumière tentent à peine de percer l'obscurité de la nuit. Des glissandi inquiétants naissent aux altos et violoncelles en stéréo et présentent le motif qui irriguera toute l'œuvre. La contrebasse émet une pulsation irrégulière et mystérieuse, au loin. Une ondulation douce puis majestueuse s'élève dans Ascendance. Avec l'arrivée des violons, elle traverse la matière sombre en répandant ses faisceaux brillants et lumineux. Turbulence est le lieu des perturbations. L'énergie blanche constituée ici de particules vives et chaotiques se dérègle sans cesse et envahit l'espace. Dans Synchronie I, les violoncelles se partagent le motif fondateur de l'ouvrage en un seul et même souffle, pur et suspendu. Puis, ils s'unissent pour ne former qu'une seule voix et un chant de violon les rejoint. Ce dernier se fait l'annonciateur de lumière durant cette brève accalmie. Mémoires du vent rappelle le début de l'œuvre avec cette palpitation irrégulière de la contrebasse et les glissandi inquiétants des cordes graves. Mais ces mémoires sont aussi l'écho des Turbulences qui se transforment ici en Vortex, dans lequel l'énergie blanche et chaotique devient un véritable tourbillon de lumière liquide. Pour clore la pièce, Synchronie II reprend Synchronie I avec la couleur plus froide et mystérieuse des altos, toujours en stéréo. Les touches de lumière des cordes aiguës s'affaiblissent avant de s'éteindre complètement, au loin. Cette pièce appartient au même cycle que mon quatuor à cordes Feuilles d'eau de Silvacane inspiré par la série du même nom de Fabienne Verdier. Camille Pépin / Date parution : 2022-06-08/ Répertoire / Orchestre à Cordes
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Aulis Sallinen: Chamber Music I Op.38: String Ensemble: Study Score
String Orchestra
[Study Score / Miniature]
Novello & Co Ltd.
Chamber Music I Op.38
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Michael Jackson: The King of Pop: String Ensemble: Score & Parts
String Orchestra
Hal Leonard
The world continues to pay tribute to Michael Jackson's legacy and his impact on...
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The world continues to pay tribute to Michael Jackson's legacy and his impact on music dance and entertainment. Here's your chance to perform some of his most memorable songs in a superb showcase for string orchestra. Includes:Thriller Rock with You Off the Wall Man in the Mirror and I'll Be There.
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For String Conductor (ELLINGTON DUKE)
String Orchestra
[Sheet music]
Alfred Publishing
Arrangeur: William Zinn. Par ELLINGTON DUKE. Arrangé par William Zinn. Partitio...
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Arrangeur: William Zinn. Par ELLINGTON DUKE. Arrangé par William Zinn. Partition complète pour le 1er violon, 2e violon, alto, violoncelle et basse. Avec full score notation./ Recueil / Orchestre à Cordes
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Peter Lieuwen: Vivace for String Orchestra - Full Score: String Orchestra: Score
String Orchestra
Lauren Keiser Music Publishing
Full Score-Vivace (2010) for string orchestra began its musical life as the thir...
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Full Score-Vivace (2010) for string orchestra began its musical life as the third movement of my Sonata for Guitar (2009) recorded by Isaac Bustos on MSR Classics [MS 1581]. While writing the sonata I began to realize what a symphonic instrument the guitar really is and how well idiomatic guitar figurations might translate to the orchestra. As the title suggests Vivace is a short lively piece tinged with spiritual uplift. Supported by a steady rhythmic ostinato in stretto the broad melody (in slow harmonic rhythm) is presented first in the highest voice and then answered in a lower one. The dovetailing of gestures and its consequent antiphonal character permeate the movement.Often the melody is presented in harmony at the interval of the 7th or 9th. As with many of my recent compositions variation color and drama are enhanced by the juxtaposition of pandiatonic passages with those that are chromatic and dissonant. --Peter Lieuwen Vivace has been recorded by the Slovak National Symphony Orchestra on MSR Classics [MS 1582].
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John Williams: John Williams - An Evening at the Cinema: String Orchestra: Score
String Orchestra
Hal Leonard
Three of John Williams' recent film scores are combined in this spectacular show...
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Three of John Williams' recent film scores are combined in this spectacular showcase for string orchestra with Ted Ricketts' skilled arrangement. Includes: Harry Potter and the Scorcerer's Stone Theme from A.I. and The Patriot.
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Andrew Lloyd Webber: Selections from The Phantom of the Opera: String Orchestra:
String Orchestra
Hal Leonard
With the release of the recent film the music of this renowned stage production...
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With the release of the recent film the music of this renowned stage production has found yet another new audience. Sir Andrew Lloyd Webber's timeless melodies will most certainly appeal to your students with this superb medleyfor younger string groups. Includes: Phantom of the Opera (Theme) All I Ask of You and Music of the Night. (Grade 2)
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John Jacob Niles: I Wonder As I Wander: String Orchestra: Score and Parts
String Orchestra
[Sheet music]
Schirmer
Score and Parts-This beloved Appalachian carol by the Dean of American Balladeer...
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Score and Parts-This beloved Appalachian carol by the Dean of American Balladeers is simply exquisite in the skillful hands of arranger Bob Krogstad. Here's a chance to put a fresh breathtaking and memorable moment into your nextholiday program. (G. Schirmer Inc.) Dur: 6:45 Does not include Vocal part.
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Whitney Houston: How Will I Know: String Ensemble: Score & Parts
String Orchestra
Hal Leonard
With its infectious dance beat and melodic hooks Whitney Houstons #1 super hit ...
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With its infectious dance beat and melodic hooks Whitney Houstons #1 super hit from the 80s is a terrific up-tempo pop number for string orchestra. Careful use of syncopation and skilled scoring will give your student playersconfidence to performat their very best.
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Gioachino Rossini: Viva Rossini (from The Barber of Seville): String Orchestra:
String Orchestra
[Score and Parts]
Hal Leonard
Based on Largo al factotum this waltz theme appears in Act I of what many consi...
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Based on Largo al factotum this waltz theme appears in Act I of what many consider to be the classic of comedic operas. Lloyd Conley has created an ideal teaching and performance setting for intermediate groups with an opportunity to teach 3/8 meter and the classic waltz style of Rossini. Dur: 2:45.
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Sadie Harrison: Via Della Fortuna: String Orchestra: Parts
String Orchestra
University Of York Music Press
Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Chri...
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Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Christopher Chamber Orchestra and Donatus Katkus.6; for String OrchestraWorld premiere: 25th April 2013 St. Katharine'sChurch Vilnius St. Christopher Chamber Orchestra conducted by Donatus Katkus.UK premiere: 10th May 2013 Cardiff Millennium Centre Vale of Glamorgan Festival.I - Casa di Caccia Antica (The House of the AncientHunt)II - Casa degli Amorini Dorati (The House of the Golden Cupids)III - Casa del poeta tragico (The House of the tragic poet)IV - Return to the Casa di Caccia Antica and northwards to Lithuania and the Amber Road(Gintaro Kelias)The piece is in four short movements each taking its title from one of the houses that line the main streets in Pompeii. Borrowing Mussorgsky's 'Promenade' from Pictures at an Exhibition the piece has twowalkers (violas) who take the listener with them onto the Via Della Fortuna then lead them from house to house. Several amber objects were found within the houses linking Pompeii with Lithuania. The lastmovement returns to the House of the Ancient Hunt then heads northwards along the Gintaro Kelias. The jubilant closing music refers to an earlier work (Geda's Weavings) based on Lithuanian folksongs.
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Sadie Harrison: Via Della Fortuna: String Orchestra: Score
String Orchestra
University Of York Music Press
Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Chri...
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Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Christopher Chamber Orchestra and Donatus Katkus.6; for String OrchestraWorld premiere: 25th April 2013 St. Katharine'sChurch Vilnius St. Christopher Chamber Orchestra conducted by Donatus Katkus.UK premiere: 10th May 2013 Cardiff Millennium Centre Vale of Glamorgan Festival.I - Casa di Caccia Antica (The House of the AncientHunt)II - Casa degli Amorini Dorati (The House of the Golden Cupids)III - Casa del poeta tragico (The House of the tragic poet)IV - Return to the Casa di Caccia Antica and northwards to Lithuania and the Amber Road(Gintaro Kelias)The piece is in four short movements each taking its title from one of the houses that line the main streets in Pompeii. Borrowing Mussorgsky's 'Promenade' from Pictures at an Exhibition the piece has twowalkers (violas) who take the listener with them onto the Via Della Fortuna then lead them from house to house. Several amber objects were found within the houses linking Pompeii with Lithuania. The lastmovement returns to the House of the Ancient Hunt then heads northwards along the Gintaro Kelias. The jubilant closing music refers to an earlier work (Geda's Weavings) based on Lithuanian folksongs.
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John Lennon Paul McCartney: When I'm Sixty-Four: String Ensemble: Score & Parts
String Orchestra
[Score and Parts]
Hal Leonard
Here's a new string version of the evergreen Beatles toe-tapper that is certain ...
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Here's a new string version of the evergreen Beatles toe-tapper that is certain to bring a smile to all. Simple swing/shuffle rhythms that will easily fall into place with your young performers.
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John Tavener: Mother Of God Here I Stand: String Orchestra: Score and Parts
String Orchestra
[Sheet music]
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Intermediate
Chester
John Tavener's Mother Of God Here I Stand taken from Veil of the Temple and arr...
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John Tavener's Mother Of God Here I Stand taken from Veil of the Temple and arranged for String Orchestra. ommissioned by the Temple Music Trustfor Premiere in The Temple Church London. This versioncontains conductor's score and full set of parts (8x Violin 1 8x Violin 2 5x Viola 5x Cello 5x Double Bass).
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Georg Friedrich Händel: For Unto Us A Child Is Born: String Orchestra: Score and
String Orchestra
[Sheet music]
Novello & Co Ltd.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...
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The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
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John Tavener: Wake Up And Die: String Ensemble: Score and Parts
String Orchestra
[Sheet music]
Chester
Work for Solo Cello and Orchestral Cello Section. Premiered by Yo Yo Ma.Quoting ...
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Work for Solo Cello and Orchestral Cello Section. Premiered by Yo Yo Ma.Quoting Tavener: It was while pondering these traditional dicta that I began to write the opening solo melody for the cello. It is in fact a palindromebecause waking and dying are like two sides of a piece of paper. If you wake up spiritually then you will die to all that is not of God. In the middle section which is also a palindrome the orchestral cellos join in theparadoxical meditation providing a platform as it were while the cello line takes on a much more melismatic and decorative character.In fact the whole work is a series of intellectual contradictions realised by thesimplest of musical metaphysics. Dying life life dying waking up in order to die the solo cello always represents the individual mind dying and the individual mind waking up.Then of a sudden just before the end thesolo chant begins again only to be cut off by a distant sentimental memory the memory of 'the blues' reminding us of ordinary human emotion and of our fallen state. The very end suggests a waking up into a kind of peace (notsoul slumber since after death the soul becomes more intensely alive); but we know nothing of that so the music fades beyond our ears.
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Salute to Michael Jackson: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Featuring 3 key songs from Michael Jackson's diverse musical career this concis...
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Featuring 3 key songs from Michael Jackson's diverse musical career this concise and easy to learn medley features Thriller I'll Be There and Man in the Mirror.
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Music from The King and I: String Ensemble: Score & Parts
String Orchestra
[Score and Parts]
Hal Leonard
Now available for string orchestra this concert medley from one of Broadway's m...
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Now available for string orchestra this concert medley from one of Broadway's most beloved productions features four memorable songs from Lerner and Loewe including: Getting to Know You I Whistle a Happy Tune The March of the Siamese Children and Shall We Dance?
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James Barnes: Yorkshire Ballad: String Orchestra: Score
String Orchestra
Southern Music Ltd
Composed in the summer of 1984 Yorkshire Ballad was premiered at the Kansas Ban...
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Composed in the summer of 1984 Yorkshire Ballad was premiered at the Kansas Bandmasters Association Convention by Claude T. Smith and the Kansan Intercollegiate Band. Since its publication it has become one of the composer'smost popular works and has been arranged for a variety of ensembles. The composer writes “I composed this little piece so that younger players would have the opportunity to play a piece that is more or less in the style of(Grainger's) Irish Tune from County Derry.”
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James Barnes: Yorkshire Ballad: String Orchestra: Score & Parts
String Orchestra
Southern Music Ltd
Composed in the summer of 1984 Yorkshire Ballad was premiered at the Kansas Ban...
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Composed in the summer of 1984 Yorkshire Ballad was premiered at the Kansas Bandmasters Association Convention by Claude T. Smith and the Kansan Intercollegiate Band. Since its publication it has become one of the composer'smost popular works and has been arranged for a variety of ensembles. The composer writes “I composed this little piece so that younger players would have the opportunity to play a piece that is more or less in the style of(Grainger's) Irish Tune from County Derry.”
54.99 GBP - Sold by Musicroom UK
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