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FLUTE
String Quartet: 2 violins, viola, cello
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Fiser Lubos - Variations On An Unknown Theme - For String Quartet
String Quartet: 2 violins, viola, cello
Barenreiter
Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music i...
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Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music in the 20th century and composed the Variations on an Unknown Theme in 1976. The ?unknown theme? was a prankish eight-bar theme from Fi?er?s student days. In the elation following the home-team win over Canada on 15 March 1959, he made a bet with his colleague Kalach to compose a concert piece for violin and orchestra with the working title ?Canada-Rondo?. The whimsical contest was abandoned, but Fi?er did not forget the theme and he later created variations on it for his new composition for the Talich Quartet. The Variations on an Unknown Theme have now been published for the first time ever. This edition is based on the autograph of the score which is housed in the Czech Museum of Music in Prague.
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Kevin Volans: String Quartet No. 1 White Man Sleeps: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
Born in South Africa but now an Irish citizen Kevin Volans? musical idiom has ...
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Born in South Africa but now an Irish citizen Kevin Volans? musical idiom has been shaped by an unusually diverse range of experiences including studies with Stockhausen in Cologne field trips to South Africa tostudy traditional music his own involvement with the New Simplicity movement his collection of contemporary art and African textiles friendships with composers like Morton Feldman and Gerald Barry as well as a love of virtuosopiano music which he performs broadcasts and records. While having an easily recognised unique voice Volans? music resists compartmentalisation. He is as comfortable working in conventional genres as embarking oninnovative collaborations with artists of other disciplines. String Quartet No.1 (White Man Sleeps) was written for the Kronos Quartet and was first performed by them in July 1986 London.The title?White Man Sleeps? comes from a moment in nyanga Panpipe music where the performers leave off playing their loud pipes for a few cycles and dance only to the sound of their ankle rattles to let the whitelandowner sleep for a minute or two.'In composing this piece I drew from the following sources: the first movement owes something to the style of Basotho concertina music; the second and fourth movements are drawnfrom traditional Nyungwe music played by Makina Chirenje and his Nyanga panpipe group at Nsava Tete Mozambique recorded and transcribed by Andrew Tracey (to be found in an article entitled ?The nyanga Panpipe dance? in AfricanMusic Vol.5 No.1 (1971); the third movement derives from the San bow music (recorded by Tony Traill of the University of Witwatersrand) and from Basotho lesiba music transcribed by myself; in the fifth movement I added my owninvented folklore. My approach to the original music was anything but purist it is played in Western tuning filtered slowed down by a few ?time-octaves? cast into non-African metres (like the 13-beat pattern of the first
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Music By Howard Blake : The Snowman
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
The Snowman is a beautifully composed piece for the traditional Christmas time f...
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The Snowman is a beautifully composed piece for the traditional Christmas time film of the same title. The composer Howard Blake takes the music through the cold wintery sky, floating blissfully as if it was all a dream.The sheet music is beautifully arranged for a string quartet. The perfect addition to anyones festive collection. / Quatuor A Cordes
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Joan Tower: White Water: String Quartet No. 5: String Quartet: Score and Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Schirmer
Joan Tower's White Water - String Quartet No. 5. Score and parts. White Water i...
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Joan Tower's White Water - String Quartet No. 5. Score and parts. White Water is the first of four commissions for Chamber Music Monterey Bay's 'Arc of Life' project. Theartist Bill Viola shared excerpts from his video installation 'Going Forth by Day' — a depiction of life in all its stages — with the four composers who then created compositions inspired by this. 'When I saw [Bill]Viola's work I was quite fascinated with how he used water as an encompassing image which influenced everything I saw about the 'person' inside the water. My piece is not directly associated by what he specifically did but itdoes have a strong connection to the image of water as a powerful basic idea and action. The many glissandos hopefully create a 'fluid' environment that connects the various ideas and registers together while 'white water'somehow implies more rapid 'cascading' types of action which occur throughout the piece' - Joan Tower
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Franz Joseph Haydn: Streichquartette Heft Xi Lobkowitz Quartette Op.77: String
String Quartet: 2 violins, viola, cello
[Study Score / Miniature]
G. Henle
These are the last of the nearly seventy quartets in Haydn?s oeuvre. Originally ...
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These are the last of the nearly seventy quartets in Haydn?s oeuvre. Originally he intended to write a set of six quartets as so often in the past but at the time they were written in 1803 Haydn?s healthwas so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as Op. 77. Later he allowed an incomplete work consisting of two middle movementsto appear as op. 103 adding to the print the portentous words: ?Gone is all my strength old and weak am I.? Musically however these quartets are anything but weak: they represent the aged composer virtually at the zenith ofhis powers. Haydn even went so far as to call Op. 77 no. 2 his ?most beautiful String quartet?.
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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Everything That Rises (ADAMS JOHN LUTHER)
String Quartet: 2 violins, viola, cello
[Score and Parts]
Chester
Par ADAMS JOHN LUTHER. John Luther Adams' Everything That Rises for String Quart...
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Par ADAMS JOHN LUTHER. John Luther Adams' Everything That Rises for String Quartet. John Luther Adams' Everything That Rises for String Quartet. Composers note: I never imagined I would write a string quartet. Then I heard the JACK Quartet, and I understood how Imight be able to make the medium my own. The result was The Wind in High Places - a twenty-minute work composed entirely on natural harmonics and open strings. Over the next few years, twomore quartets followed. The second quartet, untouched, is a further exploration of the aeolian sound world of the first. Then, in Canticles of the Sky, the musicians finally touch the fingerboards of theirinstruments. And now comes Everything That Rises . This fourth quartet is more expansive, both in time and in space. It grows out of Sila: The Breath of the World - aperformance-length choral/orchestral work composed on a rising series of sixteen harmonic clouds. Everything That Rises traverses this same territory, but in a much more melodic way. Each musician isa soloist, playing throughout. They surround the audience. Time floats. Over the course of an hour, the lines spin out - always rising - in acoustically perfect intervals that grow progressively smaller as they spiralupward... until the music dissolves into the soft noise of the bows, sighing. Duration: 60 minutes/ Répertoire / Quatuor à Cordes
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John Luther Adams: Everything That Rises: String Quartet: Score
String Quartet: 2 violins, viola, cello
Chester
John Luther Adams' Everything That Rises for String Quartet. Composers note: I n...
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John Luther Adams' Everything That Rises for String Quartet. Composers note: I never imagined I would write a string quartet. Then I heard the JACK Quartet and I understood how Imight be able to make the medium my own. The result was The Wind in High Places - a twenty-minute work composed entirely on natural harmonics and open strings. Over the next few years twomore quartets followed. The second quartet untouched is a further exploration of the aeolian sound world of the first. Then in Canticles of the Sky the musicians finally touch the fingerboards of theirinstruments. And now comes Everything That Rises. This fourth quartet is more expansive both in time and in space. It grows out of Sila: The Breath of the World - aperformance-length choral/orchestral work composed on a rising series of sixteen harmonic clouds. Everything That Rises traverses this same territory but in a much more melodic way. Each musician isa soloist playing throughout. They surround the audience. Time floats. Over the course of an hour the lines spin out - always rising - in acoustically perfect intervals that grow progressively smaller as they spiralupward... until the music dissolves into the soft noise of the bows sighing. Duration: 60 minutes
24.99 GBP - Sold by Musicroom UK
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Herbert Howells: String Quartet No.3 (In Gloucestershire): String Quartet: Score
String Quartet: 2 violins, viola, cello
Novello & Co Ltd.
Herbert Howells (1892-1983) was an English composer and teacher perhaps best kn...
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Herbert Howells (1892-1983) was an English composer and teacher perhaps best known for his choral music in the Anglican tradition. His String Quartet No.3 (In Gloucestershire) has a somewhat chequered history: originally finished in 1916 the only copy of the score was left on a train and lost forever! In the 1920s Howells rewrote the work incorporating the themes he could remember from the original but large sections of it had to be created from scratch. Howells was unable to serve in the Great War due to ill health and this quartet provides a fascinating insight into how he reacted to the turmoil and aftermathof the conflict. The title suggests it was inspired by the Cotswold landscape of which he was fond; this is indeed the case but it is haunted by the memories of departed friends with whom the landscape had once been shared.
22.99 GBP - Sold by Musicroom UK
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