Sing! is a complete programme of effective and efficient Vocal Warm-ups suitable for all styles of singing. Also featuring a download card that gives you access to online audio and spokeninstructions so that your voice will be in the best shape possible for any performance.   Written by an accomplished world-class vocal coach with around 30 years experience working with singers in amultitude of genres and styles Sing! Vocal Warm-ups will explain the science behind the intricacies of the human voice while providing you with 39 exercises to help you warm up your voice as effectively aspossible reducing the risk of frustrating strain or injury.    Whether you're a smooth jazz singer a powerful rock belter or a folk crooner this book will allow you to refine various vocaltechniques encouraging you to learn how to protect your voice and prepare it for making the best possible performance. The convenient book will take you through different regimes getting you to sing well low supported long freely and clearly with each one focusing on a different aspect of your voice and your singing technique. You can use the exercises to plan your own warm-up routine or just work your way though.   Using the audio examples provided on the practical and useful download card you will be encouraged to participate as you might in a live warm-up session. The spoken instructions will guide you through while you'll be ableto sing along to the music or just familiarise yourself with each exercise before you try it out for yourself. The logical layout and authoritative exercises make Sing! an essential tool for singers of anystyle to learn how to properly warm-up.   Written by author Paul Knight who has been a vocal coach for over thirty years each exercise has been expertly-crafted to be a perfect way to warm-up your

Firmly rooted in Paul Harris??? Simultaneous Learning approach this new edition of Improve your sight-singing! Grades 4-5 is designed to help overcome all the stumbling blocks to successful sight-singing. Step by step you will build up a complete picture of each piece firstly through rhythmic melodic and technical exercises then by making connections to your wider music-making studying prepared pieces and finally ???going solo??? with a series of meticulously graded sight-singing pieces.These new editions of the best-selling Improve your sight-singing! series have been simplified into two (midrange) volumes making them suitable for instrumentalists who wish toimprove their singing as well as for singers preparing for sight-singing in vocal exams. The books feature over 100 completely new practice exercises throughout and have been brought up to date to match the latest ABRSM sight-singing criteria.

Par HARRIS PAUL / BREWER M.. Est votre vue-chant jamais décevoir vous ? Vous toujours souhaité pour un moyen rapide et indolore améliorer ? Si vous êtes choriste ou soliste, travaillant seuls ou avec un enseignant, améliorer votre vue-chant ! la réponse est.Cette nouvelle méthode brillante vous emmène doucement à travers une foule de documents structurés. Améliorez votre vue-chant ! C'est une méthode pratique, complete, qui fonctionne vraiment !/ Etude / Voix

Arrangeur: M. Brewer. Par HARRIS PAUL / BREWER M.. 'Améliorer votre vue-chant! ', c'est la réponse à tous les étudiants qui ont toujours lutté avec chantant à vue de cette nouvelle méthode brillante vous emmène doucement à travers une foule de documents structurés. Il y a dix étapes soigneusement formulés avec plus de trente exercices rythmiques, trente pièces avec des trucs et conseils pour la préparation et des accompagnements piano facultatifs pour la plupart des pièces./ Etude / Voix

F. Gem Chor, Vorsänger, Volksgesang Und Org.Oder Bläs. U. Pk, Orchester Ad Lib. Par PAULMICHL HERBERT. Bl Pk/ Répertoire / Voix

F. 4 Stimmig Gem Chor, Orgel, Bläser Ad Lib. Par PAULMICHL HERBERT. Bl/ Répertoire / Voix

Antwortgesang und Ruf Vor Dem Evangelium (Gl 627,2). Par PAULMICHL HERBERT. Antwortgesang Und Ruf Vor Dem Evangelium (Gl 627, 2) Für Kantor, Volksgesang, Gem. Chor Und Orgel/ Répertoire / Voix

In 1857 and 1858 as Richard Wagner had come to the completion of Die Walkure the second installment in his epic opera cycle Der Ring des Nibelungen he took time out to write a series of lieder for (and based on poems by)Mathilde Wesendonck with whom Wagner was believed to have been at the very least extremely infatuated. Whatever the truth might have been behind their relationship it is known that Wagner had met Mathilde's husband Otto inZurich and his ensuing friendship with the couple led to this beautiful set of lieder.Wagner himself called two of the set's songs (Im Treibhaus and Traume) ?studies? for his magnificent opera Tristan andIsolde and though originally intended for female voice with piano all of these songs were eventually orchestrated either by Wagner (in the case of Traume) or by other composers. When they were first performed in 1862 they weretitled Five Songs for a Female Voice. In the 20th century they also became very popular songs for some of the greatest tenors.Much earlier in 1839 Wagner had composed a three-song cycle called Trois Melodies. The firstpiece entitled Dors mon enfant was a lullaby that Wagner ascribed to an unnamed young poet of his publisher's acquaintance and of which he wrote that his wife had called ?heavenly for sending one to sleep?. He thenset Ronsard's song Mignonne and Victor Hugo's L'attente (from that author's Orientales) to round out the set. Wagner offered L'attente to the reigning diva of the time Pauline Viardot who is said to have flatly refused it.Wagner wrote in his memoirs My Life ?I have no reason to be ashamed of these small pieces.?Listen to brilliant tenor Jon Robert Cart perform these lieder. Then he steps aside and you take center stage with yourvirtuoso accompanist Narciso Solero at the piano.

Tona de Brett is an internationally renowned singing teacher and presents her teaching material in this fantastic book which she has worked through with stars of rock jazz and musicals who seek help with their voices.Tona de Brett deals with the various aspects of voice-production through a wealth of exercises and examples. These exercises ? which include warming up breathing technique intonation interpretation and articulation - are notated in full with chord symbols and may also be sung with live instrumental accompaniment. All the vocal exercises are provided on an accompanying CD so you can sing along with Tona de Brett.TheStudio Work section has been written by by Tom West and will help singers prepare for the recording studio.Former pupils of Tona de Brett include: Adam Ant; Matt Bianco; Tears for Fears; Thompson Twins; Brett Anderson (Suede); Vince Clark (Depeche Mode); Paul Hardcastle; Tanita Tikaram; Linda McCartney; Bananarama; Skin (Skunk Anansie); Rick Astley; Andy Summers (Police); Johnny Rotten (Sex Pistols); and Seal.

Anthem for Solo Soprano or small group of Sopranos and Organ. Edition published in 2000 include's Howells' subsequent revisions realised by Paul Spicer.

Nach Emanuel Geibel U. Paul Heyse. Par WOLF HUGO. TSingst Klav/ Répertoire / Voix

Arrangeur: Paul Horn. Par SCHUTZ HEINRICH. Gattungen: Requiem - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Trauer, Tod - Verwendung / Kirchenjahr: Fastenzeit und Passion -/ Répertoire / Voix

Piano Sonata A major op. post. 120 D 664-A highly authoritative Urtext edition of Franz Schubert's pastoral Piano Sonata In A D.664 Op.120 posth. as edited by Paul Mies and fingered by Hans-Martin Theopold.

Par . Donner des leçons de vie de façon plaisante, ironique, voire satirique... Voilà l'ambition de ces quelques fables du 18e siècle, mises en musique sur des vaudevilles : les mélodies connues du 18e siècle servent de support à ces fables qui font partie de nos ' classiques ' Pendant des siècles, les fables circulent, mettent en scène des animaux qui parlent : se prêtant parfaitement aux allégories, ils sont identifiés par rapport à leur caractéristiques (la fidélité du chien, l'ardeur au travail de la fourmi, la stupidité de l'âne, l'innocence de l'agean, la brutalité du loup...), et donnent des leçons de vie quant à la flatterie (Le corbeau et le renard), l'inhumanité (La cigale et la fourmi), la méfiance, l'ingratitude, la prudence, l'ambition, l'honnêteté, l'injustice.. L'ironie est doute, la situation comique, et la vertu l'emporte toujours, ' La fable suscite le rire et donne une leçon de prudence ' (Phèdre). Les vaudevilles sont les airs populaires jusqu'au 18e siècle : ces chansons courent les villes, les airs, faciles à retenir et à chanter, sont très populaires qui se fondront plus tard dans la chanson française. Dans ce recueil, les fables sont mises en musique sur quelques vaudevilles sélectionnés, et leur ' malice railleuse ' (selon Boileau) se marie tout à fait aux textes des fables. Ce recueil a été réalisé grâce au travail de Hélène Clerc-Murgier et Pauline Warnier, de l'ensemble Les Monts du Reuil, dont le travail musicologique a permis de retrouver, d'analyser et de reproduire ces pièces anciennes./ Recueil / Chant et Playback