À la fin de l?année 1922, Milhaud compte à son actif une dizaine d??uvres de chambre mais cette année-là est particulièrement productive. La Sonatine pour flûte et piano, op. 76, émerge au sein de ce bouillonnement fécond. Milhaud l?écrit à Aix-en-Provence et elle sera créée par les deux dédicataires, Louis Fleury et Jean Wiéner, au Théâtre des Champs-Élysées, le
18 janvier 1923, dans le cadre du Cinquième Concert Jean Wiéner. / Partitions variété - pop - rock / Variété internationale / Vents / DURAND

With music for Flute Quartets being most commonly rearranged for the ensemble it is unusual that a work is originally composed for that precise instrumentation. It is for that reason that Pierre Max Dubois' Quatuor for Flutes has been considerably well-received. As a student of Darius Milhaud Dubois brought ideas of Les Six of which Milhaud was a member into the mid-1900s. Dubois' compositions are characteristically light with interesting and unusual harmonic and melodic textures as conveyed in this Quatuor for Flutes. With all four parts being technically demanding exploiting extendedtechniques to the maximum this piece provides a challenging but enjoyable performance. Moreover including a full score and separate parts this edition is ideal. With few pieces for this instrumentation exisitng as original compositions all Flute Quartets must ensure they try out Dubois' enticing four-movement piece.