Vol. I: 51 Pieces for Solo Flute Transcribed and Edited by Robert Stallman-The Magic Flutist - Volume 1 contains 54 pieces for solo Flute from the chamber works of W. A . Mozart.The music of Wolfgang Amadeus Mozart is universally cherished by listeners and performers transcending boundaries and generations. Drawing on the chamber repertoire world-renowned flutist Robert Stallman has created a unique compilation for solo Flute providing ?new? Mozart selections that invite flutists to enter more fully into Mozart?s expressive world.This adeptly prepared edition offers music for enjoyment inspiration study and performance while encouraging fluency in Mozart?s often elusivestyle.

Flute Play-Along Pack-Two quartets from two masters of the form Wolfgang Amadeus Mozart and Karl Stamitz. The Mozart KV370 quartet is often considered one of Mozart's greatest compositions. These two quartets were originally written for oboe and strings but are often played - as here - by flute because of their fine effect on that instrument. Both demonstrate a thorough command of the wind and string sonorities and they form perfect projects for the chamber-minded flutist. Includes a newly engraved music score printed on high-quality ivory paper and a compact disc containing a complete performance of the concerto in split-channel stereo with the soloist on the right channel and a secondperformance in full stereo minus the soloist. Accompaniment: Members of the Beaux Arts String Quartet

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition SONATE KV 448 tout le talent de Mozart. Cette partition a été composée pour 2 Flûtes Et Piano. C'est l'éditeur Billaudot qui a publiée cette oeuvre. / 2 Flûtes Et Piano / Partition

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Sonate tout le talent de Mozart. Cette partition a été composée pour Flûte Traversière Et Piano. C'est l'éditeur Bärenreiter qui a publiée cette oeuvre. / Flûte Traversière Et Piano / Partition

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition CONCERTO No1 EN SOL MAJEUR tout le talent de Mozart. Cette partition a été composée pour Flûte Et Piano. C'est l'éditeur Billaudot qui a publiée cette oeuvre. / Flûte Et Piano / Partition

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition CONCERTO Nø2 EN RE MAJEUR K314 tout le talent de Mozart. Cette partition a été composée pour Flûte Et Piano. C'est l'éditeur Billaudot qui a publiée cette oeuvre. / Flûte Et Piano / Partition

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto In G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute making it one of the most important Concerti in the instrument's repertoire. Paul Taffanel and Philippe Gaubert's composed cadenzas for the work are essential to all performers of the concerto. Concerto In G is in three movements; 1. Allegro maestoso 2. Adagio ma non troppo and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of D major. All threemovements contain a cadenza which initially would have been left for the performer to improvise. However cadenzas have since been written including those of Taffanel and Gaubert. Both were prominent flautists of their time and their understanding of the Flute concerto repertoire is second to none making their cadenzas well-informed and essential to performers of the concerto.

In an arrangement by A. E. Müller after the Clarinet Concerto K. 622-About Concerto in G major for Flute and Orchestra (1801)In an arrangement by A. E. Muller after the Clarinet Concerto K. 622. By Wolfgang Amadeus Mozart. Edited by Christopher Hogwood. For Flute Solo Oboe (2) Bassoon (2) Horn (2) Strings. Piano Reduction/Vocal Score; Single Part. KV 622. Duration 24'. Published by Baerenreiter-Ausgaben (German import). (BA5335 90)

Wolfgang Amadeus Mozart’s Wind Divertimenti KV 439b later appeared in a version for Piano entitled Viennese Sonatinas. Arrangements of these sonatinas for Flute and Piano will provide flautists with much needed repertoire of music from this period. Detailed phrasing and dynamics are included to aid and inspire the players. For middle-grade flautists.

Die Bearbeitung von Mozarts Sinfonie in g KV 550 umfasst alle vier Sätze und stellt sich dabei vorzüglich auf die fünf Instrumente Flöte Oboe Klarinette Horn und Fagott des klassischen Bläserquintetts ein. Die Ausgabe enthält eine Referenzpartitur

Cette suit édition Vol. 2 de la méthode réussie flûte ' Querflöte spielen - mein schönstes Hobby ', contenant une sélection variée de pièces de performance pour flute et piano à travers toutes les époques et de styles de musique. Les pièces sont appropriés pour les auditions et les concerts de musique de l'école ainsi que pour privés musique-fabrication à la maison. Hormis principalement compositeurs connus tels que Johann Sebastian Bach, Wolfgang Amadeus Mozart, Johann Joachim Quantz ou Scott Joplin, cette édition contient également des pièces de moindre compositeurs connus tels que John O'Neill ou Matyas Seiber. / Flûte Traversière Et Piano

In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.