SKU: CA.4094349
ISBN 9790007221386. Text language: German.
Johann Adam Hiller's Psalm 100 can be considered as the highpoint of his church music. The work was known during the lifetime of the composer far beyond Germany, even to the Baltic States. Now the first printed edition of this beautifully sounding psalm setting is available. The five-movement composition is suited both for concert as well as liturgical purposes. Even today this composition of the St. Thomas Cantor and founder of the Leipziger Gewandhaus concert series will not fail to miss its mark. Score and part available separately - see item CA.4094300.
SKU: CA.4007514
ISBN 9790007060961. Language: German/English.
The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. Score and part available separately - see item CA.4007500.
SKU: CA.4013008
ISBN 9790007217761. Language: German/English.
Elijah is regarded as a milestone in Mendelssohn's compositional output and as a high point in the oratorio literature of the 19th century. Mendelssohn composed his second great oratorio just a year before his premature death. This excitingly dramatic work also expresses a fervent belief in God, a belief which in the 19th century was no longer self-evident. Mendelssohn transposed the visible world of the Old Testament into numerous musical expressive possibilities in which Old Testament texts, including psalm texts and commentaries from the words of the Prophets, were shaped into biblical dramas. For a subject like Elijah ... the drama must reign supreme ... the characters must be introduced speaking and acting like living people ... a quite vivid world of the sort we find in every chapter of the Old Testament. Mendelssohn to his librettist. Score available separately - see item CA.4013000.
SKU: CA.4007511
ISBN 9790007060930. Language: German/English.
SKU: CA.5016400
ISBN 9790007080211. Language: German/English. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.
He who seeks a moving and lyrical work with rewarding roles for the choir could do no better than to choose Rheinberger's Stern von Bethlehem. In nine scenes (Expectation, The shepherds, The appearance of the angels, The Star, etc.) the Christmas story is lyrically portrayed. Songlike and pastoral choruses, a heartfelt soprano part and finally, the exotic, charming procession of the Wisemen through the desert have insured this work an increasing popularity. It was written in 1890 to a libretto by Rheinberger's wife Fanny. On account of their similar scoring, this work can be easily combined for a performance with Mendelssohn's Vom Himmel hoch or Die Geburt Christi.
SKU: CA.2729413
ISBN 9790007201180. Language: Latin.
The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.
SKU: CA.4096411
ISBN 9790007078973. Key: D major. Language: Latin.
This short, melodious piece with its charming instrumentation displays a typically Christmas colouring through the use of a pedal point and a Sicilian rhythmic figure. Score and part available separately - see item CA.4096400.
SKU: CA.4096419
ISBN 9790007221423. Key: D major. Language: Latin.
This short, melodious piece with its charming instrumentation displays a typically Christmas colouring through the use of a pedal point and a Sicilian rhythmic figure. Score and parts available separately - see item CA.4096400.
SKU: CA.751003
ISBN 9790007016265. Language: German.
Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score available separately - see item CA.751000.
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