for Violin Solo-J.S. Bach's 11 Movements From The Sonatas And Partias BWV 1001-1006 arranged for Treble Recorder.

German baroque composer Georg Philipp Telemann (1681-1767) was a self-taught multi-instrumentalist becoming a composer against his family's wishes. However his musical career saw him hold important positions and to this day he remains a major composer. His sublime 12 Fantasies for Flute is superbly arranged for Recorder by Jean-Claude Veilhan. Telemann composed his 12 Fantasies for solo Flute in 1732-33 in Hamburg. During this time he composed a wealth of solo instrumental music including those for Harpsichord and Violin. Veilhan's arrangement for Recorder of Telemann's12 Fantasies includes adaptions for the instrument such as key signatures and performance directions. Vailhan's rearrangement for the Recorder of Telemann's popular 12 Fantasies makes the popular genre more accessible and versatile.

Jean-Claude Veilhan: Pièces en Solo des XVIIème et XVIIIème Siècles for Alto Recorder Solo.   Works from the 17th and 18th centuries by Bach Blavet Van Eyck Freillon Poncein Hotteterre and Telemann.

Six Suites - Vol. 1 for Alto Recorder is the first volume of a series of two by J. S. Bach. Initially composed for Cello between 1717 and 1723 it was transcribed by Jean-Claude Veilhan and features the Suites I II and III. The transcription keeps the original key and only some passages have to be played one octave higher than in the original sheet. The first suite BWV 1007 is in G major and contains a Prelude an Allemande a Courante a Sarabande two Minuets and a Guigue. Its Prelude is the most famous movement of the whole set of Suites consisting mainly of only arpeggiated chords. It can be heard in manyfilms and is highly recognisable. The second one BWV1008 is in D minor and held the same movements' organisation. Its prelude in two parts features a cadenza which leads to other cadenzas in the Allemande. The Minuet part is quite technical to play. Finally the third one BWV 1009 in C major sees the Minuets being replaced by Bourrées which are often played together as a solo material. The second Bourrée only has a partial signature and the Allemande has a rhythm quite unique for the piece as it includes three semiquavers instead of one. These suites also exist arranged for Piano for Trombone and for many other instruments.

J.S. Bach: Violin Sonatas & Partitas arr. for Treble Recorder Solo by J.C. Veilhan - Volume 2.   Contains 3 Partitas: BWV1002 BWV1004 and BWV1006.

Media Type : Book Level : Beginning Musical Genre : All Styles Series : Fun With Number of pages : 32 This beginner's method for the alto (F) recorder presents carefully written examples, studies, and a wealth of songs to teach important concepts. This method is suited for either individual or classroom instruction. It may be used in class with the companion for the soprano recorder, Fun with the Recorder.

Ãœben wie noch nie! Das Workout. Practise like never before. Workout!-'Practise like never before!' – with the Groove Connection series. Monotony and mechanical playing are out: lessons are now in the groove – and seven instruments are ready to go!

Markus Zahnhausen’s Lux Aeterna belongs to a very special category in my repertoire. The tender and dangerous beauty of his music has fascinated me for years. In a contemporary musical language Zahnhausen has managed to bring theinstrument back to what it once was: flauto - the flute! His expressive music never takes the instrument beyond its limits thus avoiding the trap of many a modern work. There is a perfect balance between form content andidiomatic writing that places both his music and the recorder where they belong: in the hearts of the listeners! I have had a tremendous time when studying Lux Aeterna. I sometimes wondered whether I played the piece or the piecewas playing me ... Dan Laurin