For Eb (Alto) Sax - Beginner Series. Par GORDON ANDREW D.. Andrew D. Gordon has created 30; 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisationalsolos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of Keyboards, Guitar, Bass and Drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. Andrew D. Gordon has created 30; 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to createyour own improvisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of Keyboards, Guitar, Bass and Drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. / Niveau : 1 / Recueil / Saxophone Alto

Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. / Date parution : 2022-11-29/ Répertoire / Piano

Learn, Create and Apply Your Own Blues Bass Lines. Par EPSTEIN MARK. Explore various 12-bar blues forms, the shuffle feel, walking lines, box patterns, tone, turnarounds, passing tones, and transitions to establish a great blues groove with this book! Use the accompanying audio to play along with a professional band in shuffle, slow blues, rhumba, and blues rock styles. You will also learn how to lock in with the drummer in order to complement the other instruments in an authentic blues band. Explore various 12-bar blues forms, the shuffle feel, walking lines, box patterns, tone, turnarounds, passing tones, and transitions to establish a great blues groove with this book! Use the accompanying audio to play along with a professional band in shuffle, slow blues, rhumba, and blues rock styles. You will also learn how to lock in with the drummer in order to complement the other instruments in an authentic blues band. / Pédagogie / Méthode / Guitare Basse

A Guide to Authentic and Adventurous Song Interpretation. Par ECKERT ROSANA. Great singing can inspire us, surprise us, make us laugh, or make us cry. It can draw the listener in, creating a shared experience of stories and emotions, communicating the singer's unique point of view. Singing with Expression presents a step-by-step guide to help vocalists of any style or genre find their voice and connect with their audience. This book has five sections: Timing, Tone, Melodic Alteration, Style and Other Factors, each with several chapters detailing various concepts and exercises. You'll find over 145 downloadable listening tracks with the author's demonstrations, as well as backing tracks in three different keys. Spontaneity exercises are featured inseveral chapters, aimed at helping singers sharpen their real-time-reaction reflexes in a performance situation. Included in the back of the book is a listening list of songs that specifically demonstrate a groove or approach discussed in th book. Great singing can inspire us, surprise us, make us laugh, or make us cry. It can draw the listener in, creating a shared experience of stories and emotions, communicating the singer's unique point of view. Singing with Expression presents a step-by-step guide to help vocalists of any style or genre find their voice and connect with their audience. This book has five sections: Timing, Tone, Melodic Alteration, Style and Other Factors, each with several chapters detailing various concepts and exercises. You'll find over 145 downloadable listening tracks with the author's demonstrations, as well as backing tracks in three different keys. Spontaneity exercises are featured in several chapters, aimed at helping singers sharpen their real-time-reaction reflexes in a performance situation. Included in the back of the book is a listening list of songs that specifically demonstrate a groove or approach discussed in th book. / Pédagogie / Etude / Voix

Par BAY MEL. Mel Bay's own method for the classic guitar, featuring a thorough grounding in the fundamentals of music and reading guitar notation, plus graded studies and pieces. This book presents classic guitar technique in a manner that anyone can easily follow. Musical and technical concepts are introduced gradually as needed throughout the text and driven home with ample musical illustrations. Information is provided on: basic right and left-hand techniques, reading standard notation, harmonics, and playing in various keys and positions. In addition to the many classical etudes included here by Aguado, Bach, Carcassi, Carulli, Diabelli, Giuliani, Sor, and others, Mel Bay has made a significant contribution to the student guitar repertoire by transcribing works by Bach, Brahms, Chopin, Mozart, Pleyel, Rubenstein, and others in the classical style. The pieces and exercises are arranged to progress systematically through various keys and playing positions. Written entirely in standard notation only. / Niveau : Tous Niveaux / Classic - Methods / Méthode / Guitare Classique

For Recorder - Beginner. Andrew D. Gordon has created 30; 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisationalsolos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. Audio available as download Midi Files available separately Andrew D. Gordon has created 30; 12 bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your ownimprovisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues. Audio available as download Midi Files available separately / Niveau : Débutant / Etudes et exercices / Etude / Flûte à Bec

Beginner/Intermediate Level. Par GORDON ANDREW D.. Outstanding Blues and Jazz Compositions Beginner/Intermediate Level by Andrew D. Gordon presents an introduction to playing blues and jazz including gospel, latin, new age and rock influences within the 14 compositions. This book introduces you to various musical concepts such as: 12 bar blues progression, walking and boogie woogie bass lines, triplet rhythms, arpeggios, blue notes etc. Although this product is for the beginner musician, it is suggested that some Piano/Keyboard technique is required. Blues is the basis of most Contemporary styles of music and hence this would be a great starting point to develop these styles. Recorded at normal and slow tempos. Outstanding Blues and Jazz Compositions Beginner/Intermediate Level by Andrew D. Gordon presents an introduction to playing blues and jazz including gospel, latin, new age and rock influences within the 14 compositions. This book introduces you to various musical concepts such as: 12 bar blues progression, walking and boogie woogie bass lines, triplet rhythms, arpeggios, blue notes etc. Although this product is for the beginner musician, it is suggested that some Piano/Keyboard technique is required. Blues is the basis of most Contemporary styles of music and hence this would be a great starting point to develop these styles. Recorded at normaland slow tempos. / Niveau : 2 / Etudes et exercices / Etude / Piano

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse

Par . 'Time & Rhythm' contains easy dances and folksongs from various countries and in a variety of styles all beautifully arranged by Viktor Fortin and retaining their spirited and lively qualities. The lyrics of the songs have been included and contain important hints about breathing patterns and phrasing. Information regarding the origin and character of the historic dances, as well as their social role, is a welcome and informative addition. The percussion part can be used as a preparatory exercise, helpful in acquiring the rhythmic feel at the given tempo. Additionally, it emphasizes the unique accentuations that characterize each piece. The first volume is made up of easy pieces with a limited tonal range, manageable keys and simple rhythmic divisions no smaller than quavers (eighth-notes). The new edition is intended as a useful supplement for recorder lessons offering students an enjoyable opportunity for ensemble playing and musical interpretation. • Contains easy dances and folksongs from various countries and in a variety of styles all beautifully arranged by Viktor Fortin • The lyrics of the songs have been included and contain important hints about breathing patterns and phrasing • Information regarding the origin and character of the historic dances, as well as their social role, is a welcome and informative addition • The percussion part can be used as a preparatory exercise, helpful in acquiring the rhythmic feel at the given tempo / Date parution : 2023-03-21/ Recueil / 2 Flûtes à Bec (SS ou SA) et percussion ad lib.

Par VANDE GINSTE STEPHANE. On January 1st, 2016, Stephane Vande Ginste had an extraordinary intention: he planned to compose a 1-minute piece for piano every single day for the whole year. The result is an impressive collection of piano miniatures which - although contemporary - result in a variety of musical styles: apart from some experimental pieces, there are jazzy- and poppy pieces, more traditional 'etudes', polyphonic compositions and so on... The 366 pieces also tell various stories: from very emotional events like the terrorist attacks in Brussels over homages in honor of deceased artists (David Bowie,...) to birthdays and festive occasions,... . More than once, even poetry (Heinrich Heine,Anna Enquist, ..) or other pieces of art inspired Stephane to compose his daily one-minute piece. Every single composition originated from the 'here and now', and therefore capture the unfiltered feelings and emotions of that very unique moment in time: joy, enthusiasm, but also melancholy and sadness. On January 1st, 2016, Stephane Vande Ginste had an extraordinary intention: he planned to compose a 1-minute piece for piano every single day for the whole year. The result is an impressive collection of piano miniatures which - although contemporary - result in a variety of musical styles: apart from some experimental pieces, there are jazzy- and poppy pieces, more traditional 'etudes', polyphonic compositions and so on... The 366 pieces also tell various stories: from very emotional events like the terrorist attacks in Brussels over homages in honor of deceased artists (David Bowie,...) to birthdays and festive occasions,... . More than once, even poetry (Heinrich Heine,Anna Enquist, ..) or other pieces of art inspired Stephane to compose his daily one-minute piece. Every single composition originated from the 'here and now', and therefore capture the unfiltered feelings and emotions of that very unique moment in time: joy, enthusiasm, but also melancholy and sadness./ Etude / Piano

Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse

Par CHATROU PAUL. Paul Chatrou, born in the Netherlands, studied piano and composition in Utrecht. He played in various ensembles for which he also composed music. He is teaching the piano and composition both private and in various educational institutions. As a composer, he works mainly freelance. He writes both instrumental and vocal compositions in a romantic style based on classical technique. / Date parution : 2022-11-29/ Répertoire / Piano

This album contains seven original compositions of various styles that perfectly suit the accordion, such as a a polka, waltz and tango as well as some rather rare ones like foxtrot, jazz waltz, swing and bossa nova. On the one hand, the dances are of an educational character, aiming to provide guidance for left-hand accompaniment to various musical styles, linking of chords, harmonizing the melody to be played by the right hand and achieving a 'rich' sound. On the other hand, when played at a high standard they are also concert pieces appropriate for the stage. The pieces are recommended to advanced music school students and secondary school students. They are also perfectly appropriate for accordion players who are generally interested in quality popular music for their instrument. / Accordéon