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101 Classical Themes For Cello
Cello
[Sheet music]
Hal Leonard
This huge collection offers instrumentalists the chance to play 101 classical th...
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This huge collection offers instrumentalists the chance to play 101 classical themes, including: Ave Maria (Bach/Gounod and Schubert) - Bist du bei mir (You Are with Me) (Stözel) - Canon in D (Pachelbel) - Clair de Lune (Debussy) - Dance of the Sugar Plum Fairy (Txhaikovsky) - 1812 Overture (Tchaikovsky) - Eine Kleine Nachtmusik (' Serenade”), First Movement Excerpt (Mozart) - The Flight of the Bumble Bee (Rimsky-Korsakov) - Funeral March of a Marionette (Gounod) - Für Elise (Beethoven) - Gymnopedie No. 1 (Satie) - Jesu, Joy of Mans Desiring (Bach) - Lullaby (Brahms) - Minuet in G (Bach) - Ode to Joy (Beethoven) - Piano Sonata in C (Mozart) - Pie Jesu (Fauré) - Rondeau (Mouret) - Swan Lake (Tchaikovsky) - Wedding March (Mendelssohn) - William Tell Overture (Rossini) - and many more./ Recueil / Violoncelle
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A Grand Tour Of Cello Technique (SHERRY FRED)
Cello
Peters
A practice guide for the modern cellist. Par SHERRY FRED. A Grand Tour of Cello ...
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A practice guide for the modern cellist. Par SHERRY FRED. A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters. With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio.Fred Sherry has introduced audiences on five continents and all fifty UnitedStates to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen, Lukas Foss, Oliver Knussen, Elliott Carter, Milton Babbitt, Toru Takemitsu, Chick Corea, Pierre Boulez, Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and 'sideman' on hundreds of commercial and esoteric recordings: his discography ranges from Schütz, Bach, Mozart, Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School, the Mannes College of Music and the Manhattan School of Music. A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters. With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio. Fred Sherry has introduced audiences on fivecontinents and all fifty United States to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen, Lukas Foss, Oliver Knussen, Elliott Carter, Milton Babbitt, Toru Takemitsu, Chick Corea, Pierre Boulez, Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and and lsquo - sideman and rsquo - on hundreds of commercial and esoteric recordings - his discography ranges from Sch and uuml - tz, Bach, Mozart, Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School, the Mannes College of Music and the Manhattan School of Music. / Pédagogie / Etude / Violoncelle
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Amanti Lucio Franco - Jazz Suite - Cello
Cello
Schott
Instrument : cello Series : Cello Library Nombre de Pages : 16 'The idea of wri...
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Instrument : cello Series : Cello Library Nombre de Pages : 16 'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards. Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker) Content : Prelude - Allemande - Courante - Sarabande Portrait of Resi - Grove I/II - Finale: Latin moto perpetuo
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Bärenreiter's Sassmannshaus - The Sassmannshaus Tradition. Early Starton The Cello, Vol.4 (SASSMANNSHAUS EGON / SASSMANNSHAUS KURT)
Français
Cello
Barenreiter
Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘...
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Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘Sassmannshaus Tradition’ has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today’s English speaking children. What makes this Cello method so unique? The leading German Cello method now available in English. - Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children. - Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form./ Méthode / Violoncelle
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Bärenreiter's Sassmannshaus - The Sassmannshaus Tradition. Early Starton The Cello, Vol.3 (SASSMANNSHAUS EGON / SASSMANNSHAUS KURT)
Cello
Barenreiter
Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘...
(+)
Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT. For more than three decades the ‘Sassmannshaus Tradition’ has been the household name for excellence in beginner string methods in German-speaking countries. More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success. On the back of this success story Bärenreiter has now published the four books for cello in a newly adapted version for today’s English speaking children. What makes this Cello method so unique? - The leading German Cello method now available in English. - Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children. - Note reading is emphasised from the first lesson, encouraging ensemble playing from the very beginning. - Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing. - Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form./ Méthode / Violoncelle
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6 Suiten Für Violoncello Solo - Bwv 1007-1012 (BACH JOHANN SEBASTIAN)
Cello
Barenreiter
Bwv 1007-1012. Par BACH JOHANN SEBASTIAN. Urtext edition with articulation marki...
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Bwv 1007-1012. Par BACH JOHANN SEBASTIAN. Urtext edition with articulation markings - Soft-cover performing edition When you think cello, you think of Bach?s immortal cello suites. The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation andphrasing being particularly ambiguous. At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike. This new edition, based on volume 4 of the New Bach Edition ? Revised (NBArev), now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day. The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer. ? - Urtext edition with articulation by the editor on the basis of intensive source comparison - Musical text identical/ Répertoire / Violoncelle
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6 Suites For Violoncello Solo Bwv 1007-1012
Cello
Barenreiter
Urtext edition with articulation markings - Soft-cover performing editionWhen yo...
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Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle
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First 50 Songs You Should Play On Cello
Cello
Hal Leonard
A Must-Have Collection of Well-Known Songs, Including Many Cello Features. If yo...
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A Must-Have Collection of Well-Known Songs, Including Many Cello Features. If you've been learning to play the cello for a little while, you're probably eager to put those new skills to work and play some familiar songs. The First 50 Songs You Should Play on the Cello includes a wide variety of favorite songs, from pop hits and movie themes, to folk songs and classical melodies, several of which originally featured cello! / Pop and rock / Recueil / Violoncelle
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Sonate In H-Moll
Cello
Hofmeister Musikverlag
Die Sonate in h-Moll von Franz Liszt ist eines der beeindruckensten Stücke für...
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Die Sonate in h-Moll von Franz Liszt ist eines der beeindruckensten Stücke für Solo-Instrument. Da auch Liszt unzählige Überarbeitungen für Klavier von Werken anderer Komponisten vorgenommen hat, bot sich an, auch von seinem Werk eine Bearbeitung vorzunehmen. Die Bearbeitung ist von einem hohen Schwierigkeitsgrad, passt aber wunderbar in das Repertoire eines jeden professionellen Cellisten und stellt eine wünschenswerte Bereicherung des Repertoires für Solo Cello dar. / Violoncelle
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Duckett Bull / Rogers - Team Strings 2 - Cello
Cello
Faber Music Limited
The 'Team' series is suitable for use with both individuals or as a group tutor ...
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The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the early stages. All of the books in the series are fully integrated allowing students using 'Team Strings' to play in ensembles with students using 'Team Woodwind', 'Team Percussion', 'Team Recorder' and 'Team Brass'. Team Strings 2 follows directly on from the original 'Team Strings' series and similarly is a flexible and adaptable course designed for beginner cello players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book. 'Team Strings 2' has been specially written to support almost any combination of string instruments the teacher may encounter. This second series is further enhanced by titles from the world of jazz and blues and offers opportunities to develop playing, compositional and improvisational techniques. Imaginative Piano Accompaniments have been provided as well as helpful notes and clear ensemble scores to aid the teacher. 'Team Strings 2' also includes all of the scales for the relevant Grades set by the major examination boards.
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Stringtastic Book 2: Cello
Cello
Faber Music Limited
Par WILSON MARK. Stringtastic Book 2: Cello teaches through playing in an engagi...
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Par WILSON MARK. Stringtastic Book 2: Cello teaches through playing in an engaging exploration of musical styles. Part of the fully integrated Stringtastic series in which violin, viola, cello and double bass can all learn and play together in any combination. Learn as you play through the world of Stringtastic, with 62 imaginative pieces that have been specifically designed to establish a secure playing technique and build confidence one step at a time. Following on from Stringtastic Book 1, this book takes the student from Grade 1 (Early Elementary) to Grade 2 (Elementary) level. Featuring equal-level duets for all instruments, the pieces are ideal for individual and group tuition as well as flexible ensemble and classroom settings. Every piece is supported by an exciting backing track plus a piano-only track for practice, all available to download. The Stringtastic Book 2: Teacher’s Accompaniment book provides the complete piano score which works with any combination of the instrumental parts. / Date parution : 2023-10-31/ Recueil / Violoncelle
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The Lord Is My Shepherd (Psalm 23) (GOODALL HOWARD)
Cello
[Sheet music]
Faber Music Limited
Par GOODALL HOWARD. This is the cello part for The Lord is My Shepherd (Psalm 2...
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Par GOODALL HOWARD. This is the cello part for The Lord is My Shepherd (Psalm 23), available as a special print-on-demand copy. This piece is best known as the theme tune to the award-winning BBC TV series The Vicar of Dibley starring Dawn French. Goodall's setting of Psalm 23 is warm and melodious and has been, and will continue to be, popular with choirs everywhere. Alternative accompaniments for strings have been made available and complement the SATB version that can be found in the Faber Choral Signature Series (0571520480). / Choral Music, Instrumental Music / Répertoire / Violoncelle
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24 Caprices in all keys op. 35 (DOTZAUER JUSTUS JOHANN FRIEDRICH)
Cello
[Sheet music]
Schott
Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Dotzauer études have been part of the sta...
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Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Dotzauer études have been part of the standard repertoire in cello lessons for generations. Friedrich Dotzauer (1783-1860) was among the major cellists and cello pedagogues of the 19th century and knew what makes a good étude: it should deal specifically with a certain technical problem and at the same time not be monotonous, but musically appealing. The cellist of the Leipzig Gewandhaus and the Dresden Hofkapelle managed to do that in an exemplary manner. 24 Caprici in tutti tuoni Op. 35 (1816) is Dotzauer's masterpiece, wonderfully showing off the varied tone colours and playing techniques of the violoncello. Demanding études for lessons and performances, with beautiful melodic and harmonic ideas, some with slow expressive introductions, some with artistic arpeggios or contrapuntal polyphony. Our new edition follows the original sources and contains the original text. / Date parution : 2022-02-15/ Etude / Violoncelle
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Sound At Sight Cello (Initial-Grade 8) (AASS LARS)
Cello
[Sheet music]
Trinity Guildhall
Par AASS LARS. This latest addition to the Sound At Sight series provides a weal...
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Par AASS LARS. This latest addition to the Sound At Sight series provides a wealth of approachable and attractive sight-reading pieces for the cello. Each piece has been carefully graded to match exam requirements and is presented in a clear attractive layout. This book offers invaluable practice material for cellists and is vital in preparation for examinations. / Exams / Etude / Violoncelle
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Martindale Margaret / Cracknell Robert - Enjoy Playing The Cello - Violoncelle
Cello
-
Beginner
Oxford University Press
A practical and resourceful first tutor with a wide selection of well-known tune...
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A practical and resourceful first tutor with a wide selection of well-known tunes, familiar to even the youngest beginner. Accompaniments for the early pieces are included. Forces or Category : Tutor Difficulty : Very easy 48 pages 04 January 1990 Margaret Martindale and Robert Cracknell Debbie Cracknell studied guitar and piano at Trinity College of Music in London. After graduating with licentiate diplomas in both instruments, she has been teaching as a peripatetic guitar teacher for Buckinghamshire County Council for many years. Her very successful series, Enjoy Playing Guitar, has been followed by many solo and ensemble works aimed mainly at beginners and those in the early grades.
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40 Melodious And Progressive Studies Op. 31 Band 1
Cello
Schott
This collection of etudes by the virtuoso Sebastian Lee was used as a standard w...
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This collection of etudes by the virtuoso Sebastian Lee was used as a standard work for cello lessons at the Paris Conservatoire back in the 19th century. For thorough technical training and education, the etudes remain just as relevant today. In this new edition, in two volumes, any departures from the original are clearly marked. In addition useful tips and suggestions for practising have been added. / Violoncelle
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Sonata (LARCHER THOMAS)
Cello
Schott
for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voi...
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for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle
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Six Suites for Violoncello solo BWV 1007-1012 Synoptic Facsimile (BACH JOHANN SEBASTIAN)
Cello
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. The suites are the very core of cello literature, wit...
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Par BACH JOHANN SEBASTIAN. The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers. Considering the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing. This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bach’s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources./ Répertoire / Violoncelle
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Ensembles Vol.2 - R. Mooney (SUZUKI SHINICHI)
Cello
[Sheet music]
Alfred Publishing
Par SUZUKI SHINICHI. This book contains harmony parts to go with each of the pie...
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Par SUZUKI SHINICHI. This book contains harmony parts to go with each of the pieces in the Suzuki Cello School, Volume 2. All parts have been arranged to resemble, as much as possible, the exciting piano accompaniment. / Niveau : Débutant à Intermédiaire / Méthode en anglais / Méthode / Violoncelle
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12 Exercices op. 107 (DOTZAUER JUSTUS JOHANN FRIEDRICH)
Cello
[Sheet music]
Schott
Urtext. Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Dotzauer's études have been part ...
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Urtext. Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Dotzauer's études have been part of the standard repertoire in cello lessons for generations. Our new edition of the 12 Études Op. 107 follows the original sources and contains the original text. While the Dotzauer études are usually only available in selected editions today, opus 107 is edited here in its entirety, as conceived by the composer himself. Notes on studying and on the performance practice (dynamics, vibrato, change of position, ornamentation, bowings) make the new edition an ideal reference edition for music lessons. The Études Op. 107 contain some of Dotzauer's best-known études of medium difficulty, in the 1st to 4th position and with major technical problems such as arpeggios, velocity, string crossings, slow and fast bowing, double stops, two-part playing, etc. / Date parution : 2022-02-15/ Etude / Violoncelle
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Superstudies (LEGG PAT)
Cello
[Sheet music]
-
Easy
Faber Music Limited
Par LEGG PAT. This collection of sixteen original, imaginative studies for solo ...
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Par LEGG PAT. This collection of sixteen original, imaginative studies for solo cello has been specially designed for young players of Grades 1-3 ability. Throughout the book, progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys, modes, rhythmic patterns and styles, including jazz, while also encouraging self-expression. The descriptive titles are intended to help the cellist play in a style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating. / Niveau : Facile / Répertoire d'Examen / Etude / Violoncelle
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40 Melodious And Progressive Studies Op. 31 Band 2
Cello
Schott
This collection of etudes by the virtuoso Sebastian Lee was used as a standard w...
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This collection of etudes by the virtuoso Sebastian Lee was used as a standard work for cello lessons at the Paris Conservatoire back in the 19th century. For thorough technical training and education, the etudes remain just as relevant today. In this new edition, in two volumes, any departures from the original are clearly marked. In addition useful tips and suggestions for practising have been added. / Violoncelle
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Scale E Arpeggi (MAZZACURATI)
Cello
Carisch
Par MAZZACURATI. In this reprint of Scales And Arpeggios, the author has aimed t...
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Par MAZZACURATI. In this reprint of Scales And Arpeggios, the author has aimed to set out the scales in order of progressive difficulty, using single scale, two-strings-scale and arpeggio to make a study that is quite difficult, but a fantastic way to learn essential technique and ability. The study of scales and arpeggios on the Cello is exceptionally important. A devotion to this study is essential to every cellist who wants to apply himself with earnest purposes to the musical art as a player. In this updated reprint, the author has added a combination to the scales of four octaves in order to improve more mastery of the fingerboard, and the combinations ofarpeggios have been added. / Pédagogie / Etude / Violoncelle
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Superstudies. Book 2 (LEGG PAT)
Cello
[Sheet music]
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Easy
Faber Music Limited
Par LEGG PAT. This collection 15 original, imaginative studies for solo cello ha...
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Par LEGG PAT. This collection 15 original, imaginative studies for solo cello has been specially designed for young players from Grades 3-5 level. Throughout the book, progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys' modes, rhythmic patterns and styles (including jazz), while also encouraging self-expression. The descriptive titles are intended to help the cellist play in style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating. / Niveau : Facile / Etude / Violoncelle
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Legg Pat - Thumb Position Repertoire - Cello
Cello
Faber Music Limited
Reinforcing thumb position technique through real pieces, 'Thumb Position Repert...
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Reinforcing thumb position technique through real pieces, 'Thumb Position Repertoire' helps the developing player establish complete confidence with this technique. The book builds on the foundation laid in 'Thumb Position for Beginners', presenting rich varied repertoire by composers such as Handel, Tartini, Mozart, Schubert and MacDowell, along with tailor-made original pieces. Simple piano parts have been included throughout. For players of Grade 5+ standard.
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Gradebusters Grade 1 - Cello
Cello
[Sheet music + Audio access]
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Beginner
Hal Leonard
15 awesome solos from ABBA to Aladdin. This volume features 15 songs in a range ...
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15 awesome solos from ABBA to Aladdin. This volume features 15 songs in a range of styles from pop and classical to film and musical theatre. The pieces have been carefully selected and arranged to provide the perfect light relief from exam practice. The songs in this collection appear in order of difficulty, for students at Grade 1 level. Each song is presented with teaching notes to help you improve your performance. The price includes fully orchestrated backing and demo tracks, available to download or stream online, and rich, playable piano accompaniments, which can be downloaded as A4-size PDFs. To help you practice, the audio tracks can be sped up, slowed down and looped using Playback+. / Niveau : 1 / Pédagogie / Recueil / Violoncelle
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La Mer
Cello
Barenreiter
'La Mer?, which is an impressionistic work through and through, was composed bet...
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'La Mer?, which is an impressionistic work through and through, was composed between 1903-1905. Debussy however refined this work up until at least 1913. These corrections are found in a score which Debussy gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists, resulting in an array of new readings and corrections. In addition, there are many changes, a.o. in terms of articulation and dynamics.This new edition includes the famous 'fanfare? in Movement III, clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work, but was reinstated by a number of great conductors who knew Debussy, i.e. Monteux, Münch, Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so, the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.- New Urtext edition with numerous corrections in comparison to other editions- Important sources which were previously inaccessible have been taken into account- Score and orchestral parts in large format (25.5 x 32.5cm)- Score and orchestral parts with an impeccable generous layout- Includes an informative introduction (Eng/Fr/Ger), facsimiles, source descriptions and a Critical Commentary (Eng) / Violoncelle
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Suite
Cello
Schott
This edition replaces and completes the edition CB 158 of the Divertimento per v...
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This edition replaces and completes the edition CB 158 of the Divertimento per violoncello solo. The movements have been arranged in a new order. To four of the movements Boris Pergamenshikov has added fingerings and bowings. / Violoncelle
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