You know this Christmas carol, but you've never heard it like this before! Alan Billingsley's contemporary interpretation brings the traditional tune up to date. The SATB voicing sounds great a cappella, while a funky accompaniment works well to support the SAB and SSA. Bass and drums on the optional SoundTrax CD pump up the R and B groove, or add your own vocal percussion. / 3 Parties Mixtes

From Celine Dion's album Loved Me Back to Life comes this new ballad, perfect for a concert or graduation theme. Quickly learned, with an encouraging hook: 'Cause we're all unfinished songs, waiting for the best part to come along?we're all pictures half drawn, we can be anything we want.' / Choeur SAB

Peter Lawson's Tunes From The Trenches - Songs From World War One for Choir and Orchestra or Concert Band or Choir and Piano.A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a Choir with either an Orchestra band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and for those with a shortage of male voices SA+Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts (GMCP020) can be used either on its own or to accompany a choir.Therecruiting song 'Your King and Country Want You' starts us off followed by 'Goodbye Dolly Gray' as the soldiers leave for war. 'Belgium put the Kibosh on the Kaiser' is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - 'Three German Officers crossed the Rhine' and 'They were only playing Leap-Frog'. 'The Bells of Hell go Ting-a-ling-a-ling' leads to strains of 'Stille Nacht' recalling the Christmas truce. 'When this Lousy War is Over' and 'There's no place like Home' are balanced by 'Land of Hope and Glory' before the Americans arrive with 'The Caissons go Rolling Along' and 'Over There'. 'It's a Long Way to Tipperary' brings us towards a rousing finish save for an optional 'Last Post-lude' to end reflectively.

Choral selections from My Fair Lady arranged for three part mixed voices. Songs include Get Me To The Church On Time I Could Have Danced All Night The Rain In Spain Wouldn't It Be Loverly and many more.

Adapted from Jay's popular American Folk Songs for Solo Singers, this remarkable new choral arrangement works beautifully. The languid minor-key melody is passed from soloist to choir and part to part, often accompanied by mournful background vocals. Not difficult to perform, but appropriately weighty. / Choeur SSA

This macaronic piece brings together the Spanish and English languages and it is the invigorating and inspiring text that drives the rhythm and energy of this creative song. A previous choral release by Ms. Herrington also utilizing the poetry of Bianca Chamusco Born in a Symphony is a definite partner. Wonderful for high school and college concert. Medium.

A genre-defying collection of songs for female vocal trio Songspin Songbook is a collaboration between Juice Vocal Ensemble and UYMP funded by an Arts Council England grant. Described as “the 21st century’s answer to the Swingles or King’s Singers” (The Times) Juice have emerged as the face of a revitalised experimental scene for vocal music. Songspin Songbook publishes songs from their debut album Songspin. The album was released on Nonclassical in 2011 to critical acclaim winning an international Independent Music Award for Best Contemporary Classical Album in 2012. Featuring remixes by the likesof Camille producer MaJiker and Björk collaborator Mikhail Karikis the album was reviewed by The Observer as “eighteen immaculately achieved tracks spanning Elisabeth Lutyens to Gabriel Prokofiev via folk song and avant garde enchant and enthrall”. Songspin also featured the premiere recording of Elisabeth Lutyens' Of The Snow which The Telegraph described of a performance by Juice as 'an amazing sustained piece of virtuosity'.  Songspin Songbook was edited by James Whittle and Paul Sild.  Artwork designed by Christopher Leedham and Martin Scheuregger.

Christina Rossetti's beloved 'In the Bleak Midwinter' sings beautifully in this lovely setting for expressive choirs. The meaningful text and breathtaking music are worthy of artistic interpretation. A gracefully supportive piano contributes a few soloistic flourishes and an optional C-instrument (oboe on our recording) adds a gentle obbligato. / Choeur SSA

The choral scene is in a state of change! On the one hand, more and more choirs are lacking in male voices, yet at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known, frequently-performed works. The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K. 317 (BA 5691), a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90), a charming alternative for use in church services. With great skill and sensitivity to the music, Heribert Breuer has carefully retained the substance of the original works, at the same time giving them a completely new sound quality. - Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition” - Idiomatic piano reductions The arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie, and has made a name for himself with his numerous arrangements of works from Bach to Schubert.

Here's a kickin' gospel original with energy to spare. Spirited syncopations and intricate chord changes authenticate the style, and a short piano solo paves the way for a funky vocal stack that drives to the end and brings it all home! / Choeur SSA

Here's a kickin' gospel original with energy to spare. Spirited syncopations and intricate chord changes authenticate the style, and a short piano solo paves the way for a funky vocal stack that drives to the end and brings it all home! / Choeur SAB

Not often does a song so completely capture the spirit of a new world but this one does with an exclamation point. Proud expectant hopeful assuring as full as the Statue of Liberty this dynamic piece celebrates all these things with dignity and grace. Destined to be an American classic for high school and college treble choirs. Medium to Difficult.