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Virginalia. Laudes Aeternae Virginis Mariae (Dillingen 1607)
Choral SSATB
Ut Orpheus
18. Virgo, Sole Vestita Et Circumcincta Vario Decore/ Recueil / 5 Voix (SSATB)
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Carl F. Mueller: Now Thank We All Our God: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Schirmer
Now Thank We All Our God arranged by Carl F. Mueller for SATB choir with Piano ...
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Now Thank We All Our God arranged by Carl F. Mueller for SATB choir with Piano accompaniment.The melody upon which this harmonization and arrangement is based first appeared anonymously in Praxis Pictatis Melica (1648). The authorship of the melody has been variously assigned to Johann Cruger (1598-1662) Martin Rinkart (1586-1649) and Luca Marenzio (1560-1599).
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Christmas a Capella: SATB: Vocal Album
Choral SATB
Barenreiter
Christians in Europe at all times expressed their joy over christmas with music ...
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Christians in Europe at all times expressed their joy over christmas with music variously. Christmas a cappella bridges between England to Czech Republic between Gregorian musicology to popular songs.
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Alice Parker: The Song Of Simeon: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
Not exactly a round (the parts don't follow in a regular order) but there are v...
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Not exactly a round (the parts don't follow in a regular order) but there are variously staggered entries that provide a rich texture this is a highly accessible piece.
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Alan Smith: In Flanders Fields: Mixed Choir: Vocal Score
Choral SATB
SATB, Organ
Recital Music
In Flanders Fields is a series of poignant and evocative choral works with a the...
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In Flanders Fields is a series of poignant and evocative choral works with a theme of reconciliation and remembrance set to iconic texts by John McCrae and Rupert Brooke.Alan Smith was born in London in 1962 and spent his childhood in Croydon. He sang with various local choirs and attended the nearby Royal School of Church Music where he began organ lessons with Michael Fleming at the age of ten. He was appointed as Organist and Choirmaster of a local church at the age of 16 and later became Organ Scholar at Kings' College London where he studied from 1981 to 1984. As part of his music degree he specialized in composition studying with Nicola LeFanu David Lumsdaine and George Nicholson.Following postgraduate training at the London Institute of Education Alan began his teaching career. After working in various schools he became Head of Music at Hazelwick School Crawley in 1990 a post he continues to hold. In the same year he came to some prominence by winning the RSCM's annual composing competition. His successful entry Let the Peoples Praise You became his first published piece and continues to be widely performed. Since then his choral compositions have won several awards most recently the Thornesian Prize in 2003 and an honorable mention in the 2004 Vanguard Premieres Competition.Alan's output is predominantly of choral and vocal music much of it written for specific choirs or occasions and his catalogue runs to over 150 works. In the UK his music is published by Animus Curiad Cantiones Press Escorial Edition Fagus Music and RSCM while in America he is published by Abingdon Press CanticaNOVA OUP Pavane and Roger Dean.Since 1998 Alan has been Director of Music at St Andrew's church in Burgess Hill West Sussex where he lives with his wife and three children.
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John Woolrich: Far From Home.: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate
Faber Music Limited
This lullaby for large unaccompanied SATB chorus was commissioned by the Crouch ...
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This lullaby for large unaccompanied SATB chorus was commissioned by the Crouch End Festival Chorus in 1993. John Woolrich interweaves various folk texts in his lilting musical setting which juxtaposes the peacefulness of sleep with moments of anxiety and tension for the parent whose son is far from home.The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.
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John Rutter: What Sweeter Music: SATB: Score
Choral SATB
Oxford University Press
Full score-John Rutter's What Sweeter Music for SATB and organ or string orches...
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Full score-John Rutter's What Sweeter Music for SATB and organ or string orchestra The string accompaniment is available on hire and for sale.John Rutter was born in London in 1945 and studied music at Clare College Cambridge. His compositions embrace choral orchestral and instrumental music and he has edited or co-edited various choral anthologies including four Carols for Choirs volumes with Sir David Willcocks and the Oxford Choral Classics series. From 1975 to 1979 he was Director of Music at Clare College and in 1981 he formed his own choir the Cambridge Singers. He now divides his time betweencomposition and conducting and is sought after as a guest conductor for the world's leading choirs and orchestras.
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Seven Angels (MACMILLAN JAMES)
Choral SATB
SATB, Piano
-
Advanced
Boosey and Hawkes
Par MACMILLAN JAMES. A setting of passages from the Book of Revelation, with par...
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Par MACMILLAN JAMES. A setting of passages from the Book of Revelation, with particular reference to the angels who appear with seven trumpet blasts, heralding a series of apocalyptic scenes. Commissioned by Jeffrey Skidmore, director of Ex Cathedra, and first performed by them at Birmingham Town Hall in 2015. The composer states, ?There is a vividness and strangeness in these dramatic texts, which are endlessly fascinating and disturbing. The instruments used here are based on the various instrumental types mentioned throughout scripture ? trumpets, harp, bells, cymbals, tabor, rebec.? These are scored for mostly in their modern forms, but shofars (Jewish ritual temple trumpets) and early trumpets are also used. The choral writing shows a similar contrast between traditional and contemporary scoring, with polyphony and homophony alongside extended vocal techniques, including Sprechstimme. Leading choral director Paul Spicer comments, ?This is an extremely dramatic work which draws the listener into the apocalyptic story line ? The ending is cataclysmic.? / Niveau : Difficile / Date parution : 2022-11-08/ Répertoire / Choeur SATB et Piano
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Nico Muhly: Second Service: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
St Rose Music Publishing
Magnificat & Nunc Dimittis-Nico Muhly's Second Service (Magnificat & Nunc Dimitt...
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Magnificat & Nunc Dimittis-Nico Muhly's Second Service (Magnificat & Nunc Dimittis) sheet music arranged for SATB (Soprano/Alto/Tenor/Bass) Chorus and Organ accompaniment. This piece was originally commissioned by the Choir of Christ Church Christiana Hundred from Delaware USA and was first performed on 19th October 2014 by them. After its various premieres internationally the Second Service was met with resounding warm reviews praising its percussive qualities beautiful melodies and dynamic rhythms. The work is a pleasure to sing especially when beneficial acoustics complement the warmth of the vocalharmonies. Nico Muhly is a composer of many talents lending his skills to a number of diverse genres including Orchestra Choral and even Film Music. This work is arranged for SATB Chorus and Organ accompaniment and lasts around 14 minutes. With this composition Muhly has set the traditional Magnificat also known as the 'Song of Mary' joining the long list of composers who have set this work such as Mozart Tchaikovsky and Schubert. Next comes the Nunc Dimittis similarly a canticle found in the gospel of Luke. The Second Service (Magnificat & Nunc Dimittis) is presented here in an accurate transcription for SATB Chorus and Organ. Audiences will love this innovative and contemporary setting of such traditional words.
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Ed Newton-Rex: This Marriage: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
Recently recorded by VOCES8 to celebrate the Royal Wedding Ed Newton-Rex's 'Thi...
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Recently recorded by VOCES8 to celebrate the Royal Wedding Ed Newton-Rex's 'This Marriage' is a setting of words by the 13th-century poet Rumi in which blessings are wished on a married couple.Ed Newton-Rex is a composer and arranger based in London. He was a chorister in the Choir of King's College Cambridge went on to the King's School Canterbury and returned to Cambridge as a choral scholar at King's. He graduated with a double-starred First in Music in 2010. He has written for various groups including The King's Singers VOCES8 and the Choir of King's College Cambridge and also recently wrote the music for a West End play directed byTom Attenborough. His music has been played on BBC Radio 3 and 1Xtra. Ed is musical director of the Camden Choral Collective a choir for the contemporary music scene who sang with Dizzee Rascal at the BBC Electric Proms in 2009. He is also a regular contributor to The Spectator.
3.25 GBP - Sold by Musicroom UK
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Russian Choral Masterpieces: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
An original and exciting collection of anthems and other choral pieces written f...
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An original and exciting collection of anthems and other choral pieces written for the Orthodox Church and inspired by the Church in Russia selected by Ralph Allwood. Partly because of the re-emergence of the Church in the former Soviet Union interest in Christian musical sources alternative to the great body of the Anglican and other Western Christian traditions has grown sharply in recent years. Though the works presented here may be unfamiliar they are all masterly. Designed to appeal to choirs of various levels the collection includes a Kontakion and Ikos for the funeral service anthems by Great Russian Romantics: Tchaikovsky Rachmaninov Grechaninov; andcomposers from our age: Stravinsky Schnittke or Arvo Part speaking for a tradition outside the Orthodox Church as well as settings of the Lord's Prayer in both Russian and English by John Tavener.
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Tarik O'Regan: Mass Observation: SATB: Score
Choral SATB
Novello & Co Ltd.
Full Score- Tarik O'Regan's Mass Observation was commissioned for the University...
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Full Score- Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watchedand heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet Mass Observation ebbs and flows between various polarities (human voices and percussion instruments pitched and unpitched sounds clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence. Duration approximately: 40 Minutes
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Tarik O'Regan: Mass Observation: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
Tarik O'Regan's Mass Observation was commissioned for the University of Michigan...
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Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir Jerry Blackstone conductor thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund and the Barbara Abramoff Levy Fund. Composer's note: Mass Observation is a meditation on the histories of our varied ambivalent relationships with surveillance in its myriad guises. The use of technologies that sate our desires to be watchedand heard (safety tracking empowerment and pride) has in some sense always been able to be weighed against our anxieties around invasions of privacy (physical and psychological harm hacking subjugation and embarrassment). The work takes its title from the British social research organisation Mass-Observation which aimed to record everyday life in the United Kingdom. Founded in 1937 Mass-Observation controversially paid investigators to anonymously record people's conversation and behaviour at work on the street and at various public occasions including public meetings sporting and religious events. Scored for chorus and percussion sextet Mass Observation ebbs and flows between various polarities (human voices and percussion instruments pitched and unpitched sounds clear and opaque tonalities) over the course of its thirteen movements. There is a ritualistic nature to the overall pacing of the work reminiscent of a liturgical mass setting. The two groups of musicians are rarely aligned: for much of the piece they watch and listen to one another in silence. Duration approximately: 40 Minutes
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Christmas Voices: SATB: Vocal Score
Choral SATB
SATB, Keyboard
[Vocal Score]
-
Intermediate
Novello & Co Ltd.
Fourteen traditional and modern Christmas texts all set by contemporary compose...
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Fourteen traditional and modern Christmas texts all set by contemporary composers for various choral combinations and levels of accomplishment. Includes works for Unison SSA and SATB choirs accompanied and unaccompanied.
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Josu Elberdin: Cantate Domino: Mixed Choir a Cappella: Vocal Score
Choral SATB
SATB A Cappella
Hal Leonard
Kanta Jaunari Kantu Berria-A thrilling setting of English Basque and Latin text...
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Kanta Jaunari Kantu Berria-A thrilling setting of English Basque and Latin texts that proclaim the joy of singing to God. Already much-loved around the world from various performances at the 2011 World Choral Symposium and the 2013 Tolosa International Choral Festival.
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John Joubert: St. Mark Passion: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and th...
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POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score. 'The work lasts about 45 minutes and rather like the St. Mark Passion by Charles Wood uses various pre-existant hymns to fulfill a similar function to the chorales in Bach's Passions. The scoring of solo Cello and Organ is skillfully handled so that the quasi-recitativenarrations feature both instruments to varying degrees the Cello often taking lead balancing the inevitably greater presence of the Organ in the hymns. Joubert's choice of hymns is impeccable (plainsong Bach Gibbons...) ending with 'When I survey the wondrous cross' and the idiom of the freely composed sections is given consistency through use of a gently undulating motif to accompany Christ's words (reminiscent of the opening of Vaughan William's Symphony no.5) and a chromatic motif in agitated sections (which happens to be the same as Shostakovich's DSCH theme). Although considerable demands are made on the instrumentalists and lead soloists the choral writing is rarely difficult and could be tackled by many choirs; I have no doubt that the work would be extremely effective in performance.' - Geoffrey Webber Choir & Organ Magazine
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Per Nørgård: To Nocturner: SATB: Vocal Score
Choral SATB
[Vocal Score]
Wilhelm Hansen
To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig a...
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To Nocturner (2001) - for Chamber Choir (12 or 24 Voices). Texts by Ole Sarvig and Ib Michael. English version available: KP01444E Programme note: These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title 'Året' The Year); Michael's Night is based on an earlier simple choral song (Star Mirror 1987) now for 12 voices and composed such that an original idea of 'simultaneously displaced opposite motions' cf. the poem)comes out as desired. Of the Nocturnes Nørgård writes: 'Summer's Sleep was composed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of 'the summer of life' which is asleep - while the 'heaven seed' waits for the summer wind ('invisible to every mind'). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep summer dream. 'The second nocturne Michael's Night takes its name from the author Ib Michael whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit starlit night. With the titles I have chosen I have stressed the mythic layer of the text the summer night not as a dream but as sensual reality. 'The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003 out of gratitude for over a quarter of a century of inspiring collaboration'.
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Per Nørgård: Two Nocturnes: SATB: Vocal Score
Choral SATB
[Vocal Score]
Wilhelm Hansen
Per Nørgård's 2 Nocturnes - for 12 voices (2003) 1. Summer's Sleep (text: Ole ...
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Per Nørgård's 2 Nocturnes - for 12 voices (2003) 1. Summer's Sleep (text: Ole Sarvig) 2. Michael's Night (text: Ib Michael) English version. Programme note:These two choral pieces for 12 voices consists of radical recompositions on of earlier themes: in Summer's Sleep we hear new combinations of two 'Sarvig melodies' from the 1970s (one of which is now in the Danish Hymnbook under the title 'Året' The Year); Michael's Night is based on an earlier simple choral song (Star Mirror 1987) now for 12 voices and composed such that an originalidea of 'simultaneously displaced opposite motions' cf. the poem) comes out as desired. Of the Nocturnes Nørgård writes: 'Summer's Sleep was composed to stanzas of Ole Sarvig's poem The Year (from the collection Forstadsdigte ('Suburban Poems')) and forms the picture of 'the summer of life' which is asleep - while the 'heaven seed' waits for the summer wind ('invisible to every mind'). The many layers of text are expressed musically in a multilayered choral texture with 'looks' up and down through the various tempo and time-worlds: summer sleep summer dream. 'The second nocturne Michael's Night takes its name from the author Ib Michael whose poem Star Mirror (from the collection Himmelbegravelse ('Sky Funeral') (1986) I pushed/coaxed him to expand from one to nine stanzas. The four selected stanzas set in the nocturne focus on the pan-erotic elements of the moonlit starlit night. With the titles I have chosen I have stressed the mythic layer of the text the summer night not as a dream but as sensual reality. 'The two nocturnes are dedicated to Ivan Hansen on the occasion of his fiftieth birthday on 25th February 2003 out of gratitude for over a quarter of a century of inspiring collaboration'. Danish version available: KP01444
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David Bednall: Shall I Compare Thee to a Summer's Day?: Double Choir: Vocal
Choral SATB
SATB, Organ
Oxford University Press
David Bednall's Shall I Compare Thee To A Summer's Day? for SATB double choir un...
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David Bednall's Shall I Compare Thee To A Summer's Day? for SATB double choir unaccompanied.A setting of Shakespeare's much-loved Sonnet 18 Bednall's expressive work highlights this timeless text with sumptuous harmony including pleasing tonal shifts and topical false relations. Various choral textures are explored from the imitative lines of 'Sometime too hot' to the warm richness of the closing pages where the choir divides into eight parts. This work is part of the New Horizons series and a Piano reduction is included for rehearsal purposes.
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Sebastian Currier: Blake Fragments: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Boosey and Hawkes
Blake Fragments was written for performance in Frank Lloyd Wright's iconic Gugge...
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Blake Fragments was written for performance in Frank Lloyd Wright's iconic Guggenheim Museum in New York City and calls for the solo voices to be placed in various positions on the concentric rings that rise up from the central rotunda. In subsequent performances this configuration will generally be impossible but the soloist arrangement that was used is included should performers like to respond in some fashion to the original arrangement. The piece may be performed with the four soloists singing within the main chorus though some spacial separation on a single level or additionally using a balcony or backstage might better dupicate the original intentions. To allow fordifferent positions the four solo parts may be sung by more than four choral members (in the premiere there were two different sopranos covering the soprano part.)
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Giovanni Palestrina: Alma Redemptoris Mater: SATB: Vocal Work
Choral SATB
SATB
[Sheet music]
Chester
The short motet is scored for four Voices SSSA or SSST or TTTB unaccompanied a...
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The short motet is scored for four Voices SSSA or SSST or TTTB unaccompanied and displays Palestrina’s gift for transcendent solemnity.Palestrina is one of the towering figures of late Renaissance church music whose polyphoniccompositions remain actively performed in the Choral repertoire. He composed more than 250 motets. This one Alma Redemptor Mater for four Voices is not known to have been published during his lifetime but has been found inmanuscript form in the Collegio Romano in Rome. In 1545 the Council of Trent set out to reform various practices in the Roman Catholic Church in defense of the threats of the new Protestant movement. Clarity of scriptural wordswas one of the issues at stake especially as the polyphonic style of which Palestrina was a master overlaid many Vocal lines creating complex textures. It is possible that this motet was written following the new guidelinesof the Council.
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Tudor Anthems - Fifty Motets And Anthems: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Tudor and Stuart monarchs reigned during a period of political and ecclesiastica...
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Tudor and Stuart monarchs reigned during a period of political and ecclesiastical turmoil out of which occurred profound developments in musical style.Tudor Anthems (the term loosely applied to cover the years 1520 to 1640) anthologises some of the finest English musical works of that era. It includes sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Byrd Dering Gibbons Morley Mundy Parsons Philips Smith Taverner and Tomkins.A comprehensive collection and indispensable resource for any choir's library prepared in an easilyunderstood performing edition by Lionel Pike.'This is an excellent book. It offers variety the familiar and the less so all levels of difficulty and excellent value. Choirs who invest in a set could cover this aspect of their repertoire for years to come.'Andrew Gant (Choir & Organ - March/April 2011) 'A new Tudor anthem anthology will inevitably invite comparison with the popular Oxford Book of Tudor Anthems but Lionel Pike's collection largely avoids overlap with the OUP book and its contents certainly do not disappoint.' Matthew O'Donovan (Early Music Today - March/May 2011)'For many choirs and choral societies the Oxford Book of Tudor Anthems has been a standard source for this wonderful repertoire since it was first published in 1978. This new edition from Novello is now a serious competitor (why have we had to wait so long!). At almost the same price as the OUP volume and with 50 anthems (OUP had 34) this anthology is remarkable value for money. Before considering the contents it is worth mentioning its weight. My choir complains at holding the New Church Anthem Book and this is the same weight as the NCAB paperback (i.e. over a kilogram) and almost A4 in size. Lionel Pike
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Peter Lawson: Tunes From The Trenches: SATB: Vocal Score
Choral SATB
[Vocal Score]
Goodmusic Publishing
Peter Lawson's Tunes From The Trenches - Songs From World War One for Choir and ...
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Peter Lawson's Tunes From The Trenches - Songs From World War One for Choir and Orchestra or Concert Band or Choir and Piano.A non-stop medley of tunes from World War One from recruiting through to the Last Post. This arrangement can be performed by a Choir with either an Orchestra band or piano accompaniment. There are different choral versions available for Mixed Voice Choir - both SATB (GM131) and for those with a shortage of male voices SA Men (GM134) - for Upper Voice Choir (SSA - GM132) and for Male Voice Choir (TTBB - GM133). The orchestra score and parts (GMCP020) can be used either on its own or to accompany a choir.Therecruiting song 'Your King and Country Want You' starts us off followed by 'Goodbye Dolly Gray' as the soldiers leave for war. 'Belgium put the Kibosh on the Kaiser' is followed by some proper trench songs - various lyrics were improvised by the soldiers!! - 'Three German Officers crossed the Rhine' and 'They were only playing Leap-Frog'. 'The Bells of Hell go Ting-a-ling-a-ling' leads to strains of 'Stille Nacht' recalling the Christmas truce. 'When this Lousy War is Over' and 'There's no place like Home' are balanced by 'Land of Hope and Glory' before the Americans arrive with 'The Caissons go Rolling Along' and 'Over There'. 'It's a Long Way to Tipperary' brings us towards a rousing finish save for an optional 'Last Post-lude' to end reflectively.
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Herbert Howells: An English Mass: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Howells' 1955 Mass for Chorus Strings and Organ. Vocal score with keyboard redu...
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Howells' 1955 Mass for Chorus Strings and Organ. Vocal score with keyboard reduction. An English Mass is a concert setting of the ordinary of the Mass in the English translation. Although it concludes with the Gloria as in a Prayerbook Communion service it was designed for concert use and is dedicated to Harold Darke and the St Michael's Singers. The original scoring was for strings and organ but a later version with woodwind and timpani is used this evening of this rarely heard work. Those familiar with the sound of Howells' church music will find the same textures here - long strands of expressive melody supported by rich harmony in thick textures and climaxes oftremendous ecstasy. Like so much of the English choral repertory the work begins and ends quietly achieving maximum intensity at various points in between.
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Hebräisches Chorbuch - Band 2
Choral SATB
Breitkopf & Härtel
Weltliches Repertoire. Par . With his Hebrew Choral Songbook, Ohad Stolarz prese...
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Weltliches Repertoire. Par . With his Hebrew Choral Songbook, Ohad Stolarz presents a new collection of classics of the musical repertoire in Hebrew, arranged by him for mixed choir a cappella. Many of these pieces are published in Germany for the first time; almost all of them are first published as choral arrangements. The first volume contains ten sacred and paraliturgical songs that may be sung at various occasions. Among these are the feast of Passover, the ?Ten Days of Repentance? in the month of Tishré and the Sabbath. The second volume contains ten secular songs that have become widely known in Israel during the 20th century. These songs are part of Israel?s cultural history and belong to its core repertoire. All Hebrew lyrics appear in transliteration underneath the music, translations in German and English and comprehensive annotation texts are located in the appendix. This choral songbook therefore allows all interculturally interested choirs to take first steps into the world of Jewish and more generally Hebrew choral music. / Date parution : 2022-07-30/ Recueil / Choeur Mixte
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Hebräisches Chorbuch - Band 1
Choral SATB
Breitkopf & Härtel
Geistliches Repertoire. Par . With his Hebrew Choral Songbook, Ohad Stolarz pres...
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Geistliches Repertoire. Par . With his Hebrew Choral Songbook, Ohad Stolarz presents a new collection of classics of the musical repertoire in Hebrew, arranged by him for mixed choir a cappella. Many of these pieces are published in Germany for the first time; almost all of them are first published as choral arrangements. The first volume contains ten sacred and paraliturgical songs that may be sung at various occasions. Among these are the feast of Passover, the “Ten Days of Repentance” in the month of Tishré and the Sabbath. The second volume contains ten secular songs that have become widely known in Israel during the 20th century. These songs are part of Israel’s cultural history and belong to its core repertoire. All Hebrew lyrics appear in transliteration underneath the music, translations in German and English and comprehensive annotation texts are located in the appendix. This choral songbook therefore allows all interculturally interested choirs to take first steps into the world of Jewish and more generally Hebrew choral music. / Date parution : 2022-07-30/ Recueil / Choeur Mixte
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John Ireland: Choral Music Volume 3 - Five Part-Songs: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate
Thames Publishing
The Part-songs of John Ireland that lay scattered throughout and across various ...
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The Part-songs of John Ireland that lay scattered throughout and across various sources and publishers have been fondly and faithfully brought together into this superb edition. This volume features five settings of poems and classic English lyric verse in wonderful arrangements for SATB choir with a Piano accompaniment for practice purposes only.
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John Ireland: Choral Music Volume 2 - Five Part-Songs: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate
Thames Publishing
The Part-songs of John Ireland that lay scattered throughout and across various ...
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The Part-songs of John Ireland that lay scattered throughout and across various sources and publishers have been fondly and faithfully brought together into this superb edition. This volume features five settings of poems and classic English lyric verse including three works by William Blake in wonderful arrangements for SATB choir with a Piano accompaniment for practice purposes only.
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2 Motets
Choral SATB
SATB, Organ
Schott
Discover two motets by Carl Friedrich Zelter in the 'Schätze der Chormusik' [Tr...
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Discover two motets by Carl Friedrich Zelter in the 'Schätze der Chormusik' [Treasures of Choral Music] series: 'Dignare Domine' (a hymn of praise and supplication) can be sung on various occasions. 'Tenebrae factae sunt' is suitable for the Good Friday liturgy. / Choeur Mixte Et Orgue
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Schreker: Das Chorwerk (SCHREKER FRANZ)
Choral SATB
[Sheet music]
Carus Verlag
Par SCHREKER FRANZ. Franz Schreker had a long and close association with choral ...
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Par SCHREKER FRANZ. Franz Schreker had a long and close association with choral music. As founder and director of Vienna's Philharmonic Chorus he led world premieres and first performances of works by contemporary composers. It is surprising, therefore, that Schreker wrote relatively few independent choral works; only three of these works [with various scorings] were published in his lifetime. Now, for the first time this critical edition, prepared by Christopher Hailey, director of the Franz Schreker Foundation, makes available a body of works that sheds new light on Schreker’s musical evolution and, in its own right, constitutes a notable addition to twentieth-century choral literature. / Mottet / Répertoire / Choeur Mixte
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