SKU: HL.49012089
ISBN 9790001101271.
SKU: C4.9790902257077
ISBN 9790902257077. 8.27 x 11.7 inches.
Henschel's There were Shepherds is a gorgeously intimate setting of the well-known text of Luke 2: 8-14 and would equally be at home in a carol service or Christmas concert.
SKU: CF.CM9738
ISBN 9781491161180. UPC: 680160919765. Key: Eb major. English. Barter by Sara Teasdale.
Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children's faces looking up Holding wonder in a cup. Life has loveliness to sell, Music like a curve of gold, Scent of pine trees in the rain, Eyes that love you, arms that hold, And for your spirit's still delight, Holy thoughts that star the night. Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstacy Give all you have been, or could be. --Barter from Love Songs (1918) by Sara Teasdale Sara Teasdale (1884-1933) was an American poet whose short, personal lyrics are noted for their classical simplicity and quiet intensity. Teasdale was born in St. Louis, Missouri and traveled to Chicago as a young woman, where she grew acquainted with Harriet Monroe and the literary circle around Poetry. Teasdale wrote seven books of poetry in her lifetime and received public admiration for her well-crafted lyrical poetry which centered on a woman's changing perspectives of beauty, love, life, and death. Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. A native Kansan, Jacob is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble of musicians from across the Great Plains. Dr. Narverud is a frequent guest lecturer at universities and conferences as well as an active guest conductor/clinician for choral festivals and all-state choirs across the United States. Many of his compositions are publisher best sellers and are performed worldwide by choirs of all levels. Website: jnarverud.com YouTube & Spotify: jacobnarverud.Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children's faces looking up Holding wonder like a cup. Life has loveliness to sell, Music like a curve of gold, Scent of pine trees in the rain, Eyes that love you, arms that hold, And for your spirit's still delight, Holy thoughts that star the night. Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstacy Give all you have been, or could be. --Barter from Love Songs (1918) by Sara Teasdale Sara Teasdale (1884-1933) was an American poet whose short, personal lyrics are noted for their classical simplicity and quiet intensity. Teasdale was born in St. Louis, Missouri and traveled to Chicago as a young woman, where she grew acquainted with Harriet Monroe and the literary circle around Poetry. Teasdale wrote seven books of poetry in her lifetime and received public admiration for her well-crafted lyrical poetry which centered on a woman's changing perspectives of beauty, love, life, and death. Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. A native Kansan, Jacob is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble of musicians from across the Great Plains. Dr. Narverud is a frequent guest lecturer at universities and conferences as well as an active guest conductor/clinician for choral festivals and all-state choirs across the United States. Many of his compositions are publisher best sellers and are performed worldwide by choirs of all levels. Website: jnarverud.com YouTube & Spotify: jacobnarverud.Life has loveliness to sell,All beautiful and splendid things,Blue waves whitened on a cliff,Soaring fire that sways and sings,And children's faces looking upHolding wonder like a cup. Life has loveliness to sell,Music like a curve of gold,Scent of pine trees in the rain,Eyes that love you, arms that hold,And for your spirit's still delight,Holy thoughts that star the night. Spend all you have for loveliness,Buy it and never count the cost;For one white singing hour of peaceCount many a year of strife well lost,And for a breath of ecstacyGive all you have been, or could be.                  —“Barter†from Love Songs (1918) by Sara Teasdale Sara Teasdale (1884-1933) was an American poet whose short, personal lyrics are noted for their classical simplicity and quiet intensity. Teasdale was born in St. Louis, Missouri and traveled to Chicago as a young woman, where she grew acquainted with Harriet Monroe and the literary circle around Poetry. Teasdale wrote seven books of poetry in her lifetime and received public admiration for her well-crafted lyrical poetry which centered on a woman’s changing perspectives of beauty, love, life, and death.Jacob Narverud (b. 1986) is an American composer, arranger, and conductor. A native Kansan, Jacob is the Founder/Artistic Director of the Tallgrass Chamber Choir, a professional ensemble of musicians from across the Great Plains. Dr. Narverud is a frequent guest lecturer at universities and conferences as well as an active guest conductor/clinician for choral festivals and all-state choirs across the United States. Many of his compositions are publisher best sellers and are performed worldwide by choirs of all levels.Website: jnarverud.com        YouTube & Spotify: jacobnarverud.
SKU: HL.49045601
ISBN 9790001166256. UPC: 841886032682. 7.5x10.75x0.067 inches. Latin. Psalm 89.
About 40 compositions, including half for accompanying and unaccompanied choir, are currently in the catalog of young Polish composer Katarzyna Danel (born 1992). After several national composition competitions, she won the 13th International Composition Competition Musica Sacra Nova with her Misericordias Domini for eight-part mixed choir a cappella. The complex spiritual a cappella choir is based on the Gregorian chant of the same name (Psalm 89,2). Three principal structures are characteristic of this Latin-language choral piece: on the one hand, aleatoric sound clouds in major pentatonic scales, soundally supported by long-held organum-like notes taken from the Gregorian choral melody; As well as a renaissance-like polyphony, which is linked with modern harmony; And finally long static chords that blend into harmony and space. A wonderfully mystical-spherical composition, which also gives the individual performer the possibility of individual design through the ad libitum passages marked in the sheet music.
SKU: C4.9790902257183
ISBN 9790902257183. 8.27 x 11.7 inches.
Commissioned by Christopher and Nicola Lock for the St James's Church, King Street Organ Replacement & Restoration Appeal in November 2019, this is a beautifully radiant introit, with text taken from a liturgical book of processions, dating from about 1526.Shelly explains: The format for the plainchant is such that there is a response, a verse, and repetitions of the response. I haven't replicated the format in my work, instead setting it as one 'run-through' of the text in a full choral setting. I've also set it in a way that the ending doesn't sound final. This is deliberate because as an Introit, it is an introduction to the liturgy, and I want the piece to 'lead in' to the rest of the liturgy..
SKU: C4.9790902260411
ISBN 9790902260411. 8.27 x 11.7 inches.
Shelley's setting of the Matins Responsory for Lent 1 was written for a group of singer-friends. It is based on Pierre de Manchicourt’s setting of the same text, and though taking its stylistic lead from Manchicourt, Shelley very cleverly infuses her own harmonic and rhythmic language into a new and brilliant creation.
SKU: SU.80401360
SSAATTBB Chorus, a cappella Duration: 5' Composed: 2003 Published by: Paulus Publications (SP430) Commissioned by: AC Reynolds High School, Asheville, NC. Janis Bryant, conductor Dedication: AC Reynolds High School, Asheville, NC Premiered by: AC Reynolds High School, Asheville, NC. Janis Bryant, conductor.
SKU: C4.9790902260466
ISBN 9790902260466. 8.27 x 11.7 inches.
Australian poet James McAuley's visceral text is joined here in perfect marriage with Brooke Shelley's imaginative and shapely setting. The work was commissioned by St James’ Church, King Street, Sydney for the concert Gul Gul Dja Mardji: Long is the Journey, 9 December, 2017.
SKU: C4.9790-902250528
ISBN 9790902250528. 8.27 x 11.7 inches.
Commissioned by Christopher Watson and the Choir of Trinity College, University of Melbourne, Shelley has brilliantly set the first antiphon text for the Washing of the Feet on Maundy Thursday, with additional material provided by The Rev'd Dr Ivan Head.
SKU: SU.80400400
SSAATTBB Chorus & Piano (Parts for Oboe & Cello available on request)Duration: 6:10Commissioned by: The Asheville Symphony ChorusDedication: In Celebration of its fifteenth anniversary seasonPremiered by: The Asheville Symphony Chorus, DeWitt Tipton, conductor; November 5, 2005 Copyright 2005Text author: Traditional Published by: Paulus Publications (SP454-2) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: JK.01924
UPC: 093285019249. Isaiah 40:5; Isaiah 9:6; Job 19:25, 26; and 1 Corinthians 15:20-22.
This beautiful new arrangement by award-winning composer/arranger, Kurt Bestor (Prayer of the Children), accomplishes the almost impossible task of taking the essence of Handel's Messiah and distilling it into a five-minute presentation that is accessible to almost any choir. Bestor's masterful medley is sure to become a choral favorite amongst artists and audiences alike.For SSAATTBB and piano.Songs included in this medley: And the Glory of the Lord, I Know that My Redeemer Lives, and For Unto Us.As performed by The Gibbons Family.Composer: George Frideric Handel Arranger: Kurt Bestor Difficulty: hard/medium-hard Performance time: 5:30References: Isaiah 40:5; Isaiah 9:6; Job 19:25, 26; and 1 Corinthians 15:20-22.
SKU: SU.80400011
8 part Mixed Chorus, in the Key of F#, a cappellaDuration: 2:30Commissioned by: House of Hope Presbyterian Church Dedication: To Molly MacMillan Premiered by: House of Hope Presbyterian Church Copyright 1997Publisher: Paulus Publications (SP101.8pt) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: SU.80400343
SSAATTBB Chorus, Brass Sextet & OrganCommissioned by: The Bach Choir of Pittsburgh, Brady R. Allred Artistic Director and ConductorDedication: the Bach Choir of Pittsburgh, Brady R. Allred, Artistic Director and ConductorPremiered by: The Bach Choir of Pittsburgh, Pittsburgh Symphony Brass, Brady R. Allred, conductor, Dec. 16th, 2001Copyright 2001Published by: Paulus Publications Text author: Shakespeare, from Hamlet Published by: Paulus Publications (SP403-1) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: SU.80400490
SSAATTBB Chorus & Percussion Duration: 6:00Commissioned by: ConspirareDedication: Crossing the Divide: Exploring Influence and Finding Our Voice Premiered by: January 27, 2007, Conspirare, Craig Hella Johnson, conductor, St. Matthew's Episcopal Church, American Music Festival, Austin, TX Copyright 2006Text author: 16th century spanish, anonymousPublished by: Paulus Publications (SP487-4) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: C4.9790902260480
ISBN 9790902260480. 8.27 x 11.7 inches.
Heavenly Father was commissioned by Sydney Chamber Choir for a concert in 2022 which featured Heinrich Schütz’s Musikalische Exequien. Melodic lines from Schütz’s work are used throughout Heavenly Father: the first soprano melody in the opening chorus at ‘Herr Gott Vater in Himmel’ is featured at the beginning and repeated throughout, as are the melodies, for example, at ‘Also hat Gott die Welt geliebt’, and at ‘seinem verklärten Leibe’, among other places.In a conversation about what this commission would be, it was agreed that the sense of the work would be about the circle of life expressed in Musikalische Exequien rather than about death itself. It is because of this ‘sense’ that the end of Heavenly Father is reversed, illustrating a musical circle: the lower voices sing the ‘Herr Gott Vater in Himmel’ phrase backwards, and the upper voices sing the melodies backwards that were sung by the lower voices at the beginning.
SKU: C4.9790-902250566
ISBN 9790902250566. 8.27 x 11.7 inches.
This joyous anthem, setting Psalm 147: 1, 7 was commissioned by Associate Professor Michael Horsburgh AM, for the occasion of his 80th birthday.
SKU: C4.9790902261050
ISBN 9790902261050. 8.27 x 11.7 inches.
A mesmeric, macaronic setting of the Compline hymn Te lucis ante terminum, commissioned for the Choir of Trinity College, University of Melbourne.
SKU: C4.9790-900966278
ISBN 9790900966278.
SKU: C4.9790902257138
ISBN 9790902257138. 8.27 x 11.7 inches.
The theme from Elgar's Enigma Variations provided the inspiration for this birthday commission.
SKU: C4.9790902261142
ISBN 9790902261142. 8.27 x 11.7 inches.
This double choir Evensong setting was the result of a commission by by Prof. Doug Jones AO and Prof. Janet Walker for the Choir of St James', King Street, Sydney. The upper four voices and lower four voices are often treated as distinct choirs alternate with glorious polyphonic interplay between all eight parts, with the text sung in both Latin and English. The work was premiered on 27 June, 2021 by the Choir of St James' Church, King Street.
SKU: JK.01891
UPC: 093285018914. Matt. 5:1-12, D&C 76:114.
Standing on the Promises, as performed by The Tabernacle Choir and arranged by the talented Ryan Murphy for SSAATTBB and piano, is sure to be a powerful addition to any setting.This product includes access to rehearsal tracks in the Jackman Music app. Click here to see how it works.Click here if you have copies of this piece purchased previous to the release of the Jackman Music Rehearsal Tracks. You can upgrade your sheet music.Piano accompaniment part available: #01891ap (the accompaniment part does not include access to rehearsal tracks).Orchestration Parts available: #01892Words and Music: Russell K. Carter Arranger: Ryan Murphy Difficulty: Medium Performance Time: 3:30References: Matt. 5:1-12, D&C 76:114
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