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Concert Band/Harmonie
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Piano solo (20715)
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Soli, Mixted choir and accompa… (5064)
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Guitar notes and tablatures (4725)
String Quartet: 2 violins, vio… (4338)
Musical course - Solfege (3900)
Wind ensemble (3283)
Organ (3222)
Flute and Piano (3211)
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Violin (2566)
String Orchestra (2545)
Marching band (2241)
Conducteur (2178)
Partie Séparée (1945)
Flute (1940)
Exemplaire Complet (1862)
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Choral (1539)
Clarinet (1528)
Parties Orchestrales (1505)
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Trumpet (1339)
Voice solo (1323)
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Cello (1172)
Drums (1061)
Cello, Piano (1043)
Alto Saxophone (967)
Bass guitar (964)
Brass Quintet: 2 trumpets, hor… (960)
Accordion (954)
Guitare (952)
Easy Piano (945)
Saxophone (933)
Trumpet, Piano (903)
Lyrics and Chords (838)
Keyboard (834)
Choral 3-part (780)
Cello, Orchestra (733)
Music Theory (725)
Piano Trio: piano, violin, cel… (716)
Jazz Ensemble (686)
All Instruments (683)
Ukulele (677)
Trombone (642)
Viola (637)
Ensemble A Vent (607)
Recorder (579)
Chant (577)
Alto Saxophone and Piano (558)
Harp (538)
2 Pianos, 4 hands (524)
Viola, Piano (509)
French horn (505)
Melody line, (Lyrics) and Chor… (504)
Choral TTBB (463)
Flute, Orchestra (462)
High voice, Piano (440)
Oboe, Piano (duet) (430)
School Ensemble (420)
Flute and Guitar (407)
Soprano voice, Orchestra (391)
French Horn and Piano (388)
Tenor Saxophone (382)
Accordion ensemble (368)
Medium voice, Piano (368)
Biography (362)
Trombone and Piano (360)
Soprano voice, Piano (354)
Matériel D'Orchestre (351)
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Oboe (349)
2 Guitars (duet) (348)
Horn and Orchestra (344)
Double Bass (334)
C Instruments (333)
Choral SSATB (305)
Low voice, Piano (302)
2 Flutes (duet) (287)
String Trio: violin, viola, ce… (286)
2 Violins (duet) (285)
Saxophone and Piano (284)
Opera (278)
Harmonica (275)
Musical Awakening (271)
Banjo (266)
Woodwind Quintet: flute, oboe,… (265)
CD (265)
Ensemble Instrumental et Petit… (265)
Voice, Guitar (264)
Concert band, Choral (260)
Mandolin (260)
Baritone voice, Piano (249)
Choral 2-part (246)
B Flat, E Flat, C and Bass cle… (245)
Percussion (244)
Tuba (240)
Tuba and Piano (240)
Piano, Voice, Guitar tablature… (237)
Bassoon, Piano (duet) (237)
Clarinet, Orchestra (233)
Clarinet Quartet: 4 clarinets (217)
Descant (Soprano) Recorder (216)
Orgue et Orchestre (215)
Travaux Pour Choeurs (208)
Bassoon (203)
Accessoire (202)
Bb Instruments (201)
Piano Quartet: piano, violin, … (201)
Guitar Ensemble (200)
Voix et Orchestre (195)
Partition de Poche (194)
Brass Quartet (191)
Oboe and Orchestra (190)
Harpsichord (188)
Children choir (187)
2 Clarinets (duet) (186)
Pocket, Study conductor (183)
Musical dictation (175)
Tenor voice, Piano (175)
Double bass, Piano (duet) (169)
2 Cellos (duet) (167)
Mezzo-Soprano voice, Piano (161)
Trumpet, Orchestra (158)
Recorder Quartet (155)
Treble (Alto) Recorder (151)
4 Guitars (Quartet) (148)
Tuba or Euphonium or Saxhorn (148)
2 Saxophones (duet) (148)
Piano Quintet: piano, 2 violin… (146)
Trio (145)
Oboe, Clarinet, Bassoon (trio)… (145)
Guitar, Orchestra (145)
Partition D'Orchestre In 16 Po… (144)
Conducteur et Poche (144)
Guitare et Musique de Chambre (143)
Euphonium or Saxhorn and Piano… (140)
Violin, Cello (duet) (139)
Eb Instruments (131)
Nursery rhyme (131)
Ensemble (130)
Harp, Flute (duet) (126)
Brass Quartet: 4 trombones (125)
2 Recorders (duet) (125)
Partition D'Orchestre (125)
Viola and orchestra (125)
Choral SSAATTBB (125)
Musique originale (124)
Trio à Cordes (121)
Choeur Mixte, Soprano et Orche… (118)
Concert Band/Harmonie (117)
Bassoon, Orchestra (116)
Quintette à vent (115)
Flute ensemble (115)
Stationery (115)
Choral SSAA (115)
Band Scores (113)
Percussion Ensemble (112)
Flute Quartet: 4 flutes (111)
Carte Postale (110)
Symphonic Band (110)
Clarinette et Orchestre (106)
Soli (SATB), Choeur Mixte (SAT… (105)
Trombone and Orchestra (105)
Livret (102)
DVD concert (101)
Percussion, Piano (duet) (100)
2 Flutes, Piano (99)
Quintette (99)
Plectrum Orchestra (99)
Big band (99)
Trio avec Piano (98)
Piano Accompaniment (98)
B Flat, E Flat and C Instrumen… (98)
Choeur Mixte et Orchestre (98)
Educatif (95)
Clavecin (93)
Tenor Saxophone and Piano (92)
Violin, Viola (duet) (90)
Violin, Guitar (duet) (89)
Descent (Soprano) Recorder, Pi… (88)
4 Euphoniums (87)
Organ, Trumpet (duet) (87)
Clarinet Ensemble (86)
Flûte à Bec Alto ou Flûte T… (84)
Euphonium, Piano (duet) (84)
Children choir, Piano (84)
3 Guitars (trio) (84)
Dulcimer (82)
2 Violons, Alto et Basse (82)
Quintette à Cordes (81)
Flute Trio: 3 flutes (81)
Voix et Instruments Divers (80)
Piano, Guitar (duet) (80)
Alto et Orchestre (80)
Flexible Instrumentation (80)
Choeur de Femmes (78)
Double bass, Orchestra (76)
Trompette Et Orchestre (76)
4 Parties Mixtes (76)
Percussions (75)
Choral Unison (75)
Snare drums (74)
Accordéon Et Orchestre (73)
Orchestre De Chambre (73)
Flute, Basso continuo (73)
Orchestre (72)
Clavecin ou Harpe), 2 Violons … (72)
Violon 1 (6 parts) Violon 2 (6… (72)
Soli and Orchestra (72)
Solistes SATB, Choeur SATB, Fl… (71)
Solistes SATB, Choeur SATB, 2 … (71)
Piccolo, Piano (70)
3 Recorders (trio) (69)
Défilé et parade (68)
Chant et Guitare (67)
Soprano (66)
Voice and Orchestra (66)
Orchestres à Vent (65)
2 Trumpets (duet) (65)
String Trio: 2 violins, cello (64)
Scores (64)
A Cappella (64)
Cornet and Orchestra (63)
String Quintet: 2 violins, 2 v… (63)
Petit Ensemble Contemporain (63)
Recorder Ensemble (63)
Recorder, Piano (63)
Guitare Electrique (63)
Clarinet Quintet: Clarinet, St… (62)
Musique de film et télévisio… (62)
Marimba (62)
Clarinet, Cello, Piano (trio) (61)
Mandoline, Cordes et Basse Con… (60)
Quatuor à Cordes ou Orchestre… (60)
Ensemble à Cordes (60)
5 Part Ensemble (60)
Fanfare Band (60)
Ensemble Mixte (60)
Saxophone Ténor et Piano (60)
Solistes SATB, Choeur SATB, 2 … (59)
Treble (Alto) Recorder, Basso … (59)
String Trio: 3 violins (59)
Choeur SAM (58)
Saxophone en Mib et Piano (58)
Accordion and Orchestra (57)
Woodwind Quintet (57)
3 Clarinets (trio) (57)
Flute, Oboe, Clarinet, Bassoon… (56)
Treble (Alto) Recorder, Piano (56)
Pennywhistle (56)
Saxhorn and Piano (55)
Flute, Cello, Piano (trio) (55)
Baryton et Orchestre (55)
Solistes (SATB), Choeur Mixte … (54)
Violin, Basso continuo (54)
Soprano voice (54)
2 Trumpets, Keyboard (piano or… (54)
Choeur SATB, (4 Instruments, C… (54)
2 Violons, Alto, Violoncelle e… (54)
Choeur d'Enfants, Solistes, In… (53)
Hautbois, Clarinette et Basson… (53)
Voix Mixtes (53)
Violon Principal, 2 Violons, 2… (52)
Flûte Traversière, Clarinett… (52)
Solistes SAT, Choeur SATB, 2 F… (52)
2 Violas (duet) (52)
Harp, Orchestra (52)
Mezzo-Soprano voice (52)
Choeurs (52)
2 Euphoniums et Piano ou Orgue… (51)
Orchestre Scolaire (51)
Voix et Orchestre à vent (51)
Clarinette et Orchestre à Ven… (51)
Diverses Formations (51)
Batterie et Percussions (51)
Choeur SATB, 2 Flûtes Travers… (50)
Flute, Clarinet (duet) (49)
2 Trombones (duet) (49)
Variétés françaises (48)
Bass Clef Instruments (48)
2 Hautbois, 3 Trompettes, Timb… (48)
Quintette de Cuivres (47)
Solistes STBB, Choeur SATTBB, … (47)
Drums-Marching band (47)
Quatuor (46)
4 Voix Mixtes (46)
Choeur et Orchestre (46)
2 Cornets, Cor en Mib et Tuba (46)
2 Violons et Orchestre (45)
Saxophone ensemble (45)
Bass Clarinet (45)
2 Violins, Piano (45)
Bass Trombone and Piano (45)
Euphonium (45)
Orchestre de Chambre (Flûte … (44)
Marches militaires (44)
Cornet and Piano (44)
Trompette ou Cornet, Euphonium… (44)
Chorale (44)
4 Parties Solo Et Orchestre (43)
Vocal duet, Piano (43)
Solistes SATB, Choeur SATB, 4 … (43)
Solistes SATB, Choeur SATB, 2 … (43)
Piano, Guitar (Chords) (43)
Solistes SATB, Choeur SATB, 2 … (43)
Oboe, Violin, Viola and Violon… (42)
2 Clarinets, Piano (42)
Violon, Cordes et Basse Contin… (42)
2 Euphoniums et Piano (42)
Livres (42)
Lute (42)
Guitar, String Quartet (41)
Violon, Violoncelle Et Orchest… (41)
Baritone voice (41)
Vibraphone (41)
Piano Quintet: piano, violin, … (41)
4 Instruments à Cordes (4 Boi… (40)
Solistes SBar, Choeur SATB, 2 … (40)
Trompette ou Cornet, Cor en Mi… (40)
Quintette avec Piano (40)
Trompette ou Cornet, Trombone … (40)
1 Piano, 6 hands (40)
Saxophone Quintet: 5 Saxophone… (39)
2 Bassoons (duet) (39)
Solistes SATB, Choeur SATB, Fl… (38)
Low voice (37)
Solistes SATB, Choeur SATB, 2 … (37)
Orchestre à Cordes et Basse C… (37)
Musique de chambre (37)
Harp, Violin, Violoncello (37)
Tenor voice (37)
Trompette et Orchestre à Vent… (37)
Ensemble Instrumental (37)
Choeur d'Enfants (37)
Petit Orchestre (37)
Violin, Organ (37)
Ensemble A 4 Parties (37)
Violon Solo, Violoncelle Solo,… (36)
Violon Principal, 2 Violons, A… (36)
Clarinet Quartet: Clarinet, Vi… (36)
Trombone or Euphonium (36)
High voice (36)
Ensembles de Cordes et Piano (36)
Big Note Piano (36)
2 Trombones, Piano (36)
Quatuor A Cordes Et Orchestre … (35)
Soprano, Choeur Mixte (SATB), … (35)
4 Cellos (35)
3 Saxophones (trio) (35)
Orchestre D'Instruments A Plec… (34)
Horn Ensemble (34)
Brass Quartet: 4 trumpets (34)
Violin, Clarinet, Piano (trio)… (33)
8 Voix (SATB Et SATB) Et Basse… (33)
5 Voix (SSATB) et Basse Contin… (33)
Brass Quartet: 2 trumpets, hor… (33)
Piano et Orchestre (33)
Solistes SATB, Choeur SATB, 2 … (33)
Clavier ou Orgue Electronique (33)
Choral, Orchestra (33)
Choral SSATTB (33)
Solistes SATB, Choeur SATB, Ha… (33)
Timpani (33)
Viola da Gamba (33)
Viola, Cello (duet) (32)
Soliste, Double Choeur Mixte E… (32)
Choeur SSATB, 2 Flûtes Traver… (32)
2 Violons, Violoncelle Et Orch… (32)
Choeur en 8 Parties (SATB-SATB… (32)
Solo S, Choeur SATB, 2 Flûtes… (32)
Concert Band ou Harmonie et Ba… (32)
Flûte Traversière et Cordes (32)
Trombone et Orchestre à Vent (32)
Orchestre D'Harmonie avec Soli… (32)
Pop music (32)
Balalaika (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Cello Ensemble (32)
Chanson (32)
4 Voix Mixtes a Cappella (32)
String quintet (31)
Choeur SSATTB, (6 Instruments,… (31)
Piano, Bass, Drums (trio) (31)
Voice, Organ (31)
Ensemble Divers (31)
Batterie-Fanfare (30)
Flûte Traversière ou Flûte … (30)
Violoncelle et Orchestre de Ch… (30)
4 Tubas (2 Euphoniums et 2 Tub… (30)
Euphonium and Orchestra (30)
Cello, Guitar (duet) (30)
Solistes SST, Choeur SSAATB, 2… (29)
Choeur de Femmes (SMezA) (29)
Trombone Et Orchestre (29)
Guitare (Fingerpick) (29)
Piccolo (29)
Harpe, Violon et Violoncelle A… (28)
Flûte Traversièreou Piccolo,… (28)
Flûte Traversière Violon et … (28)
Violon, Alto, Guitare et Violo… (28)
2 Violons, Violoncelle Et Orch… (28)
String Quintet: 2 violins, vio… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Cor, Euphonium et Piano ou Org… (28)
Flûte à Bec, Guitare et Musi… (28)
Flûte Traversière Alto et Gu… (28)
Flûte Traversière, Hautbois,… (28)
Solistes STTBB, Choeur SATB, 2… (27)
String Quintet: 2 violins, vio… (27)
Choeur SATB, 2 Trompettes, 2 T… (27)
Medium Voice (27)
Solistes SATB, Choeur SATB, 2 … (27)
Guitare Tablatures Flatpick et… (27)
2 Saxophones, Piano (27)
Voix et Orff-Instruments (27)
2 French horns, Piano (27)
Clarinette, Alto et Piano (27)
Guitare Flatpick et Plectre (27)
Saxhorn or Euphonium (27)
Solistes SATB, Choeur SATB, 2 … (27)
Musique Légère (27)
Concert Band ou Harmonie et Cl… (26)
Tuba and Orchestra (26)
Solistes SST, Choeur SATB, 2 F… (26)
Petit Choeur SATB, Contrebasse… (26)
Opéra (26)
Saxophone Baryton (26)
Livre Musical (26)
Accordion - Piano, Voice, Guit… (26)
Solistes SATB, Choeur SATB, Tr… (26)
2 Violons, Violoncelle et Bass… (26)
Solistes STBar, Choeur SATB, 2… (26)
SATB, (4 InstrumentS Basse et … (26)
Cello, String Bass (duet) (26)
Choeur Mixte a Cappella (26)
Brass Trio (26)
Saxophone Alto et Orchestre à… (26)
Trio (2 Soli Avec Réduction D… (26)
Solistes SBar, Choeur SSATB, 2… (25)
Solistes SATB, Choeur SATB/SAT… (25)
2 Hautbois Et Orchestre (25)
Book (25)
Choeur SATB/SATB, (8 Instrumen… (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Lap Steel Guitar (25)
3 Trombones (trio) (25)
Soli (STB), Choeur Mixte (SATB… (25)
Xylophone or Marimba or Vibrap… (25)
CD only (25)
Cello, Organ (25)
Chorale d'Enfants et Piano (25)
3 Trumpets (trio) (25)
Choeur Mixte (SSATBB) (25)
2 Clarinettes, 2 Violons, Orgu… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Flûte Traversière Et Orchest… (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
Clarinette et Quatuor à Corde… (24)
Quartette Pour Flûtes à Bec … (24)
Hautbois (Flûte), Violon, Alt… (24)
Quatuor à Cordes et Guitare (24)
Brass Quartet: 2 trumpets, 2 t… (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Voice, String Quartet (24)
Basson, 2 Violons, 2 Altos et … (24)
Solistes SATB, Choeur SATB, 2 … (24)
Quatuor à Cordes et Basse Con… (24)
Hautbois, Basson et Piano ou O… (24)
Harpsichord and Strings (24)
Flûte Traversière Violoncell… (24)
Flûte Traversière, Clarinett… (24)
Solistes SATTB, Choeur SSATTBB… (24)
2 Trompettes (duo) (24)
Marches de concert (24)
Solistes ATB, Choeur SATB, Fl… (24)
Instruments à Vent (24)
Percussions Diverses (24)
Orchestre Juniors (23)
Solistes SST, Choeur SATB/SATB… (23)
2 Violons, Basse et Basse Cont… (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Solistes SSATTB, Choeur SATB, … (23)
Choeur SATB/SATB, (8 Instrumen… (23)
2 Trompettes ou Cornets et Tub… (23)
Ochestre à Cordes (23)
4 Voix Mixtes Sans Accompagnem… (23)
Recorder, Guitar (duet) (23)
Dobro (23)
Cajon (23)
Trio de Pianos, Salon Ensemble… (23)
Trumpet, Trombone, Piano (23)
Choeur SATB et Orchestre (23)
Cor en Fa (23)
Trio A Cordes (23)
Solistes SAB, Choeur SATB, 3 F… (23)
Bass Clarinet, Piano (23)
Orgue et Orchestre à Vent (23)
Cornet (23)
5 Solistes, Choeur(s) Et Orche… (23)
Soprano Saxophone and Piano (23)
Orchestre: Choeur TTBB, 2 Flû… (22)
Orchestre: Solistes SATB, Choe… (22)
Violoncello, Basso continuo (22)
2 Pianos et Orchestre (22)
Clarinette, Cor Et Piano (22)
Trompette, Cordes Et Basse Con… (22)
Affiche (22)
Grand Ensemble Contemporain et… (22)
Instruments A Vent (22)
Flûte Traversière, Hautbois,… (21)
Clarinette et Orchestre à Cor… (21)
Soli (ATB), Choeur Mixte (SATB… (21)
Solo B, Choeur SATB, 2 Flûtes… (21)
Violon, Ensembles de Cordes et… (21)
Clavier Electronique et Ligne … (21)
5 Recorders (21)
Choral SATTB (21)
Double Choeur Mixte, Soprano e… (21)
2 Cornets, Cor En Eb Et Tuba (21)
Solistes SS et Basse Continue (21)
Guitare ou Luth (21)
Djembe (21)
Parties (21)
Flûte à Bec F1 (Hautbois), 1… (20)
2 Hautbois, 2 Clarinettes, 2 C… (20)
Flûte Traversière ou Violon)… (20)
Flute, Clarinet, Piano (trio) (20)
Solistes STB (SB/TB/SATB), Cho… (20)
Choeur d'Enfants à 1 à 3 Par… (20)
String Quartet : 4 violas (20)
2 Violons, Alto et Basse Conti… (20)
2 Trompettes Sib, 1 Cor, 1 Tro… (20)
Mandoline et Orchestre à Cord… (20)
Harpe, 2 Violons, Alto et Viol… (20)
Flûte Traversière, 2 Violons… (20)
Flûte Traversière Alto et Ha… (20)
Cor Des Alpes Et Orchestre A v… (20)
Flûte à Bec Alto et Basse Co… (20)
Marching Band et Orchestre à … (20)
Conga (20)
Piano et Quatuor à Cordes (20)
2 Clarinettes Et Orchestre (20)
Choeur d'Enfants SSA, Récitan… (20)
Flûte Traversière Violon et … (20)
Choeur Mixte Et Instruments Di… (20)
Choeur SATTB (20)
Flûte Traversière et Trio à… (20)
Concert Band ou Harmonie et Tr… (20)
Electric bass, Drums (20)
Choeur SATB, 2 Violons et Bass… (20)
Piano Trio: piano, violon, vio… (20)
Flûte Traversière, Clarinett… (20)
2 Violons, Alto, Violoncelle E… (20)
Flûte Traversière et Orchest… (20)
Partition D'Orchestre In 8 (20)
Choeur (SATB) et Brass Band (20)
Fac-similé (20)
Trumpet, Trombone (duet) (20)
Choeur SATB/SATB, (Basse Conti… (20)
4 Tubas (20)
Double Choeur Mixte et Orchest… (20)
Piano Trio: Violin, Viola, Pia… (19)
Petit Choeur SATB, 2 Violons, … (19)
Clarinette, Violon Et Piano (19)
Tenor, Choeur Mixte Et Orchest… (19)
2 Flûtes Traversières, Corde… (19)
8 Voix (SATB et SATB) (19)
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Finale from The New World Symphony
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par DVORAK ANTONIN. This arrangement was written for Norwegian School Band Madla...
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Par DVORAK ANTONIN. This arrangement was written for Norwegian School Band Madlamark Skolekorps to their participation at the Norwegian Championships 2023. The arrangement will work excellent also for a wind ensemble (one player to each part), but the clarinet parts should always be doubled. Euphonium II is optional, but it’s recommended to use also this when there are two players or more on this instrument. Concerning percussion, timpani is the most important part, but it’s recommended to also cover cymbals and mallet percussion. The articulation and dynamics are kept as close as possible to the original version by Dvorak. However, some changes has been made to make it more suitable for a wind instrumentation. The timpani part is identical to the original version except for some places when the trumpet signals are doubled in the timpani part. Staccato notation should not be played short here, but rather separated. At faster passages, the music should be played endurant or legato if possible. This arrangement is a good opportunity to perform music of highest quality where musicality, phrasing, balance and intonation are very important, and, where each musician and part are deeply involved in the music making. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Bleak Forest
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and of...
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Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales… don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck’s interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Schola Vitae
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Musi...
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Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Music School in Luxembourg, Paul Scholer, describes in an 8-minute piece that learning and playing music is a school for life. Starting with popular scales that ascend and descend through various keys, an essential tool familiar to every musician appears: the metronome. It sets the tempo, and musicians practice their themes together or against each other, register by register. In music, however, it's not just about technique and precision, but also about emotions. Music connects people, fosters friendships, and accompanies them through the highs and lows of life. The sense of togetherness in music becomes increasingly audible. Everyone works together and pulls in the same direction to ultimately achieve something great. Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Pütz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Hedwig's Theme
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
From 'Harry Potter and the Philisopher's Stoine'. Par WILLIAMS JOHN / ROGERS SCO...
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From 'Harry Potter and the Philisopher's Stoine'. Par WILLIAMS JOHN / ROGERS SCOTT (Arr.). Hedwig's Theme is the easily recognizable melody that musically binds together all of the Harry Potter films. Composer John Williams has used the tune as a leitmotif, setting it in different moods according to the situations in the movie, yet always reminding the listener of it’s connection to the main characters of the film. The melody is intervalic, with many interesting dissonances. Normally, this would make the tune difficult for young players, but their familiarity with this particular melody gives them easier access to these dissonances and unusual intervals. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score and Parts]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Cantina Band
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was...
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Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called «jizz», Williams’ take on the more well-known genre «jazz». Williams was tasked by Star Wars-creator George Lucas to make music that sounded like «several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it» and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing. The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name 'jizz-wailers', and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well. The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine. In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Lift Me Up (from Black Panther: Wakanda Forever)
Concert Band/Harmonie
[Score]
Hal Leonard
Par RIHANNA / VINSON JOHNNIE (Arr.). From the blockbuster movie Black Panther: W...
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Par RIHANNA / VINSON JOHNNIE (Arr.). From the blockbuster movie Black Panther: Wakanda Forever, here is the moving hit song Lift Me Up recorded by Rihanna. Arranged for young players, this arrangement accurately captures the emotion and style of the original. / Date parution : 2023-10-31/ Répertoire / Concert Band/Harmonie
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Ballade fra Fantasistykker for Piano op
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Ballad from Fantasy Pieces for Piano Op. 36. Par BACKER-GRONDAHL AGATHE. Agathe ...
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Ballad from Fantasy Pieces for Piano Op. 36. Par BACKER-GRONDAHL AGATHE. Agathe Backer Grøndahl’s ‘Ballade’ can best be described as a Romantic character piece. Such one-movement piano pieces with titles that loosely indicate a mood/idea made out a central genre in the 19th century. In Backer Grøndahl’s production, several of these are grouped under the term ‘fantasy pieces’. There are six collections with a total of 48 fantasy pieces on her opus list and ‘Ballade’ is from the first of these (Op. 36), published in 1895. ‘Ballade’ is a broader work than the other fantasy pieces. It is built around a dramatic theme that keeps returning after episodes with strongly contrasting thematic material. The arrangement is close to Backer Grøndahl’s original composition. It is transposed a semitone down: from E flat minor to D minor. The arrangement contains some challenging passages and is well-suited for amateur bands of a certain level. The instrumentation makes no special demands beyond normal concert band instrumentation and will sound just as good in small as in large bands. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Notes from the Road
Concert Band/Harmonie
[Score]
Edition Franco Cesarini
(An Overture), Op. 60. Par CESARINI FRANCO. «Que votre chemin soit sinueux, ven...
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(An Overture), Op. 60. Par CESARINI FRANCO. «Que votre chemin soit sinueux, venteux, solitaire, dangereux et vous emmène vers la vue la plus spectaculaire. Que vos montagnes s'élèvent jusqu'aux nuages ??et les surmontent. » – Edward Abbey Notes from the Road a été composé pour donner suite à une commande de la fédération musicale du Canton de Thurgovie (Suisse), en tant que pièce imposée de la deuxième catégorie du Festival Cantonal 2023. La pièce est écrite sous la forme typique d'une ouverture à l'italienne, avec la succession des tempos veloce-lento-veloce. Les réflexions sur la vie et la rue comme sa métaphore ont été les éléments moteurs de la composition de cette pièce. Le symbole du parcours se caractérise par différentes cultures, au point que le verbe 'marcher' ou le mot 'route' désignent une manière d'être dans la vie et de s'accomplir. « Faire son chemin » signifie s'affirmer ; « Avoir un chemin » indique une approche propre et personnelle. La route est la plus belle métaphore de la vie : il y a un départ, une destination et au milieu un chemin parfois tortueux, des défis à surmonter et des directions à prendre. Une pièce introspective, une invitation pour chacun de nous à réfléchir sur son propre 'chemin'. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Notes from the Road
Concert Band/Harmonie
Edition Franco Cesarini
(An Overture), Op. 60. Par CESARINI FRANCO. «Que votre chemin soit sinueux, ven...
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(An Overture), Op. 60. Par CESARINI FRANCO. «Que votre chemin soit sinueux, venteux, solitaire, dangereux et vous emmène vers la vue la plus spectaculaire. Que vos montagnes s'élèvent jusqu'aux nuages ??et les surmontent. » – Edward Abbey Notes from the Road a été composé pour donner suite à une commande de la fédération musicale du Canton de Thurgovie (Suisse), en tant que pièce imposée de la deuxième catégorie du Festival Cantonal 2023. La pièce est écrite sous la forme typique d'une ouverture à l'italienne, avec la succession des tempos veloce-lento-veloce. Les réflexions sur la vie et la rue comme sa métaphore ont été les éléments moteurs de la composition de cette pièce. Le symbole du parcours se caractérise par différentes cultures, au point que le verbe 'marcher' ou le mot 'route' désignent une manière d'être dans la vie et de s'accomplir. « Faire son chemin » signifie s'affirmer ; « Avoir un chemin » indique une approche propre et personnelle. La route est la plus belle métaphore de la vie : il y a un départ, une destination et au milieu un chemin parfois tortueux, des défis à surmonter et des directions à prendre. Une pièce introspective, une invitation pour chacun de nous à réfléchir sur son propre 'chemin'. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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General Sherman
Concert Band/Harmonie
[Score]
Mitropa Music
Par JEANBOURQUIN MARC. Le General Sherman est un séquoia géant situé dans le ...
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Par JEANBOURQUIN MARC. Le General Sherman est un séquoia géant situé dans le parc national de Sequoia, en Californie. Le naturaliste James Wolverton le baptisa en l’honneur du fameux général américain William Tecumseh Sherman. Le caractère imposant de ce séquoia a inspiré le compositeur, mais l’introduction pourrait aussi faire penser au Général Sherman qui arrive au loin. Marc Jeanbourquin a imaginé ce que pouvait être cet arbre dans toute sa grandeur, cherchant à grimper dans les feuillages pour trouver la lumière au sommet. Mais des passages énergiques indiquent que la présence du général n’est jamais loin. L’œuvre s’achève avec une réminiscence du thème initial, pleine de mystère. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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General Sherman
Concert Band/Harmonie
Mitropa Music
Par JEANBOURQUIN MARC. Le General Sherman est un séquoia géant situé dans le ...
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Par JEANBOURQUIN MARC. Le General Sherman est un séquoia géant situé dans le parc national de Sequoia, en Californie. Le naturaliste James Wolverton le baptisa en l’honneur du fameux général américain William Tecumseh Sherman. Le caractère imposant de ce séquoia a inspiré le compositeur, mais l’introduction pourrait aussi faire penser au Général Sherman qui arrive au loin. Marc Jeanbourquin a imaginé ce que pouvait être cet arbre dans toute sa grandeur, cherchant à grimper dans les feuillages pour trouver la lumière au sommet. Mais des passages énergiques indiquent que la présence du général n’est jamais loin. L’œuvre s’achève avec une réminiscence du thème initial, pleine de mystère. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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Norsk Festouverture
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Norwegian Festival Overture. Par HALVORSEN JOHAN. The Norwegian Festival Overtur...
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Norwegian Festival Overture. Par HALVORSEN JOHAN. The Norwegian Festival Overture was written for the grand opening of the National Theatre on September 1st, 1899. In the opening bars, one can virtually imagine the stage curtain being drawn aside, and the stage is revealed to the audience. The trumpets openly quote Peer Gynts return from Grieg's music to the play Peer Gynt. The main part of the overture consists of a theme in Norwegian folk music style, which Halvorsen brilliantly develops thematically and contrapuntally. The work can probably be seen as pompous and at times seems somewhat overwrought, but then Halvorsen himself, ever so slightly self-deprecating, has written Pomposo over the grand conclusion of the work. The arrangement of the overture was written to The Royal Norwegian Navy Band for a concert in Halvorsen’s native town of Drammen in 2016. The arranger has tried to preserve as much as possible of Halvorsen's brilliant orchestration. There are a lot of cue notes which make it possible to perform also with a reduced instrumentation. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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At the Zoo
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Suite in Five Movements. Par HOYVIK DAHL HILDE. “At the Zoo” is a light and ...
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Suite in Five Movements. Par HOYVIK DAHL HILDE. “At the Zoo” is a light and playful piece for the beginning musicians. Different animals and their characteristics are the theme of each movement, and the melody alternates between the different sections of the band to emphasize this. Trombones play glissandos and the percussionists are featured on percussion instruments, making the piece a fun to perform at any concert! / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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In the Air
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par OSWALD GERALD. La composition est enjouée, dynamique, les notes dansent. El...
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Par OSWALD GERALD. La composition est enjouée, dynamique, les notes dansent. Elle ne cherche pas à raconter une histoire, mais à représenter un état, un état de gaieté et de légèreté.?Avec ses motifs malicieux et ludiques, In the Air exprime quelque chose de joyeux, d'insouciant et de positif. La pièce donne l'impression d'une brise, d'un vent léger. Gerald Oswald est né en 1968 à Groß-St. Florian. Il a suivi sa formation de trompettiste au Johann-Joseph-Fux Konservatorium et à la Hochschule für Musik und darstellende Kunst de Graz. Il a ensuite poursuivi des études de direction d'orchestre et de composition au Johann-Joseph-Fux Konservatorium de Graz (avec Franz Cibulka), à la Musik und Kunst Privatuniversität de la ville de Vienne (avec Thomas Doss), à l'école de musique de Leonding ainsi qu'au conservatoire C. Monteverdi de Bolzano. Ses œuvres pour orchestre à vent sont jouées avec succès dans le monde entier.à vent sont jouées avec succès dans le monde entier. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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