Mozart's Horn Concertos are host to some of his most celebrated and playful melodies and are presented here in an authoritative yet affordable edition. Edited by Barry Tuckwell the most prominent French Horn player of hisgeneration parts have been included here for both the French Horn and the Natural Horn with a Piano reduction providing a full performance accompaniment.Horn Concerto No.1 is available - catalogue number HL50485603 HornConcerto No.3 is available - catalogue number HL50485605. Horn Concerto No.4 is available - catalogue number HL50485606

Urtext. Par SCHUMANN CLARA. Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional 'outbursts” up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art. Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. / Date parution : 2019-08-22/ Répertoire / Cor et Piano

This exciting edition includes irreverent arrangements of Charpentiers' Prelude to Te Deum the 2nd movement from Haydn's Trumpet Concerto and Chanson Napolitaine from Tchaikovsky's The Sleeping Beauty. Arranged here for Horn in F or E-Flat with Piano accompaniment by Edward Maxwell. Score and parts.Includes CD of performances and recorded accompaniments.

Timeless Cornish Melodies-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Canto serioso for Horn and Piano-Carl Nielsen's Canto Serioso for Horn in F and Piano. Urtext edition score.The Danish composer Carl Nielsen was one of the most original composers at the turn of the 20th century. Basedon the German Romantic tradition he developed his own musical language especially in his symphonies that are still played very frequently. He also however often turned to chamber music settings.CantoSerioso was originally written as an audition piece for the Copenhagen Opera Orchestra where the position of low Horn player was to be filled. This fairly short work makes the most of the low register and theinstrument’s sonorous mid-range making it a welcome addition to the late Romantic repertoire for Horn.

This second book of solos is a direct continuation of the first. It takes students to a point where they can begin to tackle the standard sonata and concerto repertoire. The book is designed to cover many of the technical problems encountered by the intermediate horn player and later pieces introduce important techniques such as hand-stopping and the bass clef. As with book one many pieces are originally associated with the horn and notes at the back of the book give background information and tips for interpretation. Edited and arranged for Horn and Piano by Arthur Campbell.

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments. He composed seven works for Horn with En Irlande premiering in 1951. Featuring on both the ABRSM and Trinity grade 6 syllabus En Irlande is dedicated to Monsieur Leferme a Professor at the Conservatoire National de Valenciennes where Bozza was Principal for much of his working life. As the title suggests En Irlande is influenced by the country Ireland and is based on an old Irish melody. During this Bozza work for Horn contrasting sections changes in time and keysignatures variations in dynamics and articulation and the use of extended techniques are heard. Being such a versatile piece En Irlande is an exciting addition to the Horn player's repertoire.

A large collection of stylish Jazz Pop and Rock style numbers written by experienced Horn player and educator from Manchester Andrew Wilson. These pieces are progressivly graded so there is material to suit any intermediate standard player and upwards. The book includes a free full length backing CD contianing the accompaniment for every tune for practicing without a Piano. Also included: TWO Horn parts to satisfy both F and Eb exponents. Grade: 4 - 8

A royal christening is being celebrated with great pomp and rejoicing. But one name is missing from the guest list - and in her rage the uninvited godmother puts a terrible curse on the baby princess: On reaching the age of 16 she will prick her finger on a spindle and die. Can the gentle Lilac Fairy avert disaster and bring about a happy ending? Find out by reading and playing this Easy Piano Picture Book. Tchaikovsky's sumptuous ballet version of the famous fairytale is here bought to life in words easy-to-play piano extracts and enhancing full-colour illustrations.

Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for horn and piano. The comprehensive selection of works enables the musician to access classical masterpieces - from Handel and Bach via Schubert, Mendelssohn, Schumann and Wagner to Fauré, Elgar, Debussy and Satie. There will be something for any hornist who is looking for a popular classical work for teaching or performing purposes. / Cor Et Piano