/ Ensemble de guitare classique. Du Cordero ' Concierto Festivo 'pour orchestre de guitare et de la chaîne est son plus récent ouvrage, écrit en 2003. Il a été commandé par l'Université de Porto Rico pour célébrer le 100e anniversaire de sa fondation et la réouverture de son théâtre. Le concerto comporte trois mouvements, écrits dans un style modal et neo-romantique dans lequel les éléments contrapuntiques de la Renaissance espagnole combinent avec les harmonies contemporains, lui donnant une saveur distinctive qui est présente dans la plupart des oeuvres de Cordero. Comme dans ses précédents concertos, influences Afro-Antillais apparaissent parfois dans cette composition, avec leurs riches, rythmes somptueuses. Ernesto Cordero explore créative les ressources sonores de la guitare, il offre une fonctionnalité solo virtuose enrichie par les dialogues avec les autres instruments. Dans plusieurs sections lyriques de la pièce, les projets et brille de guitare romantique spirit, par le biais de belles phrases qui reflètent la passion du Cordero pour la vie et pour sa bien-aimée de Porto Rico. / Guitare Classique / 56 pages / niveau : Intermédiaire/Avancé / Partition - Format: 11 X 8,5

This handy little book is an essential guide to technique soloing rhythm and musical styles for guitar. Contains tips on hand positions capo use creating certain types of use effective wah-wah playing distortion circuits professional soloing slide guitar altered tuning Hendrix-style rhythm eastern modes alternate picking and a whole host of other topics.The Little Book Of Tips And Tricks contains something for every guitarist beginner and pro and will give your solo and rhythm playing the small touches that make you stand out from the pack.

Arrangement: Lily Afshar. Par AFSHAR LILY. Ici, pour la première fois, Mel Bay Publications offre la musique folk Perse arrangée pour la guitare par l'Iran-né, prix gagnant guitariste de concert international, Lily Afshar. Cette collection comprend quatre chansons d'amour et une berceuse. Ces arrangements sont extrêmement lyriques, car ils représentent d'une chanteuse nuances et embellissements. Trémolo, harmonique et sourdine pianoter techniques sont utilisées dans ces arrangements bon goût. De ces cinq pièces courtes, quatre commence par une introduction qui établit le tempo et l'humeur de la pièce. Ces oeuvres sont idéales pour les guitaristes intéressés dans la programmation internationale, ceux qui n'ont jamais entendu la musique persane, ou pour ceux qui sont familiers avec elle et aime tout simplement. Ecrit en notation standard uniquement pour l'intermédiaire à avancé guitariste. / Niveau : Intermédiaire à Avancé / World Music - Solos / Recueil / Guitare Classique

This excellent DVD & CD set shows you how to nail five solos by AC/DC's legendary guitarist Angus Young. It also includes performances and Guitar jam tracks for each solo section at slow medium and full tempo so you can learn each solo at your own pace and steadily build up to full speed. Lessons include;Back In BlackHighway To HellFor Those About To RockHells BellsYou Shook Me All Night Long

Les sélections incluses dans cette anthologie sont des chefs-d'oeuvre de piano bien connu de grands compositeurs transcrites pour guitare solo. Tous les doigtés et autres marquages éditoriales ont été inclus pour aider dans le processus d'apprentissage. Ces notes sont nouvelles et se félicite des sélections du répertoire de la guitare classique. Audiophiles, les guitaristes et les populations de grand public trouveront ces oeuvres intéressantes et agréables. Y compris tout de ces sélections dans un récital solo ajoutera beaucoup de variété et d'intérêt à n'importe quel programme de concert surtout que bon nombre des sélections de cette collection n'ont jamais été effectués sur les solos de guitare. / Guitare Classique / 96 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth?s themes for any instrument but the piano is to separatethe melodic line from its accompaniment: both are so closely together (that is one of the strongest characteristics of his pianistic style of composition) that it becomes almost impossible to treat one of the features disregardingthe other. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from thetransposition of a piece originally written for the piano a very rich instrument regarding the expressive recourses to the more 'modest' guitar we always kept in mind our principal intention: to preserve at the most all themelodic dialogues of the scores in special the ones between the melody and the bass line both the elements that form the soul of Nazareth?s compositions. We obviously had to do some changes. Thus for instance in somearrangements it was necessary to transpose the original key to a more appropriate one (at the guitar view-point of course). Some phrases or fragments had also to be written an octave higher or lower (that can be perfectlyunderstandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it). Needless to say that all those recourses were used only when it has been strictly necessary. Despite thefact that those 28 pieces are only a little portion of Nazareth?s work this group of arrangements represents a good and representative panel. Among them there are some of Nazareth?s greatest hits ('Apanhei-te Cavaquinho' 'Odeon' 'Brejeiro' 'Ameno Resedá' etc.) as well as other not so known compositions but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible

10 Pieces for Solo Guitar. Maria Linnemann was born in Amsterdam in 1947 and grew up in England. She attended the Royal Academy of Music in London, studying conducting, piano and violin. Later, inspired by the guitarist, viola player and painter, Martin Nicolai, she turned to the guitar. Since 1971 she has lived and worked in Germany as a musician, composer and pedagogue. She has travelled through many countries and lived and worked in China for five years. Many of her compositions, numbering around 500 to date, were written on these journeys, and include works for solo guitar, guitar duets and trios, songs and chamber music. Maria Linnemann?s music is loved and much played all over the world.

While originally conceived as piano duets Johannes Brahms' Hungarian Dances (Op. 39) have been transcribed for various instrumental ensembles including the orchestral version provided by the composer himself. In this edition outstanding Hungarian guitarist József Eötvös has transcribed all twenty-one of the dances for solo guitar in standard notation only with suggested fingerings. While many of these transcriptions lie well on thefretboard this volume is recommended for the advanced classic guitarist.

Three short pieces for Guitar transcribed from the composer's Three Lullabies for Piano Solo (1990).

For Classic Guitar-This is a wonderful collection of graded pieces for the beginning classic guitar student. Sonia Michelson has gathered some of the finest solo material available at this level from various publishers throughout the world. Includedare compositions reflecting a colorful array of styles and periods.

Learn Traditional Blues Rhythms & Styles-Boogie woogie music is one of the greatest influences on the blues swing jazz and rock 'n' roll. The style is usually identified more with the piano than the guitar; however boogie woogie actually seems to have originated with guitar players during the latter half of the 19th century in the rough “barrel houses” of the turpentine and lumber camps of the American South. Now with this book and video pack trace the history of boogie woogie guitar with blues historian Dave Rubin and learn how to play the essential patterns that influenced generations of musicians. Features video lessons with demonstrations of every music example in the book!

Technical Exercises for the Guitar to Be Done Each Day Before Practicing-Dozen a Day for Guitar takes the same approach to warm-up exercises as Edna Mae Burnam's acclaimed Dozen a Day series for piano. Examples are both challenging and entertaining which makes practicing fun! The included CD contains 61 audio tracks.