Composed by Various. Instrumental Solo. Softcover. 104 pages. Published by Hal Leonard

(Flute). For Flute. Book; CD; Instrumental Series; Play-Along. Ultimate Pop Instrumental Solos Series. Movie. Grade 2; Grade 3. 85 pages. Published by Alfred Music Publishing

Composed by Various. Arranged by Kenneth D. Friedrich. For flute solo. Level 2 to 4. Published by Kenneth D. Friedrich

Flute - intermediate

SKU: BT.DHP-1002329-401

Arranged by Robert van Beringen. Educational Tool. Book Only. Composed 2000. 44 pages. De Haske Publications #DHP 1002329-401. Published by De Haske Publications (BT.DHP-1002329-401).

ISBN 9789043112109. English-German-French-Dutch.

This is a great value collection of 24 pop songs and traditional melodies arranged for unaccompanied solo. Every style of pop music is included with songs by Britney Spears (Sometimes and Born To Make You Happy), Queen (Crazy Little Thing Called Love), Lou Bega (Mambo No 5), Brian Adams (Everything I Do), Elvis (Youâ??ll Never Walk Alone) and many more.

Inhoud: Mambo No. 5 â?¢ Sometimes â?¢ Vive lâ??amour â?¢ A Woman in Love â?¢ Love Is All â?¢ Crazy Little Thing Called Love â?¢ Conquest of Paradise â?¢ Fly Me to The Moon â?¢ Havah Nagilah â?¢ This Melody â?¢ I Donâ??t Need Her, I Need You â?¢ A WhiterShade of Pale â?¢ On Top of Old Smokey â?¢ Everything I Do, I Do It for You â?¢ Reach Out, Iâ??ll Be There â?¢ Swing Low, Sweet Chariot â?¢ The Yellow Rose of Texas â?¢ Butterfly â?¢ Born to Make You Happy â?¢ Youâ??ll Never Walk Alone â?¢ And the BandPlayed on â?¢ Waltzing Matilda â?¢ We Shall Overcome â?¢ When the Saints Come Marching In

Nach dem groÃ?en Erfolg von Top Hits Solo I> wird die Reihe hier mit noch mehr unvergesslichen Pophits fortgesetzt.

For Flute. Composed by Various. Instrumental Folio. Movies, Children, Disney. Softcover. 112 pages. Published by Hal Leonard (HL.244104).

Flute

SKU: GI.G-J179

Flute. Composed by Christopher D. Azzara. Band Method. Jump Right In. Music Education. Method book. 23 pages. GIA Publications #J179. Published by GIA Publications (GI.G-J179).

English.

Compositions and arrangements for winds and percussion with optional improvisation! Twelve selections for concert band in one book. Highlights include: • Optional improvisation sections in each selection • Grade levels II–IV • Full score with complete instrumentation • Music for all ages and for all seasons • Recordings (CD or cassette) available, performed by instrumentalists from the Eastman School of Music • Playable with minimal to full instrumentation Part books (specify instrument and catalog number below): Flute (J179) - Oboe (J180) - Clarinet I (J181) - Clarinet II (J182) - Bass Clarinet (J183) - Bassoon (J184) - Alto Saxophone (J185) - Tenor Saxophone (J186) - Baritone Saxophone (J187) - Trumpet I (J188) - Trumpet II (J189) - Horn (J190) - Trombone I (J191) - Trombone II (J192) - Baritone BC (J193) - Baritone TC (J194) - Tuba (J195) - Bells/Xylophone/Piano (J196) - Percussion (J197) -  Demonstration compact disc (J198CD).

By Douglas Smith. Flute. Level: Intermediate. Sacred instrumental. Published by Lorenz Publishing Company.

Solos with Ensemble Arrangements for Two or More Players. Arranged by Stan Pethel. (Flute). Daybreak Choral Series. Size 9x12 inches. 24 pages.

By Manfred Schmitz. For Flute. Solos. AMA Verlag. Pop. Level: Multiple Levels. Book. Size 9x12. 28 pages. Published by AMA Verlag.

For Flute. Classical (Laureate Master Classes with piano). Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist. Published by Music Minus One

Flute

SKU: BO.B.3628

Composed by Maria Luisa Ozaita. Published by Editorial de Musica Boileau (BO.B.3628).

This work was composed in 1969 and I had the honor of releasing it in Algorta (Vizcaya) on June 22, 1970. I have played afterwards in several occasions and recorded on CD. It is the first work composed by this author devoted to the flute and opens a long series of her works with this instrument, which have narrowed my collaboration with Maria Luisa Ozaita who I also have a close friendship with.

These pieces are framed in a time in which the composer has reached her creative maturity and her inspiration stands out on its own. These works shape a brief triptych which movements have a characteristic personality and are well contrasted. The first one has a spring-like lyricism with sparkles of irony. The second on presents a meditative melody that consists of sighs that are bounded on the weft of an accompaniment that the flute pinpoints a in the low register. A binary dance of a very rhythmic spirit closes the work to a nice finish.