Ce n'est pas tous les jours quon a loccasion dentendre un pot-pourri des meilleures chansons dune star actuelle de la pop surtout lorsque cette star sappelle Eros Ramazotti. Voilà qui a suffi à convaincre Sven Van Calster de réaliser ce somptueux pot-pourri réunissant des titres tels que « Un grosso no » « Cose della vita » et bien entendu « Se bastasse una canzone ».

Torstein Aagaard-Nilsen’s (1964) way of composing can be described as: uncompromising wilful and contemporary. It is not surprising therefore that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture which was characterized by provocation distrust of the great ideologies and the autonomy of the individual. Punk is playful aggressive often humorous and anti-everything which inevitably leads to self-irony. The first part of Aagaard-Nielsen’s composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains where icy winds sigh around yourhead. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies.