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Tombeau De Mireille (TOMASI HENRI)
Piccolo
[Sheet music]
Leduc, Alphonse
Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) publis...
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Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Le Tombeau De Mireille in 1959. As with his other compositions, Le Tombeau De Mireille for Galoubet (Pipe), Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Le Tombeau De Mireille is a highly unusual and modern work, not only in instrumentation, but in its use of varying time signatures, complex rhythms and a range of performance directions. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced instrumentalists, provides an exciting, alternative addition to the ensemble repertoire./ Répertoire / Galoubet ou Petite Flûte Traversière ou Hautbois e
17.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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Fantasias On Eurasian Melodes (LOEB DAVID)
Piccolo
Alry Publications
Par LOEB DAVID. David Loeb's new collection Fantasias on Eurasian Melodies, for ...
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Par LOEB DAVID. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17./ Répertoire / Piccolo
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Studies On East Asian Pipes (LOEB DAVID)
Piccolo
Alry Publications
Par LOEB DAVID. There are various traditions of performing on high pipes through...
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Par LOEB DAVID. There are various traditions of performing on high pipes throughout the world. By thinking of the piccolo as the modern instrument repository for these traditions and this music, in the same sense that the piano is the modern instrument repository for all keyboard music, the piccolo's potential repertoire is vastly enlarged. It was with this definition of the piccolo in mind that David Loeb wrote these works, though the piccoloist need not copy all of the performance techniques of the original instruments. This new collection for piccolo alone explicitly emphasizes explorations of different Asian instruments. It combines both previous Studies on East Asian Pipes (P-02, P-05), the Lyric Pieces (P-22) - works originally for the shinobue, ryuteki, and shakuhachi, and Of Dreams and Promises (P-18), a deeper look at the shinobue's abilities and sound./ Répertoire / Piccolo
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Japanese Landscapes And Legends (LOEB DAVID)
Piccolo
Alry Publications
Par LOEB DAVID. David Loeb presents the collection Japanese Landscapes and Legen...
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Par LOEB DAVID. David Loeb presents the collection Japanese Landscapes and Legends for piccolo alone, an aggregation of previously stand-alone works - the Four Japanese Legends (P-12), Scenes from the Japanese Countryside (P-14), and the Preludes Vol. III (P-31). These works are almost entirely direct suggestions of stories and geographic locations from across Japan, though they also reach into the deep past of Chinese origins and the dispersal of musical ideas and oral tradition through Japan and Korea. The opening Four Legends are stories narrated by piccolo, the Eight Views and stand-alone vignettes are tone paintings of landscapes and moment of time - snowfall, bird migration, rain falling onrivers, and others. David Loeb presents the collection Japanese Landscapes and Legends for piccolo alone, an aggregation of previously stand-alone works - the Four Japanese Legends (P-12), Scenes from the Japanese Countryside (P-14), and the Preludes Vol. III (P-31). These works are almost entirely direct suggestions of stories and geographic locations from across Japan, though they also reach into the deep past of Chinese origins and the dispersal of musical ideas and oral tradition through Japan and Korea. The opening Four Legends are stories narrated by piccolo, the Eight Views and stand-alone vignettes are tone paintings of landscapes and moment of time - snowfall, bird migration, rain falling onrivers, and others./ Répertoire / Piccolo
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Reflections On Sephardic Melodies (LOEB DAVID)
Piccolo
Alry Publications
Par LOEB DAVID. This collection of pieces by David Loeb, written for piccolo alo...
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Par LOEB DAVID. This collection of pieces by David Loeb, written for piccolo alone, derive from melodies of the Sephardic tradition, an oral tradition remarkably well preserved despite dispersion and fragmentation of the Spanish Jewish community more than five centuries ago. The melodies display a remarkably hybrid aspect, with elements of Jewish, Islamic, Central European and indigenous Spanish musical traditions present in varying extents, always blended with consummate skill and taste. Some melodies seem Medieval, with comparatively static harmonic implications, while the more chromatic and harmonically active melodies suggest a close affinity with the Renaissance. In five movements: Por qué llorax blanca niña, Morena ma llaman, Ya viene el cativo, Nani, nani, Una matica de ruda./ Répertoire / Piccolo
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The Craftsmen (BOUTHIER CHRISTIAN)
Piccolo
[Score and Parts]
-
Easy
De Haske Publications
Par BOUTHIER CHRISTIAN. Séduit par l'authenticité et le charme d'un marché ar...
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Par BOUTHIER CHRISTIAN. Séduit par l'authenticité et le charme d'un marché artisanal, Christian Bouthier s'est inspiré du savoir-faire de trois artisans pour composer cette suite en trois mouvements. À l'ombre des platanes, ils font et refont devant un public nombreux et passionné, ces gestes ancestraux qui donnent naissance à tant de belles choses. Découvrez les traditions perpétuées par l'artisan horloger, le tonnelier et le maréchal-ferrant. / Niveau : 2 / Pièce de concert / Répertoire / Piccolo
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The Craftsmen (BOUTHIER CHRISTIAN)
Piccolo
[Score]
-
Easy
De Haske Publications
Par BOUTHIER CHRISTIAN. Séduit par l’authenticité et le charme d’un marchÃ...
(+)
Par BOUTHIER CHRISTIAN. Séduit par l’authenticité et le charme d’un marché artisanal, Christian Bouthier s’est inspiré du savoir-faire de trois artisans pour composer cette suite en trois mouvements. À l’ombre des platanes, ils font et refont devant un public nombreux et passionné, ces gestes ancestraux qui donnent naissance à tant de belles choses. Découvrez les traditions perpétuées par l’artisan horloger, le tonnelier et le maréchal-ferrant. / Niveau : 2 / Pièce de concert / Répertoire / Piccolo
18.50 EUR - Sold by LMI-partitions
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