Tuteurs progressives de Amanda Oosthuizen pour flûte, clarinette et saxophone sont adaptés aux enfants dès l'âge de 7 vers le haut. Chaque livre présente les principes fondamentaux de jouer et de sensibilisation musicale d'une manière qui est détendue et informatif. Il y a fun pièces de jeu, des informations utiles et conseils, jeux et énigmes et duos pour l'élève et l'enseignant. Amanda a également inclus de composer et d'écoute des activités qui coïncident avec le programme d'études. Le livre facile flûte de Jazz commence avec seulement trois notes et est parfait pour les joueurs dans les premiers stades de l'apprentissage. / Saxophone

From best-selling author, John O'Neill, The Saxophone Method is a complete course for the beginner to intermediate saxophonist. Start by mastering the essential foundation techniques of breathing, embouchure, tone production, and tonguing required to be a great player in any style. With a wide range of tunes from all over the world you will be exposed to a great variety of musical styles to motivate and inspire.The mp3 backing tracks, available as free downloads, feature top professional musicians and will give you the feeling of playing in a great band from the very beginning.The Saxophone Method is supplemented by two Repertoire Books to give you even more music to practice and enjoy, and perfectly complements the Jazz Method for Saxophone. By the end of the method you will be able to:- understand the fundamentals of good playing technique- have explored the full range of the instrument- be familiar with the most common rhythms- have a solid grounding in music theory- have the confidence to play with a real band in many different styles / Alto Saxophone

A superb collection of fifty-eight jazz hits arranged for Eb and Bb saxophones, complete with two sets of chord symbols for accompaniment. / Saxophone

The Beatles catalogue has, over the years, been transposed, transcribed and translated for just about every musical purpose imaginable. However, many have not been arranged for Saxophonists before. This book contains 72 Beatles favourites arranged for Saxophone, many for the first time. Included are songs from right across the band's highly varied career, and all are suitable for both B-flat and E-flat instruments. / Saxophone

für 1 - 2 Saxophone. Par RAE JAMES. A collection of twenty-one easy progressive studies for the beginner and suitable for all saxophones. An optional teacher's part is included designed to give support and encouragement in the lesson. Each study has, on its facing page, clearly defined objectives with tips for successfully acquiring specific skills and space is provided for the teacher's comments for the pupil's easy reference when practising at home. Pupil/teacher warm-up exercises precede each piece. • 21 studies for the beginner establishing good habits in the early stages • Each piece has clearly defined objectives with tips provided for successfully acquiring specific skills • Pupil and teacher warm-up exercises are provided with each piece • A second part for the teacher is included to give support and encouragement to the pupil in the lesson • Space is provided for teacher's notes alongside each piece for the pupil's easy reference when practising at home • The pieces, when played on Eb saxophones, are compatible with those in Step by Step Clarinet (UE 21 615) providing opportunities for duet playing./ Etude / Saxophone

Par HERBIET VICTOR. Né à Montréal en 1893, Gilles Amiot grandit au Québec dans une famille aisée. Il entre à l'école dentaire de l'Université Laval de Montréal en 1911 et obtient son diplôme en 1915. Pendant ses années d'université, Gilles participe à de nombreux concours musicaux sur les ondes de la radio canadienne. Bon pianiste et improvisateur, il accompagne par ailleurs les films muets présentés dans un cinéma de Montréal. Entre 1912 et 1916 il compose trois valses pour piano : Dilettante, Mélancolie et Gaby Walz. Il arrête cependant ses prestations musicales en 1918 pour s'enrôler dans le Corps Dentaire de l'armée expéditonnaire canadienne. Il est promu au rang de capitaine et cantonné en Sibérie où il reçoit le commandement du 260e bataillon. Après son retour au Canada en 1919, Gilles Amiot quitte les forces armées pour se remettre à l'exercice de sa profession à Salaberry-de-Valleyfield (Québec). Il continuera à jouer du piano pour divertir ses patients et ses invités jusqu'à son décès en 1970. Dotées d'un charme irrésistible, les ?uvres de Gilles Amiot témoignent de l'importance accordée au lyrisme à l'époque où elles ont été composées. Séduit par ces ?uvre oubliées et influencé par les contraintes de la pandémie mondiale de 2020, j'ai décidé de composer des études de concert pour saxophone solo inspirées des mélodies des valses afin de les partager cent ans plus tard d'une nouvelle façon à un nouvel auditoire. Victor HERBIET (arrière-petit fils de Gilles Amiot) / Date parution : 2023-06-01/ Répertoire / Saxophone

Sheet Music from the motion picture Harry Potter And The Chamber Of Secrets arranged for tenor saxophone. The arrangements of this book are completely compatible with the others books from the series. Each book includes a full orchestrated accompaniment CD. Each song on the CD includes a complete demonstration track which contains a live performance of the appropriate instrument followed by a play-along accompaniment track.

Technique - Style - Improvisation. Par O'NEILL JOHN. Since it was first published in 1992, The Jazz Method for Saxophone has guided thousands of beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including pieces by contemporary composers. Based on the tried and tested format of the original method (with step-by-step guidance and a number of pieces specially written for this series), the revised edition is packed with updated content. It also comes complete with exciting new tunes, re-recorded audio tracks and over 2 hours of demo tracks available as free MP3 downloads. Now there is also a greater emphasis on the development of improvisational and listening skills. Thanks to additional suggestions for listening and reading as well as an appendix with all chord sequences for the 'live' accompaniment of the melodies, the 'Jazz Methods' are ideal for both pupils studying by themselves and for pupils learning with a teacher. '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) / Date parution : 2024-01-26/ Méthode / Saxophone

La maîtrise des gammes et des modèles de gammes est depuis longtemps établie comme le meilleur moyen d'améliorer les capacités techniques sur tous les instruments. Le Compendium de gammes complètes se concentre sur ce qui est le plus courant dans l'étude de la musique classique : les gammes majeures et mineures de base, ainsi que les gammes chromatiques, pentatoniques, entières et de blues. Les élèves apprendront la construction de ces échelles tout en pratiquant des motifs uniques, enrichissant leur technique. Les liaisons et les articulations spécifiques ont été omises des exercices afin qu'une multitude de modèles d'articulations et de liaisons différentes puissent être utilisées. Les exercices sont présentés de deux manières : par échelle et par tonalité. / Méthodes et pédagogie / Bois / Saxophone / CARL FISCHER

Metodo Progressivo Per Ragazzi. Par APARICIO JOSEP MARIA. collana Curci Young II, III corso. Tecniche preliminari : registri acuto e grave - legato e staccato - dinamiche - accento, sincope e controtempo - alterazioni - scale maggiori e minori - trasporto.Sviluppo di capacità ed attitudini musicali : suonare in gruppo - comporre evisare - lettura a prima vista e memorizzazione - primi approcci alla notazione contemporanea - suggerimenti per l'ascoltoTanti esercizi, brani musicali, giochi e attività per stimolare la creatività, la curiosità, la ricerca, l'ascolto, l'apprendimentcale dei ragazzi. / Méthode / Méthode / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Initiation au jazz et à l'improvisation pour le saxophone Sib ou Mib. Nombre de pages : 48 Date de parution : 23/09/1999 Titres : ucket's Got a Hole in it - Frankie et Johnny - Hold on - Jericho - Joe Turner - Let my People Go - Nobody Knows - St James Infirmary - Teacher's Blues - The House of the Rising Sun