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RECORDER
Soprano voice, Piano
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Soprano Saxophone (63)
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Musique de film et télévisio… (62)
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Lap Steel Guitar (61)
Opéra (60)
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Medium Voice (55)
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2 Pianos, 8 hands (52)
Violon Principal, 2 Violons, 2… (52)
Solistes SATB, Choeur SATB, 2 … (52)
Tenor (52)
Flûte Traversière ou Hautboi… (52)
Lyrics only (51)
Flûte Traversière Alto et Gu… (51)
2 Trompettes, Cordes Et Basse … (51)
2 Cors en Mib et Piano (51)
Orchestre Scolaire (51)
Clarinette, Violon Et Piano (51)
Double Choeur Mixte (51)
Voix et Orchestre à vent (51)
Baryton (51)
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2 Violons, Alto et Basse Conti… (50)
Trompette ou Cornet ou Bugle e… (50)
3 Percussions (50)
Balalaika (50)
Solistes SATB, Choeur SSATTB, … (50)
Quatuor De Cuivres Et Orgue (50)
2 Trompettes Et 2 Trombones (50)
Choeur et Orchestre (50)
2 Saxophones Ténor et Piano (50)
Soprano, Piano (50)
Flûte Traversière Violon, Vi… (49)
2 Saxophones Alto et Piano ou … (49)
Trombone ensemble (49)
Parties (49)
Clavecin Et Instruments A Cord… (49)
Saxhorn Basse ou Euphonium et … (48)
Flûte Traversière, Hautbois,… (48)
Cor, 4 Trompettes, 4 Trombones… (48)
Flute and String Quartet (48)
2 Violons, Alto, Violoncelle e… (48)
Alto (Partie séparée) (48)
Flute, Violin, Keyboard (basso… (48)
Choeur De Femmes (SSA) Et Pian… (48)
Variétés françaises (48)
2 Hautbois, 3 Trompettes, Timb… (48)
Quatuor à Cordes et Guitare (48)
Trombone et Piano ou Orgue (48)
2 Clarinettes en Sib et Clarin… (48)
Flûte à Bec, Guitare et Musi… (48)
Quatuor à vent (48)
Drum Fanfare (48)
Trompette ou Cornet, Cor en Mi… (48)
3 Bassons (48)
Cor en Mib (48)
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Clarinette, Viola and Piano (t… (47)
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Oeuvres Théâtrales/Oratorios… (46)
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Fac-similé (46)
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Sextuor à Cordes (45)
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Mozart, Wolfgang Amadeus : Concert Arias for High Soprano
Soprano voice, Piano
[Sheet music]
-
Intermediate
Barenreiter
These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias...
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These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.
Unlike the NMA the musical text presented in these editions is free from practical references on performance aspects or suggestions on performance practice. Instead, each volume contains a accompanying brochure, with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts, which are often found in the early Mozart arias.
? Arrangement of arias according to voice type
? Underlaid text presented in the original language only
? All aria texts are translated into German and English and are printed seperately
? Idiomatic piano reductions to the individual arias
? Clear and legible layout of the musical text as all additional notes and suggestions on performance practice appear in the supplement published with each volume
? Performance material on hire to each aria
(Please refer to the relevant volume for further information)
/ [Grands Airs de Concert Pour Soprano] / Classique / Partition / Agrafé /
32.95 EUR - Sold by Note4Piano
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SAARIAHO KAIJA LEINOLAULUT (LEINO SONGS) SOPRANO and PIANO
Soprano voice, Piano
[Sheet music]
Chester
Kaija Saariaho's Leino Songs were premiered by Anu Komsi (Soprano) and Pia Värr...
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Kaija Saariaho's Leino Songs were premiered by Anu Komsi (Soprano) and Pia Värri (Piano) on 9 July 2007 in Kaarle's Church, Kokkola, Finland, as part of the Kokkola Opera Summer Festival and are dedicated to Anu Komsi.
Soprano/Accompagnement Piano.
Please note that Leino Songs for Soprano and Piano does not correspond exactly with Saariaho's work of the same name scored for voice and orchestra, and is therefore not suitable for use as a vocal score to that version. / Classique / Partition /
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Bärenreiter Opera Kaleidoscope for Soprano: Soprano: Vocal Album
Soprano voice, Piano
Barenreiter
An appetiser for our high-quality Urtext opera vocal scores give it a try and ...
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An appetiser for our high-quality Urtext opera vocal scores give it a try and enjoy!This collection of opera arias for Soprano (or Mezzo-Soprano) and Piano offers a cross-section of Bärenreiter?s extensive catalogue of stage works.An affordable anthology with such well-known and favourite arias as Handel?s famous ?Ombra mai fu? and Mozart?s ?Ach ich fühl?s es ist verschwunden!? is not only suited for voice students and aspiring singers preparing for examinations and auditions but also provides seasoned professionals with inspiration and material for programming their recitals.The collection spans a representative arch from the earlybaroque to the romantic era gathering together repertoire masterpieces by Monteverdi Handel Gluck Haydn Mozart Beethoven Berlioz Smetana and Chabrier. The pieces are in Italian French Czech and German and include for the most part a singable translation in German. The spectrum ranges from the declamatory style to easy coloratura. The Piano arrangements have been prepared by experienced conductors and répétiteurs.A Bärenreiter anthology for opera singersContains important arias from the opera repertoire for (Mezzo-)Soprano
7.00 GBP - Sold by Musicroom UK
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The Chester Vocal Anthology: Soprano (MIDDLETON JOSEPH / BEVAN MARY)
Soprano voice, Piano
[Sheet music]
Chester
Par MIDDLETON JOSEPH / BEVAN MARY. 25 popular works for soprano voice with piano...
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Par MIDDLETON JOSEPH / BEVAN MARY. 25 popular works for soprano voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by Mary Bevan and Joseph Middleton, and a digital version of the book to view on any device./ Recueil / Soprano et Piano
31.80 EUR - Sold by LMI-partitions
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Louise N04 Air De Louise Soprano Et Piano Francais (CHARPENTIER GUSTAVE)
Soprano voice, Piano
[Sheet music]
Heugel
Par CHARPENTIER GUSTAVE. Gustave Charpentier 's Air De 'Louise' or 'Depuis Le Jo...
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Par CHARPENTIER GUSTAVE. Gustave Charpentier 's Air De 'Louise' or 'Depuis Le Jour Où Je Me Suis Donnee', scored for Soprano voice and Piano Accompaniment. This is the Vocal Score. / Opéra-opérette / Répertoire / Soprano et Piano
16.30 EUR - Sold by LMI-partitions
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Gerald Finzi: Dies Natalis op. 8: Soprano or Tenor: Vocal Work
Soprano voice, Piano
[Vocal Score]
Boosey and Hawkes
Cantata-Suffused with a sense of purity and innocence Dies Natalis sets out to ...
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Cantata-Suffused with a sense of purity and innocence Dies Natalis sets out to depict a newborn child's first sensations of the world. Set to the text of a poem by Thomas Traherne and inspired by Botticelli's painting Mystic Nativity the sense of joy and wonder in the celebration of creation are conveyed with a spontaneity and rapture that are breathtaking. Originally composed as a cantata for tenor or soprano solo and string orchestra this is a reduction for Tenor (or Soprano) voice and Piano accompaniment.
25.99 GBP - Sold by Musicroom UK
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Elegie N02 (MASSENET JULES)
Soprano voice, Piano
[Sheet music]
Heugel
Par MASSENET JULES. Tristesse du Soir O Doux Printemps D'autrefois. For soprano ...
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Par MASSENET JULES. Tristesse du Soir O Doux Printemps D'autrefois. For soprano voice and piano./ Répertoire / Soprano et Piano
12.00 EUR - Sold by LMI-partitions
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Bernstein For Singers
Soprano voice, Piano
Boosey and Hawkes
Ten songs from Bernstein's famous stage works, now available for each voice type...
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Ten songs from Bernstein's famous stage works, now available for each voice type! Each voice type has a unique song list. The editions include access to online piano accompaniments for streaming or download. / Soprano Et Piano
35.70 EUR - Sold by LMI-partitions
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Roger Marsh: Black Hair (Soprano And Piano): Soprano: Vocal Work
Soprano voice, Piano
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Black Hair is a beautifully dramatic work by Roger Marsh scored for Soprano Voi...
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Black Hair is a beautifully dramatic work by Roger Marsh scored for Soprano Voice and Piano. The work lasts approximately 5 minutes.
8.99 GBP - Sold by Musicroom UK
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Opera Arias for Soprano: High Voice: Vocal Score
Soprano voice, Piano
[Sheet music]
Peters
Opera Arias for Soprano includes 36 Arias from various composers such as Beethov...
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Opera Arias for Soprano includes 36 Arias from various composers such as Beethoven Gluck Handel and Mozart. Arranged for High voice with Piano accompaniment.
34.95 GBP - Sold by Musicroom UK
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Carl Vine: Aria (Soprano Voice And Piano): Soprano: Vocal Work
Soprano voice, Piano
[Vocal Score]
Chester
This version of Aria for Soprano and Piano is an arrangement of the original ver...
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This version of Aria for Soprano and Piano is an arrangement of the original version scored for Soprano Flute Cello Celesta and Percussion.
10.99 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Nine Amen And Halleluja Movements: Soprano: Vocal Album
Soprano voice, Piano
Barenreiter
Nine Amen and Halleluja Movements-Between 1728 and 1747 Handel composed these ni...
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Nine Amen and Halleluja Movements-Between 1728 and 1747 Handel composed these nine two-part movements for soprano and instrumental bass. Though speculation exists the occasion for which the pieces were composed as well as the exact date of their composition remain unknown.The soprano sings short liturgical phrases such as ?Amen? ?Allelujah? ?Alleluja amen? or ?Amen alleluia?. The editor has supplied a text for the movement HWV 275 which until now has for reasons unknown been without text. The Amen and Hallelujah movements are in easy keys (using up to one sharp or two flats) and the modulations rarely move to harmonically distant tonal areas. Handel figured the bassline very detailed which playsmostly an accompanying supportive role imitating the voice in a few places. The vocal part is distinguished by the repetition of motives by repeated notes but also by short or extended coloratura. Presumably these movements were intended for use in teaching.Today these short movements of between 25 and 76 bars lend themselves well to use in church services.Based on the Urtext of the ?Halle Handel Edition?Idiomatic realization of the continuo part
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American Art Songs for the Progressing Singer: Soprano: Vocal Work
Soprano voice, Piano
[Sheet music + Audio access]
Schirmer
Soprano (With Online Accompaiments)-The vocal and musical abilities of high scho...
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Soprano (With Online Accompaiments)-The vocal and musical abilities of high school and college singers have guided the song choices in this series. These volumes introduce classical voice students to American art song with some of the most often studied music in the genre. The Sopranoand Mezzo-Soprano/Alto volumes have the same song list but in different keys. The same is true of the Tenor and Baritone/Bass song lists.
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Jules Massenet: Elegie N02: Soprano: Vocal Work
Soprano voice, Piano
[Sheet music]
Heugel
Tristesse du Soir O Doux Printemps D'autrefois.For soprano voice and piano.
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Gustave Charpentier: Air De 'Louise' No.4: Soprano: Vocal Work
Soprano voice, Piano
[Sheet music]
Leduc, Alphonse
Gustave Charpentier's Air De 'Louise' or 'Depuis Le Jour Où Je Me Suis Donnée'...
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Gustave Charpentier's Air De 'Louise' or 'Depuis Le Jour Où Je Me Suis Donnée' scored for Soprano voice and Piano Accompaniment. This is the Vocal Score.
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Rolf Wallin: Three Poems by Rainer Maria Rilke: Soprano: Instrumental Work
Soprano voice, Piano
[Sheet music]
Chester
Modern Norwegian composer Rolf Wallin's 'Drei Gedichte' arranged for a soprano v...
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Modern Norwegian composer Rolf Wallin's 'Drei Gedichte' arranged for a soprano voice and piano accompaniment. These three poems were written between 1900 and 1908 and they are very different in terms of form subject matter andatmosphere. Liebes-Lied is about a strong but painful love Buddha in der Glorie a description of religious ecstasy quite unusual in the works of Rilke and Sluss-stück about death which exists inthe midst of us in the middle of life.
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Andrzej Panufnik: Hommage A Chopin/5 Vocalise: Soprano
Soprano voice, Piano
[Sheet music]
Boosey and Hawkes
5 Vocalise-5 Vocalises for Soprano voice and Piano.
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Giuseppe Verdi: Volta La Terrea Fronte Alle Stelle: Voice: Single Sheet
Italiano
Soprano voice, Piano
CARISCH
Volta La Terrea Fronte Alle Stelle is a solo aria from the opera Un Ballo In Mas...
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Volta La Terrea Fronte Alle Stelle is a solo aria from the opera Un Ballo In Maschera (A Masked Ball). It is presented here for solo Soprano Voice with Piano accompaniment in standard notation with added chord symbols.Scribe's libretto to Verdi's 'A Masked Ball' concerns the real-life assassination of King Gustave III of Sweden at a masked ball in 1792 but adds a love story to what was probably a political murder. The King Ricardo is in love with Amelia wife of his friend Renato. Renato warns the King to beware a plot to kill him. The King visits Ulrica the mystic and she says he will die by the next friendly hand he shakes. The plotdevelops and ends with an exploration of the concepts of innocence and remorse.
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Joaquín Rodrigo: Cantos De Amor Y De Guerra: Voice: Vocal Album
Español
Soprano voice, Piano
[Sheet music]
Unión Musical Ediciones
Originally written in 1968 for Soprano and orchestra this edition of Rodrigo's ...
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Originally written in 1968 for Soprano and orchestra this edition of Rodrigo's 'Songs of Love and War' is specially arranged for voice and piano.
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Cantolopera: Rarities - Arie Per Soprano Vol. 2: Soprano: Vocal Work
Soprano voice, Piano
[Vocal Score]
Ricordi
Per Voce E Pianoforte-Rarities - Arie per Soprano Vol. 2 contains an exclusive s...
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Per Voce E Pianoforte-Rarities - Arie per Soprano Vol. 2 contains an exclusive selecion of arias that discovers a less known and yet important repertoire. Also included: original texts with English translations and CD with instrumental and vocal versions.The Cantolopera series is made up of various collections: the Favourite Opera Collection dedicated to operatic works organized by voice category; the Composers Collection devoted to individual composers; and the SongsCollection consisting of lyric songs romanzas and traditional songs.
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Vassilieva Elena - Vocalises Minute - Soprano and Piano
Français
Soprano voice, Piano
Lemoine, Henry
Présentation Ces vocalises sont faites pour trouver la virtuosité de sa voix,...
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Présentation Ces vocalises sont faites pour trouver la virtuosité de sa voix, et sa fluidité dans une écriture d'aujourd'hui. Vous y trouverez quelques fondamentaux comme les grands intervalles, la longue tessiture, pour toutes les voix, le chromatisme, le tempo rapide vocalisé, les slanci ou glissati, les quarts de tons, les nuances ainsi que les tenuti pianissimi ou encore le decrescendo finissant sur un fil di voce. La valeur ajoutée sur le plan rythmique habituera le chanteur à combiner les textes sur une pulsation interne permanente malgré l'exécution de la mélodie étudiée. Les tenuti ouvriront l'imaginaire du chanteur en y plaçant le texte, ad libitum. Les respirations inaudibles pour certains textes - proches de la mélodie ou du récitatif - côtoieront quelques inspirations et expirations audibles, ou sons-bruits fantômes. J'accorde beaucoup d'importance à l'articulation du texte en bouche, et à la place des lèvres dans l'acoustique du son. En effet, le chanteur transporte son propre théâtre à l'italienne partout et son palais devient alors le fin connaisseur de la place des aigus et sur-aigus. Le chanteur est un gourmet de sa bouche et de tout son appareil phonatoire et respiratoire. Le sprechgesang aura une large part dans ces vocalises. Quelques nouvelles idées d'écritures apparaissent comme celles des agrégats ou arpèges, les pleurs, les rires, la main devant la bouche, le rauco, les sons soufflés, le bruit des lèvres, la langue sortie roulée sur la lèvre supérieure, les claquements de langue, le vibrato glottique. La présence du chanteur sera indispensable pour donner du sens aux textes empruntés au répertoire des opéras classiques choisis. Ces Airs connus par coeur par chaque chanteur, que ce soit Carmen, Adolar, Méphistophélès, Mab, Pédrillo, Marina, Anna Bolena, Lucrezia, Philippe II, Urbain, La Reine de la nuit, Vulcain, Sarastro ou Erda, pour n'en citer que quelques-uns, glisseront peu à peu dans des traitements - stylistiques et vocaux - déformés par tout ce que j'ai cité plus haut : à savoir que la virtuosité prend le pas sur la texture du texte et de la voix : des phonèmes en lien avec la compréhension du texte, ou non, agrémenteront la réactivité du chanteur, vers une attitude ludique, inventive et drôle, bien que précise et technique. La sûreté des attaques sera appréciée, comme l'apprentissage des différents effets vocaux (une vingtaine, en tout) et de leurs cryptogrammes respectifs. Si cette collection s'adresse à des chanteurs expérimentés et sûrs de leur technique globale, elle provoquera certainement des prises de conscience sur le couple voix et répertoire, peu évident à mettre en place chez de jeunes artistes, appelés à mûrir, à expérimenter, donc à évoluer dans leur répertoire, et leur confort d'émission. La beauté de l'instrument est indispensable pour défendre le cadre scénique de chaque vocalise : j'invite les jeunes chanteurs à croiser la voix, sa technique avec le jeu, l'amusement et sa virtuosité. La soif et le bonheur de chanter se mesureront à la discipline de l'apprentissage. Jeunes artistes doués et patients, devenez ces êtres-bouches à la fois chanteurs-conteurs-hypnotiseurs et connaisseurs alchimiques du pouvoir colossal de la voix humaine. Ouvrez vos cerveaux et vos bouches : le monde vous réclame ! La préoccupation qui fut la mienne concernant les voix de contre-ténors et hautes-contre est de montrer l'exceptionnelle capacité de ces voix, autant esthétiques que techniques, voire pyrotechniques. Je reste frappée par la curiosité doublée du sens du risque que possède la plupart de ces artistes, avec un A majuscule. En effet, pour chanter de la musique d'aujourd'hui, le contre-ténor et la haute-contre doivent être des excellents émetteurs de sons classiques avec tout l'éventail des non vibrati et des ornements baroques avec, en plus, une soif de gourmets vocaux. Seules cette soif, cette vivacité d'esprit et cette prise de risque ouvriront la voie aux effets vocaux précis, au service de la dramaturgie sonore, sans geste. C'est pourquoi j'ai écrit des textes où la voix chante en solo, sans accompagnement. La voix est seule à bord, suave peut-être, mais technique, sûre et exigeant une grande présence. Or, cette présence semble attachée à cette tessiture rare, servant à la fois l'époque baroque et le répertoire contemporain. Les langues utilisées ici sont l'allemand, le latin, l'italien et le français. Il y aura aussi des vocalises avec piano, sur des modes vocaux et stylistiques connus où le chanteur issu du baroque se retrouvera aisément, malgré l'écriture contemporaine qui filtre peu à peu, avec son chapelet de cryptogrammes et d'effets. Ces vocalises seront en anglais, italien et français. Messieurs, débutants et professionnels, restez ces torches vivantes, enthousiastes. La variété de votre ambitus fait aussi partie de votre singularité et de l'hypnose que vous exercez auprès du public. De nombreux compositeurs d'aujourd'hui sont attirés par vos facettes et écrivent pour vos instruments : sollicitez-les ! Contenu I. O solitude - II. Erbarme dich - III. Sweet nightingale - IV. Infirmata, vulnerata - V. Nacht und Träume - VI. Eternita - VII. Puisque j'ai mis ma lèvre - VIII. Bella amorosa - IX. Artabano - X. Alto giove
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Isabelle Aboulker: École buissonnière pour soprano et piano: Voice
Français
Soprano voice, Piano
Leduc, Alphonse
École buissonnière (3'15'') pour soprano et piano (poème C. Cros). Par Aboulk...
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École buissonnière (3'15'') pour soprano et piano (poème C. Cros). Par Aboulker aux éditions Leduc. Partition / Livre de chansons pour Piano et voix
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Wolfgang Amadeus Mozart: Mi Tradì Quell'Alma Ingrata - From 'Don Giovanni':
Italiano
Soprano voice, Piano
CARISCH
Mi Tradì Quell?Alma Ingrata is a song by Wolfgang Amadeus Mozart from his opera...
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Mi Tradì Quell?Alma Ingrata is a song by Wolfgang Amadeus Mozart from his opera 'Don Giovanni'. This work is scored for Soprano Voice with Piano Accompaniment. The lyrics are in Italian.
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Oscar Hammerstein II Richard Rodgers: The Songs of Rodgers & Hammerstein: Vocal
Soprano voice, Piano
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Intermediate
Hal Leonard
The ultimate R&H source for singers with a unique song list for each voice type...
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The ultimate R&H source for singers with a unique song list for each voice type. Each volume includes an introduction about each show and plot notes for each song plus a Rodgers & Hammerstein biography.The series represents 10 musicals: Oklahoma! Carousel State Fair Allegro South Pacific The King and I Me and Juliet Cinderella Flower Drum Song and The Sound of Music.This title includes online audio with full performances and Piano accompaniments. Soprano edition includes 19 songs from 8 musicals including: Climb Ev'ry Mountain; Hello Young Lovers; IfI Loved You; In My Own Little Corner; It Might As Well Be Spring; My Favorite Things; The Sound of Music; You'll Never Walk Alone and more.
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Giuseppe Verdi: Great Verdi Arias For Soprano: Soprano: Vocal Album
Soprano voice, Piano
[Sheet music]
Dover Publications
This new compilation features 16 memorable arias arranged for voice and piano. ...
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This new compilation features 16 memorable arias arranged for voice and piano. Reproduced from authoritative early editions the arias include Oh patria mia and Ritorna vincitor! from A da; Saper vorreste from Un Ballo in Maschera; Ah fors' è lui from La Traviata; and Pace pace mio Dio from La Forza del Destino.
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André Messager: Perles Cachées: Soprano: Vocal Album
Soprano voice, Piano
[Sheet music]
Edition Choudens
A selection of arias scenes and some duets from more than a dozen operettas and...
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A selection of arias scenes and some duets from more than a dozen operettas and opéras-lyriques of André Messager (1853-1929) composer conductor theatre manager and boulevardier. Perfectly crafted wonderfully conceived forthe soprano voice vivid colourful often light hearted or exotic settings evoking Paris of the belle-époque.
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