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RECORDER
String Quartet: 2 violins, viola, cello
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Melodies Instrumentales A Harmoniser Vol.08 : Schumann Quatuor A Cordes
Français
String Quartet: 2 violins, viola, cello
[Sheet music]
Leduc, Alphonse
La référence AL25608 de l'éditeur Leduc dont l'auteur célèbre est Challan H...
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La référence AL25608 de l'éditeur Leduc dont l'auteur célèbre est Challan Henri, qui a pour titre Melodies Instrumentales A Harmoniser Volume 08:Schumann Quatuor A Cordes, a été écrite et composée pour Formation Musicale et plus particulièrement pour Pédagogie Musicale. Cette partition musicale appartient à la catégorie Pédagogie. / Pédagogie Musicale / Partition
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Helen Grime: Into The Faded Air (Parts): String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
Into the faded air was commissioned by Britten Sinfonia for first performance at...
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Into the faded air was commissioned by Britten Sinfonia for first performance at Filharmonic Hall Krakow Poland on Sunday 13th January 2008 with Jacqueline Shave (Violin) Miranda Dale (Violin) Clare Finnimore(Viola) Catherine Musker (Viola) Caroline Dearnley (Cello) and Banjamin Chappell (Cello).Scoring: String Sextet (2 Violins 2 Violas and 2 Cellos)Duration: 10 minutes Composer'sNotes 'Into The Faded Air is cast in four movements although the last three movements are played without a break.In the first movement the sextet is divided into twogroups. The first group consisting of violin viola and cello plays a sustained melody while the second group (also violin viola and cello) contributes more jagged and intricate material. The second movement is an extended duetfor two violas accompanied by the other instruments. As the movement progresses the accompanying instruments become more prominent. The third movement is the only fast movement in the piece with rapid semiquavers and much useof pizzicato throughout. This leads into a serene chorale where the three upper instruments (two violins and first viola) are set against the second viola and two cellos.' - HelenGrime
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David Matthews: To what God shall we chant: Mixed Choir: Vocal Score
String Quartet: 2 violins, viola, cello
Faber Music Limited
To what God shall we chant our songs of battle? was commissioned by James Oâ...
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To what God shall we chant our songs of battle? was commissioned by James O’Donnell and Westminster Abbey for a service of solemn commemoration on 4 August 2014 marking the centenary of the outbreak of the First World War.Stark and gritty yet always rooted in tonality Matthews’s expressive harmonies bring a potent immediacy to the bitter disillusioned words of war poet Harold Monro and the two lyrical solos for soprano and tenor which set passages from the Book of Lamentations and St Luke’s Gospel. Beginning with a violent and impassioned energy this anthem ultimately offers little consolation. In the words of James O’Donnell it ‘leaves you standing on theedge of an abyss’ its impetus petering out in a series of hushed troubled questions.
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Michael Nyman: String Quartet No. 4: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Score]
Chester
String Quartet No.4 was written for the Camilli Quartet who gave the first perfo...
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String Quartet No.4 was written for the Camilli Quartet who gave the first performance at the Queen Elizabeth Hall London April 1995. It is dedicated to the memory of Nyman's composition teacher Alan Bush.This quartet is anarrative made up of a chain of twelve complete but often cross-related movements each quite simple in design. For instance the Scottish melody first heard in the second half of I is hinted at in the 2nd violin/viola in thesecond fast section of II and is directly quoted again during III and XII. The theme of the fast section of IV is taken up again in VIII; IX reverts to the mood of the opening of I while the rising scale/syncopated themes of II IX and the bass of X and XII are related. X also reintroduces the slow harmonics theme from VII. XII is (apparently) cast in the form of a baroque French rondeau. The main theme of VI was plucked out of the Quartet and used inmy score for Christopher Hampton’s film Carrington. Duration 40 minutes. A set of parts is available for sale.
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AIKO - LEAD THE WAY (FROM RAYA AND THE LAST DRAGON) - QUATUOR
String Quartet: 2 violins, viola, cello
Hal Leonard
Écrite pour le film d\'animation Disney Raya and the Last Dragon (2021), cette ...
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Écrite pour le film d\'animation Disney Raya and the Last Dragon (2021), cette mélodie entraînante est un merveilleux mélange de rythmes contemporains et d\'harmonies asiatiques. L\'arrangement en sol majeur de Larry Moore pour quatuor à cordes offre une introduction facile au temps coupé sans quitter la première position. / Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD
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D. Mcconnell: Knees Up! String Quartet: String Quartet: Instrumental Album
String Quartet: 2 violins, viola, cello
[Score and Parts]
Spartan Press
The Victorian Hall has its origins in the 17th century and evidence is found in ...
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The Victorian Hall has its origins in the 17th century and evidence is found in the records of Samuel Pepys in which he describes a visit to a Musick House in Greenwich where he enjoyed the entertainment they had to offer. Admission to these Musick Houses was free. You paid for the food and drink and if the musicians impressed then you gave them a tip. Gradually these halls evolved and each musical item would be introduced by a individual known as the Chairman. He dressed flamboyantly and usually sat at a table with his back to the stage and elaborated with exuberant language the merits and personality of the performers. He was an entertainer in his own right and hisrole continued through to Victorian Music Halls of the 19th and early 20th centuries.By this time there were many Music Halls with names such as The Palace Tivoli Hippodrome and Empire and were found in many towns and cities throughout the country. Many of the songs had catchy tunes instantly appealing to the audience who would whistle and hum them in the following weeks and indeed are instantly recognisable today. The words reflected the lives of the Victorian families in their day to day experiences and as such promote the culture of The Music Hall Age. The cover design is based on a painting by Lindsey Goodbun.
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Jouni Kaipainen: String Quartet No. 6 The Terror Run : String Quartet: Score
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
Jouni Kaipainen's String Quartet No. 6 'The Terror Run' Op. 92. Commissioned by...
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Jouni Kaipainen's String Quartet No. 6 'The Terror Run' Op. 92. Commissioned by the BBC Radio for the Proms concerts 2010. Dedicated to the Meta4 Quartet. Parts available: WH31197A Programme note: My former experience in writing string quartets has made me used to the idea that a piece of mine in this genre lasts close to half an hour and consists of several movements with different characters. This time the commission clearly stated a duration of 12 minutes and this naturally brought about lots of thinking and orientating. Eventually I luckily found out that I actually can alter mybasic “string quartet philosophy” so that such a short piece became an existing option. In the music itself there is nothing very much to explain. The quartet is for the most part quite lively flowing music in fast tempi. In the very beginning there is something haunting in the atmosphere but soon joyful for the most part delicately light at times maybe also “dance-like” characters take over. But in terms of dramaturgy the music has a tendency to grow more weighty and harsh and these quasi-violent elements gradually threaten the sunny unproblematic flow. Closer to the end we come to a point where nothing is easy anymore. This brings about a slow section of quite different nature and after that the former hilarious swing tries to make a comeback – but does not really succeed. The run goes on but the overtones are now more shadowy and the mood on the scary side. The subtitle comes from the novel The Camomile Lawn (1984) by Mary Wesley of which Ken Taylor made a wonderful TV series adaptation for Channel 4 (1992) where a marvellous casting of great actors supports the colourful beautiful and delightful story. In this novel young Sophie (gorgeously played by the 10-year-old Rebecca Hall) has eagerly waited for her older cousins to arrive to her aunt’s house at the
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Simon Holt: 3rd Quartet: String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
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Intermediate/advanced
Chester
Simon Holt's 3rd Quartet is the third of six pieces which make up a cycle with t...
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Simon Holt's 3rd Quartet is the third of six pieces which make up a cycle with the overall title 'Terrain'. Lasting around 23 minutes this wonderful work is arranged for String Quartet and wasco-commissioned by The Radcliffe Trust NMC Recordings Internationales Musikfestival Heidelberger Fruhling and Wigmore Hall. The premiere was performed on 19th January 2015. This is the set of parts for 2 Violins Viola andCello. The six different compositions of which 3rd Quartet is the third are for different combinations of stringed instruments featuring Piano in the second piece. The music thatcomprises 3rd Quartet is drawn from the other parts of the cycle as a whole yet in a reverse order. In this way the piece develops what has come before foreshadows what's to come all the while encompassingthe entire cycle in a single piece.
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Per Nørgård: String Quartet No.9 - Into The Source: String Quartet: Parts
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
PrefaceThe three movements of the quartet may be perceived as three different ex...
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PrefaceThe three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts; it is followed by a second movement whose basic mood of meditative rest is challenged by occasional centrifugal utbursts while the third movement takes the inherent conflicts to a higher level contrasting material of introspective lyricism with excessively pathetic moods.The final ?way out? is a retrograde one (back) ?into the source?: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The ?into thesource? of the title may be visualized as a reversed fountain-action: the broad fan-like spread of the first movement a more coherent-solid second movement and finally - in the third movement - a return-run ever more vehemently like a suction into the spring itself ?The musical motifs are varied; there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different but simultaneous tempi and there are more abstract upwards and downwards half-tone-scales with changing accents creating glimpses of melodies.INTO THE SOURCE String Quartet No. 9 was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fé in 2002 and in Oslo in 2003.Per Nørgård
57.50 GBP - Sold by Musicroom UK
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Per Nørgård: String Quartet No.9 - Into The Source: String Quartet: Score
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
PrefaceThe three movements of the quartet may be perceived as three different ex...
(+)
PrefaceThe three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts; it is followed by a second movement whose basic mood of meditative rest is challenged by occasional centrifugal utbursts while the third movement takes the inherent conflicts to a higher level contrasting material of introspective lyricism with excessively pathetic moods.The final ?way out? is a retrograde one (back) ?into the source?: through a constant accelerando-diminuendo the piece disappears into a vanishing point. The ?into thesource? of the title may be visualized as a reversed fountain-action: the broad fan-like spread of the first movement a more coherent-solid second movement and finally - in the third movement - a return-run ever more vehemently like a suction into the spring itself ?The musical motifs are varied; there are traffic-situations (which I heard!) with stomping and machine-like rhythms in different but simultaneous tempi and there are more abstract upwards and downwards half-tone-scales with changing accents creating glimpses of melodies.INTO THE SOURCE String Quartet No. 9 was composed on a double-commission from the Orion Quartet and the Vertavo Quartet. The premiere performances took places in Santa Fé in 2002 and in Oslo in 2003.Per Nørgård
42.50 GBP - Sold by Musicroom UK
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