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RECORDER
Violin, Basso continuo
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Chant Et Piano (Baryton Ou Mez… (53)
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Tenor (52)
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Orchestre Scolaire (51)
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Choeur et Orchestre (50)
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Soprano, Piano (50)
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Arcangelo Corelli: Sonatas For Violin & Basso Continuo Op. 5 VII-XII: Violin:
Violin, Basso continuo
Barenreiter
Volume 2-Score with realisation of the basso continuo by Tonelli as well as Core...
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Volume 2-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Arcangelo Corelli: Sonatas For Violin And Basso Continuo Op. 5 I-VI: Violin:
Violin, Basso continuo
Barenreiter
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Core...
(+)
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Georg Friedrich Händel: The Complete Sonatas For Violin And Basso Continuo:
Violin, Basso continuo
-
Intermediate/advanced
Faber Music Limited
The Sonatas for Violin and Basso Continuo are among some of Handel's most beauti...
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The Sonatas for Violin and Basso Continuo are among some of Handel's most beautiful writings for the Violin and are a beautiful addition to the repertoire of any advancing violinist. These sonatas are clearly presented with detailed editorial markings and suggestions along with a commentary on each work. This edition has been edited by Terence Best and the Basso Continuo has been realized by Peter Holman.The solo violin and basso continuo parts are also included on separate inserts.
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Georg Friedrich Händel: 6 Sonatas Hwv 380-381: Chamber Ensemble: Instrumental
Violin, Basso continuo
[Sheet music]
Barenreiter
for Oboe Violine (Oboe) and Basso continuo-By George Frideric Handel. Edited by...
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for Oboe Violine (Oboe) and Basso continuo-By George Frideric Handel. Edited by Hans Joachim Marx. For Soprano solo Violin 1 Violin 2 Basso continuo. Score; Urtext Edition. HWV deest. Duration 16'.
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Johann Baptist Georg Neruda: Sonate a-moll für Violine und Basso continuo:
Violin, Basso continuo
G. Henle
Sonata in a minor for Violin and Basso continuo-There has been increased general...
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Sonata in a minor for Violin and Basso continuo-There has been increased general interest in the Bohemian composer Johann Baptist Georg Neruda (c. 1711 1776) over the past few years especially due to his frequently played trumpet concerto. A respectedviolinist and longstanding member of the Dresden Court Orchestra he did however mainly compose for the Violin. The substantial and technically quite demanding Violin Sonata in a minor was published for the first timeever in 1982 as part of Henle's edition ?Bohemian Violin Sonatas? (HN 334). Henle are now proud to present it in a practical single edition with a new preface as well as an additional unmarked part.
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Johann Sebastian Bach: 2 Sonatas For Violin G Bwv 1021 E Min Bwv 1023:
Violin, Basso continuo
[Sheet music]
Barenreiter
About Sonatas in G major E-minor Fugue in G minor(BWV 1021 BWV 1023 BWV 1026...
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About Sonatas in G major E-minor Fugue in G minor(BWV 1021 BWV 1023 BWV 1026) By Johann Sebastian Bach (1685-1750) arranged by Meniker Zvi edited by Andrew Manze Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import). (BA.BA5167) ISBN M006466214. Baroque. 9x12 inches. First critical edition of a work firmly attributed to Bach: the G minor Fugue BWV 1026 Figured bass realization by Zvi Meniker Two violin parts: an Urtext part and a part marked with fingering and bowing suggestions by Andrew Manze Continuo part with bass figures This new edition supersedes the earlier performance edition ofsonatas BWV 1021 and 1023 published in the New Bach Edition. Like other volumes recently issued in revised editions - Sonatas and Partitas for Violin (BA 5116) Partita for Flute (BA 5187) and Six Sonatas for Violin and Obbligato Harpsichord in one volume (BA 5240) and in two volumes (BA 5118-19) - these two sonatas have been re-evaluated on the basis of newly unearthed sources. The Fugue BWV 1026 long considered spurious appears here for the first time in a scholarly-critical edition that places Bach's authorship above reproach
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Georg Philipp Telemann: Zwei Sonaten - Two Sonatas for Violin and BC: Violin:
Violin, Basso continuo
[Score and Parts]
Barenreiter
Sonata in F major TWV 41:F4 - Sonata in A major TWV 41:A6-These three editions (...
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Sonata in F major TWV 41:F4 - Sonata in A major TWV 41:A6-These three editions (BA 5880 BA 5889 BA 5890) each comprising two solo sonatas with basso continuo are all taken from Telemann’s famous Essercizii musici; a collection of 24 sonatas including 12 solo sonatas and 12 trio sonatas. These were moulded after Corelli’s Sonata da Chiesa and have four movements: slow-fast-slow-fast. The sonatas long thought to stem from the late 1730s are now believed to have first been published by the composer in approx. 1729. The main sources are the three part-books from the original edition of 1729.This first ever Urtext edition edited by the Bach and Telemann scholar Klaus Hofmann is taken from the Telemann Musical Works. Thecontinuo realizations are by the editor. First ever Urtext editions of these sonatasCharming works of easy to moderate technical difficultyStraight forward clear continuo realizations
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel‘s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
(+)
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Schott Violin Library
Violin, Basso continuo
Schott
The Schott Violin Library contains eleven varied Baroque sonatas for violin and ...
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The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue
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Antonio Vivaldi: Sonate per violino e basso continuo RV 11 RV 37: Violin
Violin, Basso continuo
Ricordi
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by M...
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Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.
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Sonate In E (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for viol...
(+)
e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni und Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. For the source of the first edition of the E minor Sonatathe second version of the work was used. Pisendel composed this version in around 1716, when he accompanied the Crown Prince of Saxony on a trip to Italy./ Répertoire / Violon et Basse Continue
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Antonio Vivaldi: Twelve Sonatas Op.2 - Volume 2: Violin: Instrumental Album
Violin, Basso continuo
Schott
For Violin and Basso Continuo; Cello ad lib.Sonata VII c minor (RV 8)Sonata VIII...
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For Violin and Basso Continuo; Cello ad lib.Sonata VII c minor (RV 8)Sonata VIII G major (RV 23)Sonata IX e minor (RV 16)Sonata X f minor (RV 21)Sonata XI D major (RV 9)Sonata XII a minor (RV 32)
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Giovanni Paolo Cima T. Cecchino: Three Early Italian Sonatas: Violin:
Violin, Basso continuo
[Sheet music + CD]
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Easy
Fentone Music
for violin & basso continuo
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Benedetto Marcello: Sonata in G major Opus 2 No. 5: Violin: Instrumental Work
Violin, Basso continuo
[Sheet music + CD]
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Easy
Fentone Music
for violin & basso continuo
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Telemann G. Ph. - Die Kleine Kammermusik
Violin, Basso continuo
Amadeus Press
6 Partitas violin (recorder, flute, oboe) and basso continuo
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De Fesch W. - Sechs Sonaten Vol. 1 - Violon Et Bc
Violin, Basso continuo
Hortus Musicus
Sechs Sonaten für Violine (Flöte, Oboe, Viola, Alt-Viola da gamba) und Basso c...
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Sechs Sonaten für Violine (Flöte, Oboe, Viola, Alt-Viola da gamba) und Basso continuo Sonaten D-dur, c-moll, e-moll. Für das Solo-Instrument Stimmen im Violin- und Viola-Schlüssel
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Georg Friedrich Händel: Sonatas - Volume 2: Violin: Instrumental Work
Violin, Basso continuo
[Score and Parts]
Peters
George Frideric Handel's Sonatas - Volume 2 written for solo Violin and Piano ...
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George Frideric Handel's Sonatas - Volume 2 written for solo Violin and Piano accompaniment. Includes the works Sonata in A major for violin and continuo HWV372 Op. 1 No. 14 Sonata in D major for violin and continuo HWV371 Op. 1 No. 13 and Sonata in E major for violin and continuo HWV373 Op. 1 No. 15.
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Sonate Da Chiesa A Violino Solo E Violoncello O Basso Continuo - Opera Quarta
Violin, Basso continuo
Anne Fuzeau Productions
Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Ed...
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Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Edition : Amsterdam, Etienne Roger, s.d. (=c. 1704)Présentation de Nicolas Fromageot : Notice biographique - Terminologie. / Violon Et Basse Continue / 48 pages / niveau : 1 / Fac-Similés - Format: 24 X 32
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Giuseppe Tartini: Tartini Volume 12: Sonata in A Major: Violin: Instrumental
Italiano
Violin, Basso continuo
Carisch
per Violino e Basso Continuo
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Giuseppe Tartini: Tartini Volume 19: Sonate del Volume Autografo: Violin:
Italiano
Violin, Basso continuo
[Sheet music]
Carisch
N.1-9 per Violino e Basso Continuo (o Violino ad Libitum)
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Giuseppe Tartini: Volume 03 : Concerto in la Maggiore D 96: Violin: Instrumental
Italiano
Violin, Basso continuo
Carisch
per Violino Archi e Basso Continuo (Set of Parts)
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Giuseppe Tartini: Volume 03: Concerto in la Maggiore D 96: Violin: Instrumental
Italiano
Violin, Basso continuo
Carisch
per Violino Archi e Basso Continuo Score
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Giuseppe Tartini: Tartini Volume 02: Concerto in D Major D24: Violin:
Violin, Basso continuo
Carisch
per Violino Archi e Basso Continuo
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Giuseppe Tartini: Tartini Volume 15: Concerto in A Minor D115: Violin:
Italiano
Violin, Basso continuo
Carisch
per Violino Archi e Basso Continuo
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Sonate Violin Solo E Basso 1: Violin: Instrumental Album
Violin, Basso continuo
Carisch
Sonate Violin Solo E Basso 1
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Tartini Giuseppe Volume 21A Le Sonate Del Autografo 19-23 Vln/Cont Fs
Italiano
Violin, Basso continuo
[Sheet music]
Carisch
N.19-23 per Violino e Basso Continuo (o Violino ad Libitum)
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Tartini Giuseppe Volume 20 Le Sonate Del Autografo 10-18 Vln/Cont Fs
Italiano
Violin, Basso continuo
[Sheet music]
Carisch
N.10-18 per Violino e Basso Continuo (o Violino ad Libitum)
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Schott Violin Library
Violin, Basso continuo
Schott
Separate bass part for performance e.g. with cello accompaniment.Schott Violin L...
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Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue
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