SKU: AP.50641
ISBN 9781470652500. UPC: 038081574950. English.
Mark Wood's arrangement of Any Way You Want It / Don't Stop Believin' showcases fun rock styles and classical technique. Right from the first notes with the anticipated first rhythm to the incorporation of the Don't Stop Believin' ending, you can celebrate the great band Journey and their fantastic rock riffs!
SKU: HL.44004811
UPC: 073999542554.
9 instrumental solos with catchy melodies: Beach Party * Cool It * In a Mood * St. Lucia * The Chase * Cheeky Monkey * Minor Incident * Double Density * If I Love You. Includes a play-along CD!
SKU: FG.55011-907-9
ISBN 9790550119079.
Kalevi Aho's Three pieces for young violin players (2023) celebrates the full potential of open strings, first position, glissandos that end up on natural harmonics. The young violin player gets the tell three stories:I Storming (Myrsky)II Meowing (Kissa naukuu)III Rain making (Sadetanssi)Premiere by the pupils of Pirkanmaa Music Institute at Tampere Biennale (Finland) in March 2024.
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
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