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Mendelssohn
RECORDER
Violin and Piano
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Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 e...
(+)
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 erste Fassung 1844 Edition no.BA 9099-92 ISMN 9790006565733 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon and Piano
Violin and Piano
Barenreiter
Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Z...
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Mendelssohn Bartholdy, Felix Konzert für Violine und Orchester e-Moll op. 64 Zweite Fassung 1845 Edition no.BA 9099-90 ISMN 9790006564347 Editor Todd, R. Larry / Brown, Clive Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première; the ?child prodigy? Joseph Joachim; and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn?s approval. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. Mendelssohn is full of praise for Léonard?s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)
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Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
Violin and Piano
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
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Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Felix Mendelssohn Bartholdy: Sonaten: Violin: Score
Violin and Piano
[Score and Parts]
Barenreiter
This edition is the first Urtext-edition of Mendelssohns sonatas for violin an p...
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This edition is the first Urtext-edition of Mendelssohns sonatas for violin an piano. Including early sonatas in F-Major (1820) as well as the sonata in f-Minor (1823) which the 14-year-old composer
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Felix Mendelssohn Bartholdy: Violin Concerto In E Minor Op.64: Violin:
Violin and Piano
Dover Publications
One of the most beloved concertos in the violin repertoire this piece features ...
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One of the most beloved concertos in the violin repertoire this piece features important formal innovations that place it on a par with the most significant works in the genre. Mendelssohn created the concerto specifically for Ferdinand David his close friend and concertmaster of the Leipzig Gewandhaus Orchestra for which the composer served as conductor. An instant success upon its 1845 premiere the concerto remains essential to the repertoire of every aspiring violin virtuoso.Edited by the distinguished teacher and performer Leopold Auer this authoritative practice and performance edition includes a 16-page insert of a separate removable violin part.Professional and amateur musicians alike will appreciate this durable yet inexpensive edition which features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment.Reprint of the Carl Fischer New York 1917 edition.
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Mendelssohn Felix - Violin Concerto In D Minor - Violin And Piano
Violin and Piano
Peters
Instrumentation: Vln—Pf Editor: Menuhin, Sir Yehudi Format: Sheet Mu...
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Instrumentation: Vln—Pf Editor: Menuhin, Sir Yehudi Format: Sheet Music Details: Violin and Piano Contents: This concerto was composed between 1821 and 1823, when Mendelssohn was 12 to 14 years old (during the same period as the 12 string symphonies).
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Leipziger Ausgabe - Serie III - BD 6 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
Breitkopf & Härtel
Der Werke von Felix Mendelssohn Bartholdy. Par MENDELSSOHN-BARTHOLDY FELIX. The ...
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Der Werke von Felix Mendelssohn Bartholdy. Par MENDELSSOHN-BARTHOLDY FELIX. The Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy pursues the goal of making accessible to the public in an adequately scholarly form all of Mendelssohn?s accessible compositions, letters and writings, along with all other documents of his artistic oeuvre. A considerable number of Mendelssohn?s works are still waiting to be published; many others have been published in an unsatisfactory manner. Though the new Mendelssohn Complete Edition follows the ten volumes of the Leipziger Mendelssohn Ausgabe (LMA) published by the Deutscher Verlag für Musik (DVfM) in Leipzig since 1961, it sees itself as a fundamentally new conception which reflects the present-day standard of scholarly editions. The first volumes of the new Complete Edition were presented in Leipzig on 3 November 1997 at ?Mendelssohn Festtage? in Leipzig. SON 411 - 413 have been awarded the German Music Edition Prize 2006. / Date parution : 2022-10-12/ Recueil / Violon et Piano
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Andante from Symphony No. 5 in D minor Op. 107, Reformation (MENDELSSOHN BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
Peters
Par MENDELSSOHN BARTHOLDY FELIX. The latest transcription from Simon Fischer of ...
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Par MENDELSSOHN BARTHOLDY FELIX. The latest transcription from Simon Fischer of the Andante movement from Symphony No. 5 in D minor, Op. 107, composed in 1830 in honor of the 300th anniversary of the Presentation of the Augsburg Confession. Following in the tradition of 19th and 20th century transcriptions, Simon Fischer has carefully arranged these beautiful pieces for violin and piano. Each has suggested bowings and fingerings to help players get the most out of these works as quickly as possible. / Instrumental Music / Répertoire / Violon et Piano
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Felix Mendelssohn Bartholdy: Concerto In D Minor: Violin: Instrumental Work
Violin and Piano
[Reduction]
Peters
Felix Mendelssohn's Concerto In D Minor composed for Violin and Piano accompani...
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Felix Mendelssohn's Concerto In D Minor composed for Violin and Piano accompaniment.
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Romances Sans Paroles Op. 67 #2 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
FLEX Editions
Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Pia...
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Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Piano
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Romances Sans Paroles Op. 62 #6 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
FLEX Editions
Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Pia...
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Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Piano
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Romances Sans Paroles Op. 53 #2 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
FLEX Editions
Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Pia...
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Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Piano
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Romances Sans Paroles Op. 67 #1 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
FLEX Editions
Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Pia...
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Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Piano
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Romances Sans Paroles Op. 85 #6 (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
FLEX Editions
Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Pia...
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Violin and Piano. Par MENDELSSOHN-BARTHOLDY FELIX. / Répertoire / Violon et Piano
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Felix Mendelssohn Concerto In E Minor Op.64 - Violin
Violin and Piano
[Score and Parts]
Schirmer
Description Felix Mendelssohn: Concerto In E Minor Op.64 (Violin/Piano) Edite...
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Description Felix Mendelssohn: Concerto In E Minor Op.64 (Violin/Piano) Edited by Henry Schradieck.
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Violin Concerto E Minor Op. 64
Violin and Piano
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Easy
G. Henle
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...
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Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Mendelssohn Bartholdy Felix et éditée par Henle cette partition est idéale pour les joueurs de Violon. Si l'instrumentation Violon Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violon Et Piano / 4 + 1 P.S. pages / niveau : 2 / Editions Instrumentales - Format: 23 X 31
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Marche Nuptiale (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Score and Parts]
-
Intermediate
FLEX Editions
Arrgt: Labrousse-Baert Sarah. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Violo...
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Arrgt: Labrousse-Baert Sarah. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Violon et Piano. Instrumentation : Violon, Piano. Niveau de Difficulté : 3/6 - Intermédiaire. Durée : 3'00. Style Musical : Classique, Pédagogique. Catégorie : Arrangement. Compositeur : MENDELSSOHN-BARTHOLDY Felix. Arrangeur : LABROUSSE-BAERT Sarah / Niveau : Intermédiaire / Classique, Pédagogique / Répertoire / Violon et Piano
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Miniatures Book 2 Violin/Piano (MENDELSSOHN-BARTHOLDY FELIX)
Violin and Piano
[Sheet music]
Bosworth
Par MENDELSSOHN-BARTHOLDY FELIX. En anglais / Romantic / Date parution : 2002-...
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Par MENDELSSOHN-BARTHOLDY FELIX. En anglais / Romantic / Date parution : 2002-01-07/ Répertoire / Violon et Piano
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Song Without Words Op. 30/3
Violin and Piano
Schott
'Songs Without Words' - c'est ce que Felix Mendelssohn Bartholdy (1809-1847) a a...
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'Songs Without Words' - c'est ce que Felix Mendelssohn Bartholdy (1809-1847) a appelé ses pièces pour piano, des miniatures lyriques romantiques dans lesquelles le compositeur voulait 'chanter' sur l'instrument à clavier. Avec eux, il a inventé une forme entièrement nouvelle de la musique de chambre au 19ème siècle. Ces 'Songs' sont également parfaitement adapté pour le jeu en duo: pour un instrument mélodique avec accompagnement de piano. La 'Chanson sans paroles' Op. 30/3 est un solo lyrique enrichissante. / Violon Et Piano
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