Rockschool is about singing the songs you love. Your Vocals Grade 6 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 6 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 6 exam.This book for female vocalists contains the songs:Since U Been Gone - Kelly ClarksonAngel - Sarah McLachlanGod Bless The Child - Sarah VaughanHalo - BeyonceOn My Own - Les MiserablesWherever You Will Go - Charlene SoraiaOther features include:Fact Files: band and artists background information with recommended listening.Backing tracks: high quality recordings to sing along to in Rockschool exams.Downloadable audio: use your download card for easy access to your audio.Vocal scores: easy-to-follow separate Vocals scores.Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. / Voix

Whether you're a karaoke singer or preparing for an audition, the Pro Vocal series is for you. The book contains the lyrics, melody, and chord symbols for eight hit songs. The CD contains demos for listening and separate backing tracks so you can sing along. The CD is playable on any CD, but it is also enhanced for PC and Mac computer users so you can adjust the recording to any pitch without changing the tempo! Perfect for home rehearsal, parties, auditions, corporate events, and gigs without a backup band. This volume includes 8 dance favorites, each in the style of the artist listed: Boogie Fever (The Sylvers) - Da Ya Think I'm Sexy (Rod Stewart) - Get Down Tonight (KC and the Sunshine Band) - Love Rollercoaster (Ohio Players) - Stayin' Alive (The Bee Gees) - Super Freak (Rick James) - That's the Way (I Like It) (KC and the Sunshine Band) - Y.M.C.A. (Village People). / Voix

Arrangeur: P.A. Chiti. This volume offers a sampling of fourteen great vocal works from the Romantic era for Medium and Low voice that have long been out of the common consciousness but not been entirely forgotten! Rossini and Donizetti among others, wrote songs for everybody from prima donnas to amateurs, each with an impressive sensitivity and depth. Editor and mezzo-soprano, Patricia Atkins Chiti, has drawn from her personal collection of songs, many of which have been out of print for more than a century. Italian Art Songs of the Romantic Era contains fourteen fabulous songs, a detailed foreword that introduces the Romantic era and the Romanze, providing an excellentway for young singers to learn the style of major composers. There is carefully edited text and music, an extensive background to each composer and each song, translations and even phonetic pronunciation guides for Italian. / Répertoire d'Examen / Recueil / Voix

Par HARRIS PAUL. Firmly rooted in Paul Harris' Simultaneous Learning approach, this new edition of Improve your sight-singing! Grades 4-5 is designed to help overcome all the stumbling blocks to successful sight-singing. Step by step you will build up a complete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by making connections to your wider music-making, studying prepared pieces and finally 'going solo' with a series of meticulously graded sight-singing pieces. These new editions of the best-selling Improve your sight-singing! series have been simplified into two (midrange) volumes, making them suitable for instrumentalists who wish to improve their singing as well as for singers preparing for sight-singing in vocal exams. The books feature over 100 completely new practice exercises throughout and have been brought up to date to match the latest ABRSM sight-singing criteria. / Niveau : 4 à 5 / Etude / Voix

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

Handel's dramatic cantata Apollo And Daphne belongs to the composer's early years in Italy. It seems likely to have been written in Rome, where Handel lived intermittently between 1707 and 1710. Opera in Rome had been placed under a papal ban, but musical society in the performance of dramatic cantatas, which possessed most of the features of opera without requiring elaborate staging. Handel's plainly dramatic intentions in this cantata are reinforced by the appearance of much of its music in his later operas. / Voix

A set of five classic songs by successful seventies Swedish superstars, Abba! They have been wonderfully arranged here for SATB choir with Piano accompaniment. This is a terrific set, suitable for youth choirs and more experienced groups looking for light material. These perfect pop pieces, by Benny Andersson and Bjorn Ulvaeus, are as popular today as ever and will delight audiences and excite singers making them ideal for performances large and small, formal and informal! The Piano accompaniment also includes chord symbols to add Guitar. / Voix

Par DIAMOND EILEEN. 29 bright and happy songs written by favourite children's TV songwriter Eileen Diamond and sung by 'Fizz' from The Tweenies. Ideal for use at home or in nurseries and primary schools (early years through to Key Stage 2), this book, with 2 CDs includes action songs, feel-good songs, rhythmic songs and funny songs. The songs cover everyday topics that children will love and have been carefully designed to stimulate language development, creativity, co-ordination, memory, rhythmic response and concentration. No music reading is required as the CD contains demonstrations of all the songs as well as fun backing tracks and piano/ Recueil / Voix

For SATB choir with piano accompaniments. Also available for SSA: NOV078815. The Novello Choral Programme is the creation of a panel of advisors pre-eminent in the British music scene. They have been chosen for their experience in choral conducting, concert work and music education. This album includes arrangements of such hits as California Dreamin' , Mamma Mia and O Happy Day . / Voix

Par FAGERLUND SEBASTIAN. Based on the film by Ingmar Bergman, Sebastian Fagerlund’s Autumn Sonata follows Charlotte Andergast, a celebrated concert pianist, as she visits the country home of her adult daughter, Eva. Charlotte has not seen Eva for seven years, during which time Eva and her husband Viktor have lost their three-year-old son Erik. Eva’s sister, Helena (Charlotte’s daughter), had been held in an institution but now (unbeknownst to Charlotte) lives with Eva and Viktor. Charlotte brings with her her need for adulation, imagining the chorus as an admiring concert audience applauding her every decision. When the family members converge under one roof after years of separation, they begin to delve into the past and old wounds?despite their good intentions?are reopened. Autumn Sonata was commissioned by the Finnish National Opera and premiered in Helsinki on 8 September 2017 with the Finnish National Opera Orchestra and Chorus conducted by John Storgårds. The direction and set design was made by Stéphane Braunschweig and the premiere cast included Anne Sofie von Otter, Erika Sunnegårdh, Helena Juntunen, Tommi Hakala and Nicholas Söderlund. / Instrumental Music / Répertoire / Voix

32 Schottische Lieder Für 1-2 Singstimmen, Violine, Vc Und Klavier. Par PLEYEL IGNAZ. The braes of Ballenden (Urfassung) - The braes of Ballenden (Zweitfassung) - She rose and loot me in - Tweedside - The mill mill O - The bush aboon Traquair (bisher unveröff.) - The bush aboon Traquair - Lochaber - The waefu' heart (bisher unveröff.) - The waefu' heart - I'll never leave thee (bisher unveröff.) - I'll never leave thee - Corn riggs - Donald - The last time I came o'er the muir - Gilderoy - The ewe bughts - Sae merry as we ha'e been/ Répertoire / Voix

Que vous prépariez une audition ou que vous soyez un chanteur de karaoké cette collection est faite pour vous. Pro Vocal met à votre disposition les paroles, lignes mélodiques et accords guitare de 8 chansons. Le livre est accompagné d'un CD contenant 2 versions de chaque morceaux : un démo complète et une version sans chant. / Chant Et Guitare